Illustrated History of Ancient Literature, Oriental and Classical (Classic Reprint)


Book Description

Excerpt from Illustrated History of Ancient Literature, Oriental and Classical Literature, in its broadest sense, comprises the written productions Of all nations in all ages. It is the permanent expression Of the intellectual power Of man, and reflects the popular manners, the political condition, the moral and relig ious status. In its literary productions, a nation bequeaths to posterity an ever-speaking record Of its inner life. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.




The Oxford Illustrated History of English Literature


Book Description

Traces the history of English literature from Anglo-Saxon poetry to the present day.







Illustrated History of Ancient Literature, Oriental and Classical


Book Description

Excerpt from Illustrated History of Ancient Literature, Oriental and Classical The History of Literature, as a separate branch of the history of civilization, is of comparatively recent origin; the first work on the subject in any language dating no farther back than the sixteenth century of our era, and being little more than a crude catalogue of authors and their books. Yet who can deny the great importance of such history? When studied in connection with illustrative extracts from the masterpieces of which it treats, it furnishes a key to the intellectual development of our race, introduces us to the great minds that stand as beacon lights in successive ages, and with their wisdom widens the scope of knowledge, while it refines the taste and disciplines the judgment. Lord Bacon said but the truth, when he remarked that the history of the world without the history of letters would be as incomplete as a statue of Polyphemus deprived of his single eye. Nor is this study without results of a direct practical bearing. Certainly all must appreciate the importance of understanding current allusions to the writers and literary works of other ages and countries, and must admit that some acquaintance at least with such writers and works is essential to a well-grounded knowledge of one's own language and a correct estimate of its literature. But when is such an acquaintance to be obtained, if not during a school or college course? The engrossing duties of after-life leave little time for the pursuit of liberal studies. And how is such an acquaintance to be obtained? All are not linguists, and the greater part must get it second-hand - must avail themselves of the labors of others who have delved in these unfamiliar fields. It may be stated as a broad fact that few will know anything of general literature who do not study its history systematically, as a part of the academic curriculum. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.




The Cambridge Illustrated History of Ancient Greece


Book Description

Sumptuously illustrated in color and packed with information, The Cambridge Illustrated History of Ancient Greece is now available for the first time in paperback. Offering fresh interpretations of classical Greek culture, the book devotes as much attention to social, economic and intellectual aspects as to politics and war. Paul Cartledge and his team of contributors ask what it was like for an ordinary person to partake in "the glory that was Greece." They examine the influences of the environment and economy; the experience of workers, soldiers, slaves, peasants and women; and the roles of myth and religion, art and culture, and science and education. This is a cultural history from the bottom up, which lays bare the far-reaching linguistic, literary, artistic and political legacy of ancient Greece, and seeks justification for Shelley's claim that "we are all Greeks." Paul Cartledge is Professor in Greek History in the Faculty of Classics at the University of Cambridge and is Fellow and Director of Studies in Classics at Clare College, Cambridge. He is the author of several books about ancient Greece, including Spartan Reflections (California, 2001), Hellenistic and Roman Sparta (Routledge, 2001) and Sparta and Lakonia (Routledge, 2002).




The Oxford Illustrated History of the Book


Book Description

In 14 original essays, The Oxford Illustrated History of the Book reveals the history of books in all their various forms, from the ancient world to the digital present. Leading international scholars offer an original and richly illustrated narrative that is global in scope. The history of the book is the history of millions of written, printed, and illustrated texts, their manufacture, distribution, and reception. Here are different types of production, from clay tablets to scrolls, from inscribed codices to printed books, pamphlets, magazines, and newspapers, from written parchment to digital texts. The history of the book is a history of different methods of circulation and dissemination, all dependent on innovations in transport, from coastal and transoceanic shipping to roads, trains, planes and the internet. It is a history of different modes of reading and reception, from learned debate and individual study to public instruction and entertainment. It is a history of manufacture, craftsmanship, dissemination, reading and debate. Yet the history of books is not simply a question of material form, nor indeed of the history of reading and reception. The larger question is of the effect of textual production, distribution and reception - of how books themselves made history. To this end, each chapter of this volume, succinctly bounded by period and geography, offers incisive and stimulating insights into the relationship between books and the story of their times.




The Black Church


Book Description

The instant New York Times bestseller and companion book to the PBS series. “Absolutely brilliant . . . A necessary and moving work.” —Eddie S. Glaude, Jr., author of Begin Again “Engaging. . . . In Gates’s telling, the Black church shines bright even as the nation itself moves uncertainly through the gloaming, seeking justice on earth—as it is in heaven.” —Jon Meacham, New York Times Book Review From the New York Times bestselling author of Stony the Road and The Black Box, and one of our most important voices on the African American experience, comes a powerful new history of the Black church as a foundation of Black life and a driving force in the larger freedom struggle in America. For the young Henry Louis Gates, Jr., growing up in a small, residentially segregated West Virginia town, the church was a center of gravity—an intimate place where voices rose up in song and neighbors gathered to celebrate life's blessings and offer comfort amid its trials and tribulations. In this tender and expansive reckoning with the meaning of the Black Church in America, Gates takes us on a journey spanning more than five centuries, from the intersection of Christianity and the transatlantic slave trade to today’s political landscape. At road’s end, and after Gates’s distinctive meditation on the churches of his childhood, we emerge with a new understanding of the importance of African American religion to the larger national narrative—as a center of resistance to slavery and white supremacy, as a magnet for political mobilization, as an incubator of musical and oratorical talent that would transform the culture, and as a crucible for working through the Black community’s most critical personal and social issues. In a country that has historically afforded its citizens from the African diaspora tragically few safe spaces, the Black Church has always been more than a sanctuary. This fact was never lost on white supremacists: from the earliest days of slavery, when enslaved people were allowed to worship at all, their meetinghouses were subject to surveillance and destruction. Long after slavery’s formal eradication, church burnings and bombings by anti-Black racists continued, a hallmark of the violent effort to suppress the African American struggle for equality. The past often isn’t even past—Dylann Roof committed his slaughter in the Mother Emanuel AME Church 193 years after it was first burned down by white citizens of Charleston, South Carolina, following a thwarted slave rebellion. But as Gates brilliantly shows, the Black church has never been only one thing. Its story lies at the heart of the Black political struggle, and it has produced many of the Black community’s most notable leaders. At the same time, some churches and denominations have eschewed political engagement and exemplified practices of exclusion and intolerance that have caused polarization and pain. Those tensions remain today, as a rising generation demands freedom and dignity for all within and beyond their communities, regardless of race, sex, or gender. Still, as a source of faith and refuge, spiritual sustenance and struggle against society’s darkest forces, the Black Church has been central, as this enthralling history makes vividly clear.




Ancient Rome


Book Description

An authoritative account of political and military history, art, architecture and culture, sumptously illustrated throughout.