Likeness and Presence


Book Description

Before the Renaissance and Reformation, holy images were treated not as "art" but as objects of veneration which possessed the tangible presence of the Holy. the faithful believed that these images served as relics and were able to work miracles, deliver oracles, and bring victory to the battlefield. In this magisterial book, Hans Belting traces the long history of the sacral image and its changing role--from surrogate for the represented image to an original work of art--in European culture. Likeness and Presence looks at the beliefs, superstitions, hopes, and fears that come into play as people handle and respond to sacred images, and presents a compelling interpretation of the place of the image in Western history. -- Back cover




In God's Image and Likeness


Book Description




My Likeness Taken


Book Description

During the nineteenth century - a time of great technical and cultural change - fashion was a cultivating force in the development of American society, influenced by one's social status, geographic location, and economic standing. My Likeness Taken is a collection of daguerreotype portraits of men, women, and children taken between 1840 and 1860. Selected from the top collections in the United States, each image is analyzed to clarify datable clothing and fashion components. With subjects from among the best-dressed members of society, these portraits - reproduced in full color - reflect the latest fashion developments, trends, and influences. For students of photographic and costume history, this is extraordinary material. Many of these images have never before been published, and Severa's keen analysis adds immeasurably to our understanding of the importance of dress in American society. Photo archivists and collectors, costume curators, social historians, material culturalists, and theater designers will find My Likeness Taken an invaluable resource.




Drawing on the Right Side of the Brain


Book Description

Presents a set of basic exercises designed to release creative potential and tap into the special abilities of the brain's right hemisphere.




God Created Man in His Image and Likeness


Book Description

Everyone who reads the Bible must admit that it tells us to do things that we never have done and cannot do in our fleshly bodies. One reason is that God our Creator is telling us what He wants us to be and do as created in His image and likeness. Our purpose is in our image and likeness of God our Creator, not like the dust of the ground or the flesh of our parents. Most children dont know that they are created in the image and likeness of God, and their parents have not asked God for His spirit for their children so they can be taught this vital truth. The reason parents dont ask God for His spirit for their children is because they dont recognize the need for Him. There are several things mankind cannot do in the flesh, and they must recognize their origin in the image and likeness of God. Mankind must recognize being in the image and likeness of God to, first, love God with all their being and love his neighbors as himself; second, to obey God and his parents as required in Gods word; third, to trust God with all his heart; fourth, to worship God in spirit and in truth; and fifth, to glorify God in his body and spirit, which are God. The devil does not want mankind to know that he is created in the image and likeness of God because man will always defeat Satan and fulfill God's will.







The Photo-miniature


Book Description




Images of Excellence


Book Description

Plato was the first great figure in Western philosophy to assess the value of the arts; he famously argued in the Republic that traditionally accepted forms of poetry, drama, and music are unsound, claiming they are conducive to warped ethical standards, detrimental to the psyche, and purveyors of illusions about important matters in human life. This view has been widely rejected; but Christopher Janaway here argues that Plato's hostile case is a more coherent and profound challenge to the arts than has sometimes been supposed. Denying that Plato advocates `good art' in any modern sense, Dr Janaway seeks both to understand Plato's critique in the context of his own philosophy and to locate him in today's philosophy of art, showing how issues in aesthetics arise from responses to his charges. Plato's questions about beauty, emotion, representation, ethical knowledge, artistic autonomy, and censorship are of contemporary relevance as formerly secure assumptions about the value of art and the aesthetic come under scrutiny. Images of Excellence gives a new and original view of a famous issue in the history of philosophy; it is written not only for readers working in ancient philosophy, but for all who are interested in aesthetics, art theory, and literary theory.




Speaking Likenesses


Book Description

Reprint of the original, first published in 1875.