Images Beyond Imagination


Book Description







Imaginal Politics


Book Description

Between the radical, creative capacity of our imagination and the social imaginary we are immersed in is an intermediate space philosophers have termed the imaginal, populated by images or (re)presentations that are presences in themselves. Offering a new, systematic understanding of the imaginal and its nexus with the political, Chiara Bottici brings fresh perspective to the formation of political and power relationships and the paradox of a world rich in imagery yet seemingly devoid of imagination. Bottici begins by defining the difference between the imaginal and the imaginary, locating the imaginal's root meaning in the image and its ability to both characterize a public and establish a set of activities within that public. She identifies the imaginal's critical role in powering representative democracies and its amplification through globalization. She then addresses the troublesome increase in images now mediating politics and the transformation of politics into empty spectacle. The spectacularization of politics has led to its virtualization, Bottici observes, transforming images into processes with an uncertain relationship to reality, and, while new media has democratized the image in a global society of the spectacle, the cloned image no longer mediates politics but does the act for us. Bottici concludes with politics' current search for legitimacy through an invented ideal of tradition, a turn to religion, and the incorporation of human rights language.




Beyond Imagination


Book Description

This book contains my photos.




Imaginal Politics


Book Description

Between the radical, creative capacity of our imagination and the social imaginary we are immersed in is an intermediate space philosophers have termed the imaginal, populated by images or (re)presentations that are presences in themselves. Offering a new, systematic understanding of the imaginal and its nexus with the political, Chiara Bottici brings fresh insight into the formation of political and power relationships and the paradox of a world rich in imagery yet seemingly devoid of imagination. Bottici begins by defining the difference between the imaginal and the imaginary, locating the imaginalÕs root meaning in the image and its ability to both characterize a public and establish a set of activities within that public. She identifies the imaginalÕs critical role in powering representative democracies and its amplification through globalization. She then addresses the troublesome increase in images now mediating politics and the transformation of politics into empty spectacle. The spectacularization of politics has led to its virtualization, Bottici observes, transforming images into processes with an uncertain relationship to reality, and, while new media has democratized the image in a global society of the spectacle, the cloned image no longer mediates politics but does the act for us. Bottici concludes with politicsÕ current search for legitimacy through an invented ideal of tradition, a turn to religion, and the incorporation of human rights language.




The Secret Doorway


Book Description

A pictorial drama of the creation of Heaven and Earth based upon the awe-inspiring photo images from the Hubble and Spitzer space telescopes. Author, Paul Hutchins uncovers a grand drama on a universal scale that has been playing out since the invention of the telescope. He poses the question, is this grand drama merely in response to an ancient invitation recorded in the Book of Isaiah? It states in Isaiah 40:26, ""Look up into the heavens."" Who created all the stars? Through the use of his imagination and the invention of the telescope, man has discovered a once secret doorway to a world beyond imagination. He has now, in this age of cutting edge technology developed flying space telescopes in his quest to know, how did we get here? What he has found has astounded him. Hutchins farther poses the question; if it took over 400 years of man’s imagination from when the telescope was invented, and countless other inventions including the Hubble and Spitzer space telescopes, to merely take photo images of the universe, then who’s imagination is responsible for the reality those photo images represent? As we peer through this doorway to the heavens and look upon these heavenly cosmic bodies, we find ourselves awed by their grandeur. The pressing question becomes too large to ignore. Who is responsible for all these things? Could it be that we are now peering into the mind of a supreme architect with an imagination far beyond that of mere mortals? Could we be peering into the mind of imagination supreme? Could it be that we have been brought to this point in history unbeknownst to ourselves and given this technology by the one who extended that ancient invitation recorded by Isaiah 2700 years ago?




Beyond Imagination


Book Description

"Is there more to life than we know?"--t.p.




Plague Image and Imagination from Medieval to Modern Times


Book Description

This edited collection brings together new research by world-leading historians and anthropologists to examine the interaction between images of plague in different temporal and spatial contexts, and the imagination of the disease from the Middle Ages to today. The chapters in this book illuminate to what extent the image of plague has not simply reflected, but also impacted the way in which the disease is experienced in different historical periods. The book asks what is the contribution of the entanglement between epidemic image and imagination to the persistence of plague as a category of human suffering across so many centuries, in spite of profound shifts in our medical understanding of the disease. What is it that makes plague such a visually charismatic subject? And why is the medical, religious and lay imagination of plague so consistently determined by the visual register? In answering these questions, this volume takes the study of plague images beyond its usual, art-historical framework, so as to examine them and their relation to the imagination of plague from medical, historical, visual anthropological, and postcolonial perspectives.




United State of America


Book Description

The author, Isabella Fiallo, is a nine-year-old girl who sees books as bridges to the world of imagination. She hopes other kids can be inspired to do the same! This fiction book is based on a true story. Find out what is possible when a child's imagination takes over an entire family. Juliet, the main character in the book, is dreaming about going to Disney World, but there was one big obstacle in her way-her dad. See how Juliet used her wits and imagination to become the first person in her father's family to visit Disney World, thereby making her dream come true. This inspirational book is for all kids who want to develop their creativity and cleverness in order to fulfill their hopes and aspirations.HERE IS WHAT YOU WILL RECEIVE WITH YOUR PURCHASE:"Beyond Imaginations and Dreams"-the book."Dad Ends Up In Disney"-a picture book by Isabella at age five. Book discussion guide-to engage book clubbers. An enrichment project-to create possibilities for the reader. Activity #1-step-by-step instructions to create a twelve-page book. Activity #2-step-by-step instructions to create a seven-chapter book. Twenty inspirational quotes-to reinforce positive habits. Seven Poems-enjoy kids' wisdom at it best. Book Contest-Instructions on how to participate. Inspiration to make your dreams come true-no matter what your age is. Support for Classical Theater, Education, and Wildlife-10% of the profits of these books will be donated to those causes.AUTHOR'S NOTEI am writing this book to inspire other kids to write their own books so that I can read the incredible stories from their imaginations. My book may not have the perfect writing as a book written by an adult would have, but I do not want to wait until I become an adult to write this book. I am using writing as the bridge to my imagination; after all, I am only nine years old.TESTIMONIALS"This book takes you on a youthful, playful journey through an intellectual childhood dream-all expressed in an articulate vivid manner of a literary master." -Gary Salvit, Jewelry Architect




Image and Reality


Book Description

Nineteenth-century chemists were faced with a particular problem: how to depict the atoms and molecules that are beyond the direct reach of our bodily senses. In visualizing this microworld, these scientists were the first to move beyond high-level philosophical speculations regarding the unseen. In Image and Reality, Alan Rocke focuses on the community of organic chemists in Germany to provide the basis for a fuller understanding of the nature of scientific creativity. Arguing that visual mental images regularly assisted many of these scientists in thinking through old problems and new possibilities, Rocke uses a variety of sources, including private correspondence, diagrams and illustrations, scientific papers, and public statements, to investigate their ability to not only imagine the invisibly tiny atoms and molecules upon which they operated daily, but to build detailed and empirically based pictures of how all of the atoms in complicated molecules were interconnected. These portrayals of “chemical structures,” both as mental images and as paper tools, gradually became an accepted part of science during these years and are now regarded as one of the central defining features of chemistry. In telling this fascinating story in a manner accessible to the lay reader, Rocke also suggests that imagistic thinking is often at the heart of creative thinking in all fields. Image and Reality is the first book in the Synthesis series, a series in the history of chemistry, broadly construed, edited by Angela N. H. Creager, John E. Lesch, Stuart W. Leslie, Lawrence M. Principe, Alan Rocke, E.C. Spary, and Audra J. Wolfe, in partnership with the Chemical Heritage Foundation.