Justice Connections


Book Description

Former High Court judge of Australia, the Hon Michael Kirby, AC, CMG, in addressing the symposium that has evolved into this book, stressed the need for vigilance in the pursuit and protection of justice. Justice Connections is evidence of such vigilance. The book is a veritable smorgasbord of subjects – violence against women, Indigenous people, sentencing, genetic profiling, cultural exceptionalism, arbitral proceedings and environmental law. However, certain themes are constant. The notion of respect for the individual and their personal characteristics underpins the analyses in the book. Accordingly, a number of contributors examine the need to recognise and protect the potentially vulnerable in society. There is recognition too of the significance of the public interest and public participation in just policy and decision-making. Whilst the principle of the rule of law is a constant in civilised society another message of the book is that its form is very much an evolving beast. Furthermore, the book illustrates that justice is not synonymous with law, but more, as Professor Margaret Thornton concludes, ‘a performative idea that is played out differently in different sites by different actors’.




Justice Blindfolded


Book Description

Justice Blindfolded gives an overview of the history of “justice” and its iconography through the centuries. Justice has been portrayed as a woman with scales, or holding a sword, or, since the fifteenth century, with her eyes bandaged. This last symbol contains the idea that justice is both impartial and blind, reminding indirectly of the bandaged Christ on the cross, a central figure in the Christian idea of fairness and forgiveness. In this rich and imaginative journey through history and philosophy, Prosperi manages to convey a full account of the ways justice has been described, portrayed and imagined. Translation of Giustizia bendata. Percorsi storici di un'immagine (Einaudi, 2008).




The Marrano Factory


Book Description

First published in Portuguese in 1969, this is the only work by Antonio Jose Saraiva available in English and the only single-volume history devoted primarily to the working of the Portuguese Inquisition, a most lucid and compact survey. "The Marrano Factory" argues that the Portuguese Inquisition s stated intention of extirpating heresies and purifying Portuguese Catholicism was a monumental hoax; the true purpose of the Holy Office was the fabrication rather than the destruction of "Judaizers."




The Inquisition in New Spain, 1536–1820


Book Description

The Inquisition! Just the word itself evokes, to the modern reader, endless images of torment, violence, corruption, and intolerance committed in the name of Catholic orthodoxy and societal conformity. But what do most people actually know about the Inquisition, its ministers, its procedures? This systematic, comprehensive look at one of the most important Inquisition tribunals in the New World reveals a surprisingly diverse panorama of actors, events, and ideas that came into contact and conflict in the central arena of religious faith. Edited and annotated by John F. Chuchiak IV, this collection of previously untranslated and unpublished documents from the Holy Office of the Inquisition in New Spain provides a clear understanding of how the Inquisition originated, evolved, and functioned in the colonial Spanish territories of Mexico and northern Central America. The three sections of documents lay out the laws and regulations of the Inquisition, follow examples of its day-to-day operations and procedures, and detail select trial proceedings. Chuchiak’s opening chapter and brief section introductions provide the social, historical, political, and religious background necessary to comprehend the complex and generally misunderstood institutions of the Inquisition and the effect it has had on societal development in modern-day Mexico, Guatemala, El Salvador, Nicaragua, and Honduras. Featuring fifty-eight newly translated documents, meticulous annotations, and trenchant contextual analysis, this documentary history is an indispensable resource for anyone seeking to understand the Inquisition in general and its nearly three-hundred-year reign in the New World in particular.




IAHCCJ Bulletin


Book Description




The Shocking Ballad Picture Show


Book Description

This book introduces anglophone readers to the ballad picture show, a cultural institution which anticipated both the cinema and the tabloid press.




France in the Enlightenment


Book Description

A panorama of a whole civilization, a world on the verge of cataclysm, unfolds in this magisterial work by the foremost historian of eighteenth-century France. Since Tocqueville's account of the Old Regime, historians have struggled to understand the social, cultural, and political intricacies of this efflorescence of French society before the Revolution. France in the Enlightenment is a brilliant addition to this historical interest. France in the Enlightenment brings the Old Regime to life by showing how its institutions operated and how they were understood by the people who worked within them. Daniel Roche begins with a map of space and time, depicting France as a mosaic of overlapping geographical units, with people and goods traversing it to the rhythms of everyday life. He fills this frame with the patterns of rural life, urban culture, and government institutions. Here as never before we see the eighteenth-century French "culture of appearances": the organization of social life, the diffusion of ideas, the accoutrements of ordinary people in the folkways of ordinary living--their food and clothing, living quarters, reading material. Roche shows us the eighteenth-century France of the peasant, the merchant, the noble, the King, from Paris to the provinces, from the public space to the private home. By placing politics and material culture at the heart of historical change, Roche captures the complexity and depth of the Enlightenment. From the finest detail to the widest view, from the isolated event to the sweeping trend, his masterly book offers an unparalleled picture of a society in motion, flush with the transformation that will be its own demise.




Cosmos and Image in the Renaissance


Book Description

Renaissance images could be real as well as linguistic. Human beings were often believed to be an image of the cosmos, and the sun an image of God. Kathryn Banks explores the implications of this for poetic language and argues that linguistic images were a powerful tool for rethinking cosmic conceptions. She reassesses the role of natural-philosophical poetry in France, focusing upon its most well-known and widely-read exponent, Guillaume de Saluste Du Bartas.Through a sustained analysis of Maurice Sceve's Delie , Banks also rethinks love lyric's oft-noted use of the beloved as image of the poet. Cosmos and Image makes an original contribution to our understanding of Renaissance thinking about the cosmic, the human, and the divine. It also proposes a mode of reading other Renaissance texts, and reflects at length upon the relation of 'literature' to history, to the history of science, and to political turmoil.




Crime, histoire et sociétés


Book Description