Capturing the Criminal Image


Book Description

This title traces how the act of representing and watching is central to modern law enforcement. Finn analyzes the development of police photography in the 19th century to foreground a critique of three identification practices that are fundamental to current police work.




Crime, History, and Hollywood


Book Description

In order to gain a better understanding of how criminal justice history is presented in major motion pictures, ten such films were selected for Crime, History, and Hollywood. The films were selected as good representations of criminal justice subject matter, mostly centered on specific crimes, their investigation, and courtroom outcomes. Films made across a wide range of times were also selected, and ones that represented American history from the mid-1800s (Amistad) and into the 1970s (All the President's Men). The most important aspect of the film selection was that they were based on actual historical events. While films such as the Shawshank Redemption and Twelve Angry Men are excellent criminal justice films, they are not based on true historical crimes or events. Each film (chapter) will open with an introduction to the historical event and film. The authors will then present the true historical events that the film was based on. Next, they will present a review of the film's narrative and how Hollywood portrayed the historical event. It should be noted here that the viewing of the film would best complement this section of each chapter. Then a review of the historical accuracy of each film will be reviewed, mentioning the various types of historical inaccuracies employed in each film. Finally, each chapter will present a conclusion in regard to the accuracy of the film, a list of books for further reading on the topic, and the endnotes. "Their passion for history shines through their writing, which is clear, engaging, and efficient....an important contribution to criminological studies of crime films..." -- Criminal Law and Criminal Justice Books "[The] book creates a wonderful path for discussion and connection." -- Lee Ayers, Criminal Justice Review 39(4) PowerPoint slides are available to professors upon adoption of this book. Download sample slides from the full 17-slide presentation here. If you have adopted the book for a course, contact bhall (at) cap-press (dot) com to request the PowerPoint slides.




We Are All Criminals


Book Description

One in four people in the US has a criminal record; four in four have a criminal history. These are their stories.We Are All Criminals combines criminal justice statistics and statutes with compelling photography and first-person narrative to personalize the destruction caused by decades of mass criminalization, while leaving the reader with a sense of hope and inspiration to affect change.From the pediatrician who blew up a porta potty to the chiefs of police who burglarized a liquor warehouse to the countless students who smoked and sold pot, this 279 page photo-packed book is filled with stories of people who got away with crimes--and parallel stories of people laboring under the stigma of a criminal record. It's an examination of criminality, privilege, punishment, and second chances. Woven throughout is incisive commentary on the havoc our carceral state has wreaked upon the nation; the disparate impact of our legal system on poor communities and communities of color; and the exploration of innumerable life barriers created by criminal and juvenile records.




Routledge International Handbook of Visual Criminology


Book Description

Dynamically written and richly illustrated, the Routledge International Handbook of Visual Criminology offers the first foundational primer on visual criminology. Spanning a variety of media and visual modes, this volume assembles established researchers whose work is essential to understanding the role of the visual in criminology and emergent thinkers whose work is taking visual criminology in new directions. This book is divided into five parts that each highlight a key aspect of visual criminology, exploring the diversity of methods, techniques and theoretical approaches currently shaping the field: • Part I introduces formative positions in the developments of visual criminology and explores the different disciplines that have contributed to analysing images. • Part II explores visual representations of crime across film, graphic art, documentary, police photography, press coverage and graffiti and urban aesthetics. • Part III discusses the relationship of visual criminology to criminal justice institutions like policing, punishment and law. • Part IV focuses on the distinctive ethical problems posed by the image, reflecting on the historical development, theoretical disputes and methodological issues involved. • Part V identifies new frameworks and emergent perspectives and reflects upon the distinctive challenges and limits that can be seen in this emerging field. This book includes a vibrant colour plate section and over a hundred black and white images, breaking down the barriers between original photography and artwork, historic paintings and illustrations and modern comics and films. This interdisciplinary book will be of interest to criminologists, sociologists, visual ethnographers, art historians and those engaged with media studies.




The Criminal's Image of the City


Book Description

The Criminal's Image of the City focuses on the factors influencing the increase in crimes in cities, taking into consideration the behavior patterns of criminals. The manuscript first details approaches on the spatial and environmental analyses of crimes. The text then takes a look at the conceptual framework needed in understanding the spatial activity of criminals through their environmental perceptions. Considerations include criminals' evaluation of their environments, distinguishing property crime and property criminals, and offender and non-offender samples. The publication examines how criminals perceive the different areas of cities and how they assess such areas as targets for the commission of crimes. The text also reviews the relationship of public policy and criminal behavior with area images, including approaches to crime prevention, crime and environmental design, predicting locales for crime, relationship between images and behavior, and implementation problems. The book is a useful reference for readers wanting to dig deeper into the behavior of criminals.




Pictures and Punishment


Book Description




Gordon Parks: the Atmosphere of Crime 1957


Book Description

Gordon Parks' ethically complex depictions of crime in New York, Chicago, San Francisco and Los Angeles, with previously unseen photographs When Life magazine asked Gordon Parks to illustrate a recurring series of articles on crime in the United States in 1957, he had already been a staff photographer for nearly a decade, the first African American to hold this position. Parks embarked on a six-week journey that took him and a reporter to the streets of New York, Chicago, San Francisco and Los Angeles. Unlike much of his prior work, the images made were in color. The resulting eight-page photo-essay "The Atmosphere of Crime" was noteworthy not only for its bold aesthetic sophistication, but also for how it challenged stereotypes about criminality then pervasive in the mainstream media. They provided a richly hued, cinematic portrayal of a largely hidden world: that of violence, police work and incarceration, seen with empathy and candor. Parks rejected clichés of delinquency, drug use and corruption, opting for a more nuanced view that reflected the social and economic factors tied to criminal behavior and afforded a rare window into the working lives of those charged with preventing and prosecuting it. Transcending the romanticism of the gangster film, the suspense of the crime caper and the racially biased depictions of criminality then prevalent in American popular culture, Parks coaxed his camera to record reality so vividly and compellingly that it would allow Life's readers to see the complexity of these chronically oversimplified situations. The Atmosphere of Crime, 1957 includes an expansive selection of never-before-published photographs from Parks' original reportage. Gordon Parks was born into poverty and segregation in Fort Scott, Kansas, in 1912. An itinerant laborer, he worked as a brothel pianist and railcar porter, among other jobs, before buying a camera at a pawnshop, training himself and becoming a photographer. He evolved into a modern-day Renaissance man, finding success as a film director, writer and composer. The first African-American director to helm a major motion picture, he helped launch the blaxploitation genre with his film Shaft (1971). Parks died in 2006.




Image-Based Evidence in International Criminal Prosecutions


Book Description

In this pioneering book, Jonathan W. Hak offers insightful commentary on the authentication and interpretation of image-based evidence, setting out how it can be effectively used in international criminal prosecutions.




Lacey, Wells and Quick Reconstructing Criminal Law


Book Description

This truly groundbreaking textbook explores traditional and broader fields of criminal law and justice to give a full perspective on the subject.