Genders, Sexualities, and Spiritualities in African Pentecostalism


Book Description

This book examines the complex and multifaceted nature of African Pentecostal engagements with genders and sexualities. In the last three decades, African Pentecostalism has emerged as one the most visible and profound aspects of religious change on the continent, and is a social force that straddles cultural, economic, and political spheres. Its conventional and selective literal interpretations of the Bible with respect to gender and sexualities are increasingly perceived as exhibiting a strong influence on many aspects of social and public institutions and their moral orientations. This collection features articles which examine sexualities and genders in African Pentecostalism using interdisciplinary methodological and theoretical approaches grounded within traditional African thought systems, with the goal of enabling a broader understanding of Pentecostalism and sexualities in Africa.




This Mournable Body


Book Description

SHORTLISTED FOR THE 2020 BOOKER PRIZE A searing novel about the obstacles facing women in Zimbabwe, by one of the country’s most notable authors Anxious about her prospects after leaving a stagnant job, Tambudzai finds herself living in a run-down youth hostel in downtown Harare. For reasons that include her grim financial prospects and her age, she moves to a widow’s boarding house and eventually finds work as a biology teacher. But at every turn in her attempt to make a life for herself, she is faced with a fresh humiliation, until the painful contrast between the future she imagined and her daily reality ultimately drives her to a breaking point. In This Mournable Body, Tsitsi Dangarembga returns to the protagonist of her acclaimed first novel, Nervous Conditions, to examine how the hope and potential of a young girl and a fledgling nation can sour over time and become a bitter and floundering struggle for survival. As a last resort, Tambudzai takes an ecotourism job that forces her to return to her parents’ impoverished homestead. It is this homecoming, in Dangarembga’s tense and psychologically charged novel, that culminates in an act of betrayal, revealing just how toxic the combination of colonialism and capitalism can be.




I Am a Girl from Africa


Book Description

"The inspiring journey of a girl from Africa whose near-death experience sparked a dream that changed the world"--




Pre-colonial and Post-colonial Drama and Theatre in Africa


Book Description

In this collection of essays written from different critical perspectives, African playwrights demonstrate through their art that they are not only witnesses, but also consciences, of their societies.




Chihera in Zimbabwe


Book Description

Zimbabwean social media has been awash with images of a woman character, spirit, or concept called Chihera. Traditionally, a woman descending from the Mhofu (Eland) lineage/totem is known as Chihera. In the cumulative tradition of the Shona (a Zimbabwean ethnic group), Chihera is a fiercely independent, assertive, free spirited, and no nonsense woman. This volume seeks to deepen reflections on the Chihera phenomenon in the context of the search for gender justice in Zimbabwe and Africa. The authors reflect on how this radical indigenous feminist ethic circulating on social media can animate the quest for Zimbabwean and African women’s full liberation from patriarchy and all oppressive forces. They grapple with the issue of generating culturally sensitive theories and approaches to galvanize the struggle for African women’s liberation in post-colonial settings. Second, they locate the Chihera mystique in the context of the practical struggle for women’s empowerment. Third, the volume illustrates how the Chihera phenomenon could be utilized for gender justice in Zimbabwe and beyond.




Women in Zimbabwe


Book Description




Women and Power in Zimbabwe


Book Description

The revolt against white rule in Rhodesia nurtured incipient local feminisms in women who imagined independence as a road to gender equity and economic justice. But the country's rebirth as Zimbabwe and Robert Mugabe's rise to power dashed these hopes. Using history, literature, participant observation, and interviews, Carolyn Martin Shaw surveys Zimbabwean feminisms from the colonial era to today. She examines how actions as clearly disparate as baking scones for self-protection, carrying guns in the liberation, and feeling morally superior to men represent sources of female empowerment. She also presents the ways women across Zimbabwean society--rural and urban, professional and domestic--accommodated or confronted post-independence setbacks. Finally, Shaw offers perspectives on the ways contemporary Zimbabwean women depart from the prevailing view that feminism is a Western imposition having little to do with African women. The result of thirty years of experience, Women and Power in Zimbabwe addresses the promises of feminism and femininity for generations of African women.




Zimbabwean Literature in African Languages


Book Description

The scope of this book is Ndebele and Shona literature, with emphasis on post-independence publications. African literature in English has received more critical attention than literature in indigenous languages. The former has occupied centre stage as representing national literature, while modern literature in indigenous languages= occupies the intermediate lower stratum that is accorded to national languages in the colonial and post= independence eras. The objective of the study is to combine some of the different genres of literature in indigenous languages in an attempt to understand them on the basis of their common history and culture. While colonialism has promoted and interpreted differences among Zimbabwean ethnic communities as evidence of polarisation, the authors here view African language literatures as parts of one great whole.




Politics and Performance


Book Description

This volume is a collection of essays that explore aspects of popular culture in South Africa, Zimbabwe and Zambia. These writings examine such topics as the degree of state control over theatre, the interaction - or lack of it - between high and popular culture, the struggle to define meaningful cultural forms in the wake of a dominating and exclusive colonial culture and the contribution of women. What emerges is a strong sense of regional concerns shared by the Southern African cultures under discussion, the contributors also give voice to crucial differences and debates on the nature of contemporary theatre and performance and the links with popular culture, politics and nation.