Imagine Inventing Yellow


Book Description

M.C. Richards' CENTERING, published 25 years ago, went on to sell 120,000 copies and became a classic on the melding of spirit and art and the discovery of the self through creativity. This is the first major collection of her richly imagistic poetry which combines previous work with new poems written in the past decade. Richards here inquires about the essence and power of the imagination, and advocates viewing the world in images that "make us whole." "The world will change," she says, "when we imagine it differently," This new book includes eight color paintings by Thomas Buechner, with the poems they inspired.




Centering in Pottery, Poetry, and the Person


Book Description

A flowing collection of poetry that is also a guide for life.




Creativity


Book Description

The author of Original Blessing explores how the highest communion with the Divine can be found right at our fingertips in the simplest expressions of human creativity. Drawn from a sermon that has electrified listeners, here is a concise, powerful meditation on the nature of creativity from Episcopal priest and radical theologian Matthew Fox. Creativity is Fox at his most dynamic: It is immensely practical and leaves the reader with a message to put into action in life. Fox tantalizingly suggests that the most prayerful, most spiritually powerful act a person can undertake is to create, at his or her own level, with a consciousness of the place from which that gift arises.




Second Simplicity


Book Description

"Bruno Barnhart's new book uncovers the contours of a Christian wisdom and explores the ways that a Christian faith often bound by rule, structure, and order can open itself to the unitive vision at its root." "This book proposes an opening of consciousness beyond thought, of theological vision beyond rational knowledge, and of Christianity beyond the perimeter of church. Bruno Barnhart invites us to move into a fuller experience of Christianity, an experience of wisdom that brings all created reality into unity with God. Therein lies the "second simplicity.""--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved




The Fabric of the Future


Book Description

A collection of thoughts on the future by female visionariesscientists, philosophers, and psychospiritual writersincludes contributions from Jean Houston, Joanna Macy, Sue Bender, Joan Borysenko, Caroline Myss, Marion Woodman, and Gloria Steinem, among others. Reprint.




The Letters of Robert Duncan and Denise Levertov


Book Description

This volume presents the complete correspondence between two of the most important and influential American poets of the postwar period. The almost 500 letters range widely over the poetry scene and the issues that made the period so lively and productive. But what gives the exchange its special personal and literary resonance is the sense of spiritual affinity and shared conviction about the power of the visionary imagination. Duncan and Levertov explore these matters in rich detail until, under the stress of dealing with the Vietnam War in poetry, they discover deep-seated differences in the religious and ethical convictions underlying their politics and poetic stance. The issues that drew them together and those that drove them apart create a powerful personal drama with far-reaching historical and cultural significance. The editors have provided a critical Introduction, full notes, a chronology, and a glossary of names.




Opening Our Moral Eye


Book Description

Writings from the perspective of creation theology and the search for new spiritual values.




The Call to the Soul


Book Description

Each major life transition gives us a chance, Bankson proposes, "to name what we are here for." Using mythical archetypes, biblical and personal stories, she presents a revealing six-stage soulwork cycle to help us find our calling. A valuable resource for people seeking to nurture their spiritual growth, individually, in groups, or with a spiritual director. Includes a format for a soulwork retreat.




Book of This Place


Book Description

The title of this engaging work emphasizes that the author lives, works, and creates art in this place--a particular site in the foothills of the Colorado Rocky Mountains. The subtitle indicates that place is the arena for investigating engagement with the land and nature, art and creativity, and spiritual life. By exploring the significance of place in our fragmented world and by using her artistic practice as an example, the author hopes to offer readers new definitions of the interrelationship of religion and art. Haynes is the first to examine the intersection of these three themes, which may be variously defined. First, the land and nature provide the literal site for the book, and the language of ecology is woven throughout. In the face of contemporary global crises, Haynes believes that we have a moral imperative to address how we live and work in the physical environment. Second, visual art, creativity, and the creative process are discussed using historical and contemporary examples. Haynes is a philosopher of art and an artist, whose primary creative work involves carving marble and drawing. Using her stone sculptures to frame the book's chapters, she takes readers on a meandering journey into the history, philosophy, and practice of art. Third, the religious and spiritual life is highlighted with examples from both her practice of yoga and Buddhist meditation as well as from her work with hospice patients.




Live Form


Book Description

Ceramics had a far-reaching impact in the second half of the twentieth century, as its artists worked through the same ideas regarding abstraction and form as those for other creative mediums. Live Form shines new light on the relation of ceramics to the artistic avant-garde by looking at the central role of women in the field: potters who popularized ceramics as they worked with or taught male counterparts like John Cage, Peter Voulkos, and Ken Price. Sorkin focuses on three Americans who promoted ceramics as an advanced artistic medium: Marguerite Wildenhain, a Bauhaus-trained potter and writer; Mary Caroline (M. C.) Richards, who renounced formalism at Black Mountain College to pursue new performative methods; and Susan Peterson, best known for her live throwing demonstrations on public television. Together, these women pioneered a hands-on teaching style and led educational and therapeutic activities for war veterans, students, the elderly, and many others. Far from being an isolated field, ceramics offered a sense of community and social engagement, which, Sorkin argues, crucially set the stage for later participatory forms of art and feminist collectivism.