Imperceptibly and Slowly Opening


Book Description

"This publication is part of an ongoing inquiry into the porous borders of Nature and Culture."--Page [4] of cover.




Ovid's Metamorphoses and the Environmental Imagination


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This book positions Ovid's Metamorphoses as a foundational text in the western history of environmental thought. The poem is about new bodies. Stones, springs, plants and animals materialize out of human origins to create a world of hybrid objects, which retain varying degrees of human subjectivity while taking on new physical form. In bending the boundaries of known categories of being, these hybrid entities reveal both the porousness of human and other agencies as well as the dangers released by their fusion. Metamorphosis unsettles the category of the human within the complex ecologies that make up the world as we know it. Drawing on a range of modern environmental theorists and approaches, the contributors to this volume trace how the Metamorphoses models the relationship between humans and other life forms in ways that resonate with the preoccupations of contemporary eco-criticism. They make the case for seeing the worldview depicted in Ovid's poem as an exemplar of the 'premodern' ecological mindset that contemporary environmental thought seeks to approximate. They also highlight critical moments in the history of the poem's ecological reception, including reflections by a contemporary poet, as well as studies of Medieval and Renaissance responses to Ovid.




Solenoid


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NAMED ONE OF THE BEST BOOKS OF 2022 by the New Yorker, Publishers Weekly, The Financial Times, Words Without Borders A highly-acclaimed master work of fiction from Mircea Cărtărescu, author of Blinding, Solenoid is an existence (and eventually a cosmos) created by forking paths. Based on Cărtărescu's own experience as a high school teacher, Solenoid begins with the mundane details of a diarist's life and quickly spirals into a philosophical account of life, history, philosophy, and mathematics. The novel is grounded in the reality of Romania in the late 1970s and early 1980s, including frightening health care, the absurdities of the education system, and the misery of family life, while on a broad scale Solenoid's investigations of other universes, dimensions, and timelines attempt to reconcile the realms of life and art. The text includes sequences in a tuberculosis preventorium, encounters with an anti-death protest movement, a society of dream investigators, and an extended visit to the miniscule world of dust mites living on a microscope slide. One character asks another: When you rush into the burning building, will you save the newborn or the artwork? Combining fiction with autobiography and history—Nikola Tesla and Charles Hinton, for example, appear alongside the Voynich manuscript—Solenoid searches for escape routes through the alternate dimensions of life and art, as various monstrous realities erupt within the present.




The Fifth Queen Trilogy


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The Fifth Queen trilogy consists of three historical novels, The Fifth Queen, Privy Seal and The Fifth Queen Crowned. The trilogy presents a fictionalized account of Katharine Howard's arrival at the Court of Henry VIII, her eventual marriage to the king, and her death. Katharine Howard is introduced as a devout Roman Catholic, impoverished, young noblewoman escorted by her fiery cousin Thomas Culpeper. By accident, she comes to the attention of the king, in a minor way at first, is helped to a position as a lady in waiting for the then bastard Lady Mary, Henry's eldest daughter, by her old Latin tutor Nicholas Udal. Udal is a spy for Thomas Cromwell, the Lord Privy Seal. As Katharine becomes involved with the many calculating, competing, and spying members of Henry VIII's Court, she gradually rises, almost against her will, in Court. She is brought more to the attention of the King, becomes involved with him, gets used by Cromwell, Bishop Gardiner and Thomas Cranmer as well as the less powerful though more personally attached Nicholas Throckmorton. Her connection to the latter puts her in some peril, as in January 1554 he is suspected of complicity in Wyatt's Rebellion and arrested, during which time Katherine is also briefly implicated. Katharine's forthrightness, devotion to the Old Faith and learning are what make her attractive to the King, along with her youth and physical beauty.




The Story of Katharine Howard


Book Description

The Fifth Queen trilogy consists of three historical novels, The Fifth Queen, Privy Seal and The Fifth Queen Crowned. The trilogy presents a fictionalized account of Katharine Howard's arrival at the Court of Henry VIII, her eventual marriage to the king, and her death. Katharine Howard is introduced as a devout Roman Catholic, impoverished, young noblewoman escorted by her fiery cousin Thomas Culpeper. By accident, she comes to the attention of the king, in a minor way at first, is helped to a position as a lady in waiting for the then bastard Lady Mary, Henry's eldest daughter, by her old Latin tutor Nicholas Udal. Udal is a spy for Thomas Cromwell, the Lord Privy Seal. As Katharine becomes involved with the many calculating, competing, and spying members of Henry VIII's Court, she gradually rises, almost against her will, in Court. She is brought more to the attention of the King, becomes involved with him, gets used by Cromwell, Bishop Gardiner and Thomas Cranmer as well as the less powerful though more personally attached Nicholas Throckmorton. Her connection to the latter puts her in some peril, as in January 1554 he is suspected of complicity in Wyatt's Rebellion and arrested, during which time Katherine is also briefly implicated. Katharine's forthrightness, devotion to the Old Faith and learning are what make her attractive to the King, along with her youth and physical beauty.




The turtles of Illinois


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Life-Destroying Diagrams


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In Life-Destroying Diagrams, Eugenie Brinkema brings the insights of her radical formalism to bear on supremely risky terrain: the ethical extremes of horror and love. Through close readings of works of film, literature, and philosophy, she explores how diagrams, grids, charts, lists, abecedaria, toroids, tempos, patterns, colors, negative space, lengths, increments, and thresholds attest to formal logics of torture and cruelty, violence and finitude, friendship and eros, debt and care. Beginning with a wholesale rethinking of the affect of horror, orienting it away from entrenched models of feeling toward impersonal schemes and structures, Brinkema moves outward to consider the relation between objects and affects, humiliation and metaphysics, genre and the general, bodily destruction and aesthetic generation, geometry and scenography, hatred and value, love and measurement, and, ultimately, the tensions, hazards, and speculative promise of formalism itself. Replete with etymological meditations, performative typography, and lyrical digressions, Life-Destroying Diagrams is at once a model of reading without guarantee and a series of generative experiments in the writing of aesthetic theory.







Current Opinion


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Current Literature


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