The Imperial Temptation


Book Description

In this critical analysis of American foreign policy priorities, Robert W. Tucker and David C. Hendrickson argue that the first Bush Administration, in its attempts to address the challenges posed by the new global realties, betrayed the fundamental ideals on which this country was founded. Taking the Gulf War as their starting point, Tucker and Hendrickson dissect President Bushs vision of a new world order, exposing its inconsistency with Americas traditional diplomatic principles.







The Imperial Temptation


Book Description

In this critical analysis of American foreign policy priorities, Robert W. Tucker and David C. Hendrickson argue that the first Bush Administration, in its attempts to address the challenges posed by the new global realties, betrayed the fundamental ideals on which this country was founded. Taking the Gulf War as their starting point, Tucker and Hendrickson dissect President Bushs vision of a new world order, exposing its inconsistency with Americas traditional diplomatic principles.




Gulliver Unbound


Book Description

In this brilliant work, Hoffmann considers point-by-point the events and actions that have led America down the path of imperialism, becoming a power at once arrogant, victorious, and unilateral. Tracing the significance of 9/11 in the short term and over the long course of American history.




Überpower


Book Description

A penetrating critique of America's foreign policy effortlessly mixes military history with keen diplomatic analysis to provide one of the most important assessments of America's international standing in years.




Military Intelligence


Book Description




Empire for Liberty


Book Description

The men who spoke of liberty to shape an American empire How could the United States, a nation founded on the principles of liberty and equality, have produced Abu Ghraib, torture memos, Plamegate, and warrantless wiretaps? Did America set out to become an empire? And if so, how has it reconciled its imperialism—and in some cases, its crimes—with the idea of liberty so forcefully expressed in the Declaration of Independence? Empire for Liberty tells the story of men who used the rhetoric of liberty to further their imperial ambitions, and reveals that the quest for empire has guided the nation's architects from the very beginning--and continues to do so today. Historian Richard Immerman paints nuanced portraits of six exceptional public figures who manifestly influenced the course of American empire: Benjamin Franklin, John Quincy Adams, William Henry Seward, Henry Cabot Lodge, John Foster Dulles, and Paul Wolfowitz. Each played a pivotal role as empire builder and, with the exception of Adams, did so without occupying the presidency. Taking readers from the founding of the republic to the Global War on Terror, Immerman shows how each individual's influence arose from a keen sensitivity to the concerns of his times; how the trajectory of American empire was relentless if not straight; and how these shrewd and powerful individuals shaped their rhetoric about liberty to suit their needs. But as Immerman demonstrates in this timely and provocative book, liberty and empire were on a collision course. And in the Global War on Terror and the occupation of Iraq, they violently collided.




Gulliver Unbound


Book Description

Renowned for his compassionate and balanced thinking on international affairs, Stanley Hoffmann reflects here on the proper place of the United States in a world it has defined almost exclusively by 9/11, the war on terrorism, and the invasion of Iraq. A true global citizen, Hoffmann's analysis is uniquely informed by his place as a public intellectual with one foot in Europe, the other in America. In this brilliant essay, he considers point by point the events and actions that have led America down the path of imperialism, becoming a power at once arrogant, victorious, and unilateral. Tracing the significance of September 11 in the short term and over the long course of American history, Hoffmann explains the contradictions and the consequences for international order--and disorder.




After the Imperial Turn


Book Description

From a variety of historically grounded perspectives, After the Imperial Turn assesses the fate of the nation as a subject of disciplinary inquiry. In light of the turn toward scholarship focused on imperialism and postcolonialism, this provocative collection investigates whether the nation remains central, adequate, or even possible as an analytical category for studying history. These twenty essays, primarily by historians, exemplify cultural approaches to histories of nationalism and imperialism even as they critically examine the implications of such approaches. While most of the contributors discuss British imperialism and its repercussions, the volume also includes, as counterpoints, essays on the history and historiography of France, Germany, Spain, and the United States. Whether looking at the history of the passport or the teaching of history from a postnational perspective, this collection explores such vexed issues as how historians might resist the seduction of national narratives, what—if anything—might replace the nation’s hegemony, and how even history-writing that interrogates the idea of the nation remains ideologically and methodologically indebted to national narratives. Placing nation-based studies in international and interdisciplinary contexts, After the Imperial Turn points toward ways of writing history and analyzing culture attentive both to the inadequacies and endurance of the nation as an organizing rubric. Contributors. Tony Ballantyne, Antoinette Burton, Ann Curthoys, Augusto Espiritu, Karen Fang, Ian Christopher Fletcher, Robert Gregg, Terri Hasseler, Clement Hawes, Douglas M. Haynes, Kristin Hoganson, Paula Krebs, Lara Kriegel, Radhika Viyas Mongia, Susan Pennybacker, John Plotz, Christopher Schmidt-Nowara, Heather Streets, Hsu-Ming Teo, Stuart Ward, Lora Wildenthal, Gary Wilder




The Imperial Trace


Book Description

The collapse of the USSR seemed to spell the end of the empire, yet it by no means foreclosed on Russia's enduring imperial preoccupations, which had extended from the reign of Ivan IV over four and a half centuries. Examining a host of films from contemporary Russian cinema, Nancy Condee argues that we cannot make sense of current Russian culture without accounting for the region's habits of imperial identification. But is this something made legible through narrative alone-Chechen wars at the periphery, costume dramas set in the capital-or could an imperial trace be sought in other, more embedded qualities, such as the structure of representation, the conditions of production, or the preoccupations of its filmmakers? This expansive study takes up this complex question through a commanding analysis of the late Soviet and post-Soviet period auteurists, Kira Muratova, Vadim Abdrashitov, Nikita Mikhalkov, Aleksei German, Aleksandr Sokurov and Aleksei Balabanov.