Imperialism and Colonialism in science fiction and their imprint on the genre today


Book Description

Seminar paper from the year 2020 in the subject Literature - Modern Literature, grade: 1,7, University of Bremen, course: Transnationale Literaturwissenschaft, language: English, abstract: Postmodern SiFi series like "The 100" or "Snowpiercer" also employ methods of colonialism and imperialism reminiscent of classic novels like "The Time Machine". Class societies and discrimination seem to be firmly linked to the genre. This thesis compares "The 100" series to "The Time Machine", focusing on the aspects of the narrative that are shaped by colonialism and imperialism. Auch in postmodernen SiFi Serien wie "The 100" oder "Snowpiercer" werden Methoden des Kolonialismus und Imperialismus angewendet, die an Klassiker wie "The Time Machine" erinnern. Klassengesellschaften und Diskriminierung scheinen fest mit dem Genre verbunden zu sein. Diese Arbeit vergleicht die Serie "The 100" mit "The Time Machine" und fokussiert sich dabei auf die Aspekte der Narration, die von Kolonialismus und Imperialismus geprägt sind.




Science Fiction


Book Description

Science Fiction explores the genre from 1895 to the present day, drawing on examples from over forty countries. It raises questions about the relationship between science fiction, science and technology, and examines the interrelationships between spectacle, narrative and self-reflexivity, paying particular attention to the role of special effects in creating meaning and affect. It explores science fiction’s evocations of the sublime, the grotesque, and the camp, and charts the ways in which the genre reproduces and articulates discourses of colonialism, imperialism and neo-liberal globalization. At the same time, Science Fiction provides a thorough analysis of the genre’s representation of race, class, gender and sexuality, making this text an essential guide for students, academics and film fans alike. Key films discussed include: Le voyage dans la lune (1902) 20,000 Leagues under the Sea (1916) L’Atlantide (1921) King Kong (1933, 2005) Gojira (1954) La Jetée (1962) The Abominable Dr Phibes (1971) Tetsuo (1989) Sleep Dealer (2008) Avatar (2009)




Colonialism and the Emergence of Science Fiction


Book Description

This groundbreaking study explores science fiction's complex relationship with colonialism and imperialism. In the first full-length study of the subject, John Rieder argues that the history and ideology of colonialism are crucial components of science fiction's displaced references to history and its engagement in ideological production. With original scholarship and theoretical sophistication, he offers new and innovative readings of both acknowledged classics and rediscovered gems. Rider proposes that the basic texture of much science fiction—in particular its vacillation between fantasies of discovery and visions of disaster—is established by the profound ambivalence that pervades colonial accounts of the exotic “other.” Includes discussion of works by Edwin A. Abbott, Edward Bellamy, Edgar Rice Burroughs, John W. Campbell, George Tomkyns Chesney, Arthur Conan Doyle, H. Rider Haggard, Edmond Hamilton, W. H. Hudson, Richard Jefferies, Henry Kuttner, Alun Llewellyn, Jack London, A. Merritt, Catherine L. Moore, William Morris, Garrett P. Serviss, Mary Shelley, Olaf Stapledon, and H. G. Wells.




Science Fiction, Imperialism and the Third World


Book Description

Though science fiction is often thought of as a Western phenomenon, the genre has long had a foothold in countries as diverse as India and Mexico. These fourteen critical essays examine both the role of science fiction in the third world and the role of the third world in science fiction. Topics covered include science fiction in Bengal, the genre's portrayal of Native Americans, Mexican cyberpunk fiction, and the undercurrents of colonialism and Empire in traditional science fiction. The intersections of science fiction theory and postcolonial theory are explored, as well as science fiction's contesting of imperialism and how the third world uses the genre to recreate itself. Instructors considering this book for use in a course may request an examination copy here.




Science Fiction


Book Description

Science Fiction explores the genre from 1895 to the present day, drawing on examples from over forty countries. It raises questions about the relationship between science fiction, science and technology, and examines the interrelationships between spectacle, narrative and self-reflexivity, paying particular attention to the role of special effects in creating meaning and affect. It explores science fiction's evocations of the sublime, the grotesque, and the camp, and charts the ways in which the genre reproduces and articulates discourses of colonialism, imperialism and neo-liberal globalization. At the same time, Science Fiction provides a thorough analysis of the genre's representation of race, class, gender and sexuality, making this text an essential guide for students, academics and film fans alike. Key films discussed include: Le voyage dans la lune (1902) 20,000 Leagues under the Sea (1916) L'Atlantide (1921) King Kong (1933, 2005) Gojira (1954) La Jete (1962) The Abominable Dr Phibes (1971) Tetsuo (1989) Sleep Dealer (2008) Avatar (2009)




Fiction of Imperialism


Book Description

The Fiction of Imperialism attempts to promote dialogue between international relations and postcolonialism. It addresses the value of fiction to an inderstanding of the imperial relationship between the West and Asia and Africa. A wide range of fiction and crisicism is examined as it pertains to colonialism, the North/South engagement and contemporary Third World politics. The book begins by contrasting the treatment of cross-cultural relations in political studies and literary texts. It then examines the personal as a metaphor for the political in fiction depicting the imperial connection between Britain and India. This is paired with an analysis of African literary texts, which takes as its theme the relationship between culture and politics. The concluding chapters approach literature from the outside, considering its apparent silence on economics and realpolitik and assessing the utility of postcolonial reconceptualisations




We See a Different Frontier: A postcolonial speculative fiction anthology


Book Description

This anthology of speculative fiction stories on the themes of colonialism and cultural imperialism focuses on the viewpoints of the colonized. Sixteen authors share their experiences of being the silent voices in history and on the wrong side of the final frontier; their fantasies of a reality in which straight, cis, able-bodied, rich, anglophone, white males don't tell us how they won every war; and their revenge against the alien oppressor settling their "new world."




The Routledge Concise History of Science Fiction


Book Description

The Routledge Concise History of Science Fiction provides students with an accessible overview of the genre that explores how it emerged through competing, multifarious versions and the struggle to define its limits. Discussing the place of key works and looking forward to the future of the genre, this book is the ideal starting point for students and all those seeking a better understanding of science fiction.




Science Fiction and Empire


Book Description

From its beginnings, science fiction has experimented with imperialistic scenarios of alien invasion, extraterrestrial exploitation, xenophobia, and colonial conquest. In Science Fiction and Empire, Patricia Kerslake brings contemporary thinking about postcolonialism and imperialism to bear on a variety of classic sci-fi novels and films, including The War of the Worlds, Stanislaw Lem’s Solaris, and Star Wars. The first book to identify the consequences of empire in science fiction, Kerslake’s study is a compelling investigation of the political ramifications of how we imagine our future. “Science Fiction and Empire is thought-provoking and insightful, . . . the kind of large-scale postcolonial work that science fiction has needed for quite some time.”—Science Fiction Studies