A Critical and Historical Corpus of Florentine Painting
Author : Richard Offner
Publisher :
Page : 272 pages
File Size : 50,86 MB
Release : 1984
Category : Painters
ISBN :
Author : Richard Offner
Publisher :
Page : 272 pages
File Size : 50,86 MB
Release : 1984
Category : Painters
ISBN :
Author : John Pope-Hennessy
Publisher : Metropolitan Museum of Art
Page : 258 pages
File Size : 25,44 MB
Release : 1987
Category :
ISBN : 0870998390
Author : Laurence B. Kanter
Publisher : Metropolitan Museum of Art
Page : 406 pages
File Size : 37,11 MB
Release : 1994
Category : Illumination of books and manuscripts, Italian
ISBN : 0870997254
. By way of introduction to the objects themselves are three essays. The first, by Laurence B. Kanter, presents an overview of Florentine illumination between 1300 and 1450 and thumbnail sketches of the artists featured in this volume. The second essay, by Barbara Drake Boehm, focuses on the types of books illuminators helped to create. As most of them were liturgical, her contribution limns for the modern reader the medieval religious ceremonies in which the manuscripts were utilized. Carl Brandon Strehlke here publishes important new material about Fra Angelico's early years and patrons - the result of the author's recent archival research in Florence.
Author : Metropolitan Museum of Art (New York, N.Y.)
Publisher :
Page : 264 pages
File Size : 32,59 MB
Release : 1987
Category : Art
ISBN :
Robert Lehman, one of the foremost art collectors of his generation, embraced traditional and modern masters. This work catalogues 130 nineteenth- and 20th-century paintings that are part of the Robert Lehman Collection at the Metropolitan Museum. It includes paintings by Ingres, Theodore Rousseau, and Corot among other early 19th-century artists. In addition to a group of early German drawings, this collection includes a Saint Paul from a series associated with Jan van Eyck and the famous Scupstoel from the circle of Rogier van der Weyden. It discusses all drawings, placing each in its art historical setting and complementing it with comparative illustrations of related works.
Author : Richard Offner
Publisher :
Page : 270 pages
File Size : 32,88 MB
Release : 1996
Category : Painters
ISBN :
Author : Zbigniew Izydorczyk
Publisher : PIMS
Page : 300 pages
File Size : 15,49 MB
Release : 1993
Category : Philosophy
ISBN : 9780888443700
Author : Sandra Hindman
Publisher :
Page : 264 pages
File Size : 13,63 MB
Release : 1997
Category : Art
ISBN :
The twenty-seven illuminations catalogued in this volume-part of a series cataloguing the more than two thousand works of art in the Robert Lehman Collection at The Metropolitan Museum of Art-include illustrations for manuscripts and early instances of small paintings on parchment conceived as independent works of art. -- Metropolitan Museum of Art website.
Author : Kathryn Ann Smith
Publisher : University of Toronto Press
Page : 396 pages
File Size : 37,94 MB
Release : 2003-01-01
Category : Art
ISBN : 9780802086914
Examines the De Lisle hours of Margaret de Beauchamp, the De Bois hours (Dubois hours) of Hawisia de Bois, and the Neville of Hornby hours of Isabel de Byron.
Author : Sotheby & Co. (London, England)
Publisher :
Page : 1132 pages
File Size : 34,17 MB
Release : 1914
Category : Art
ISBN :
Author : Laura Cleaver
Publisher : Oxford University Press
Page : 243 pages
File Size : 45,27 MB
Release : 2018-05-29
Category : History
ISBN : 0192523619
During the twelfth and thirteenth centuries, texts about the recent and more distant past were produced in remarkable numbers in the lands controlled by the kings of England. This may be seen, in part, as a response to changing social and political circumstances in the wake of the Norman conquest of England in 1066. The names of many of the twelfth and thirteenth-century historians are well known, and they include Orderic Vitalis, William of Malmesbury, John of Worcester, Henry of Huntingdon, Gerald of Wales, and Matthew Paris. Yet the manuscripts in which these works survive are also evidence for the involvement of many other people in the production of history, as patrons, scribes, and artists. Illuminated History Books in the Anglo-Norman World focuses on history books of the twelfth and thirteenth centuries to examine what they reveal about the creation, circulation, and reception of history in this period. In particular, this research concentrates on illuminated manuscripts. These volumes represent an additional investment of time, labour, and resources, and combinations of text and imagery shed light on engagements with the past as manuscripts were copied at specific times and places. Imagery could be used to reproduce the features of older sources, but it was also used to call attention to particular elements of a text, and to impose frameworks onto the past. As a result, Illuminated History Books in the Anglo-Norman World has the potential to change the way in which we see the medieval past and its historians.