Imported Americans


Book Description

DigiCat Publishing presents to you this special edition of "Imported Americans" (The Story of the Experiences of a Disguised American and His Wife Studying the Immigration Question) by Broughton Brandenburg. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.




Imported Americans


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Aliens or Americans?


Book Description

'Aliens or Americans?' is a thought-provoking book that examines the immigration to the United States during the early 1900s through the lens of Christianity. The author emphasizes the potential for newly arriving immigrants to be converted to Christianity, thereby becoming "Americans." The book provides a unique perspective on the history of immigration to the United States and the role of religion in assimilation.




Aliens Or Americans?


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La Merica


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Why would a man tie up a cheap suitcase with grass rope, leave his family and his paesani in Italy to risk his life and meager possessions among the dock thieves of Naples and Genoa to suffer the congestion and stench of steerage accommodations aboard ship, to endure the assembly-line processing of Ellis Island, to wander almost incommunicado through a city of sneering strangers speaking an unknown tongue, to perform ten to twelve hours of heavy manual labor a day for wages of perhaps $1.65—most of which he probably owed to the "company store" before he got it? Why were there not just a few such men but droves of them coming to the United States in the late nineteenth and early twentieth century? How did they survive and—some of them—prosper? How did they surmount the language barrier? Why did some stay, some go home, and some bounce back and forth repeatedly across the Atlantic? Michael La Sorte examines these questions and more in this lively study of Italian immigration prior to World War I. In exploring for answers, he draws upon the commentary of recent scholars, as well as the statistical documents of the day. But most importantly, he has searched out individual stories in the published and unpublished diaries, letters, and autobiographies of immigrants who lived the "greenhorn" (grignoni) experience. In their own language, the men bring to life the teeming tenements of New York's Mulberry Street, the exploitative labor-recruiting practices of Boston's North Square, and the harsh squalor of work camp life along the country's expanding railroad lines. What emerges is a powerful, moving, alternately funny and appalling picture of their everyday lives. Through detailed narration, La Sorte traces the men's lives from their native villages across the Atlantic through the ports of entry to their first immigrant jobs. He describes their views of Italy, America, and each other, the cultural and linguistic adjustments that they were compelled to make, and their motives for either Americanizing or repatriating themselves. His chapter on "Italglish" (a hybrid language developed by the greenhorns) will echo in the ears of Italian-Americans as the sound of their parents' and grandparents' voices.




Consular Reports


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Blood and Oil


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From the author of Resource Wars, a landmark assessment of the critical role of petroleum in America's actions abroad In his pathbreaking Resource Wars, world security expert Michael T. Klare alerted us to the role of resources in conflicts in the post-Cold War world. Now, in Blood and Oil, he concentrates on a single precious commodity, petroleum, while issuing a warning to the United States-its most powerful, and most dependent, global consumer. Since September 11th and the commencement of the "war on terror," the world's attention has been focused on the relationship between U.S. foreign policy in the Middle East and the oceans of crude oil that lie beneath the region's soil. Klare traces oil's impact on international affairs since World War II, revealing its influence on the Truman, Eisenhower, Nixon, and Carter doctrines. He shows how America's own wells are drying up as our demand increases; by 2010, the United States will need to import 60 percent of its oil. And since most of this supply will have to come from chronically unstable, often violently anti-American zones-the Persian Gulf, the Caspian Sea, Latin America, and Africa-our dependency is bound to lead to recurrent military involvement. With clarity and urgency, Blood and Oil delineates the United States' predicament and cautions that it is time to change our energy policies, before we spend the next decades paying for oil with blood.




Sowing Modernity


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Contrary to those who regard the economic transformation of the West as a gradual process spanning centuries, Peter D. McClelland claims the initial transformation of American agriculture was an unmistakable revolution. He asks when a single crucial question was first directed persistently, pervasively, and systematically to farming practices: Is there a better way? McClelland surveys practices from crop rotation to livestock breeding, with a particular focus on the change in implements used to produce small grains. With wit and verve and an abundance of detail, he demonstrates that the first great surge in inventive activity in agronomy in the United States took place following the War of 1812, much of it in a fifteen-year period ending in 1830. Once questioning the status quo became the norm for producers on and off the farm, according to McClelland, the march to modernization was virtually assured. With the aid of more than 270 illustrations, many of them taken from contemporary sources, McClelland describes this stunning transformation in a manner rarely found in the agricultural literature. How primitive farming implements worked, what their defects were, and how they were initially redesigned are explained in a manner intelligible to the novice and yet offering analysis and information of special interest to the expert.




Paddy on the Hardwood


Book Description

Why would a successful college basketball coach walk away from a lucrative job in America's most glamorous sport? The burned out Rus Bradburd, enamored with Ireland and its music, took a job coaching in the lowly Irish Super League, but was unprepared for what he found. Perplexed by the small town Tralee's Frosties Tigers--a cast of misfits and underachievers more concerned with their day jobs, Gaelic Football, and Guinness--he turned to traditional Irish music for wisdom and solace. Paddy on the Hardwood is partly Rus Bradburd's story of his struggle to transform Tralee's Tigers. But it is also the tale of a man making peace with his own life and career. "No reader will come away from this irresistible, honest, and deeply human account without a profound appreciation for Ireland and the beguiling power of its people and culture. Paddy on the Hardwood is a basketball book, to be sure, but also one about questing and, ultimately, finding. And it's all the richer for how it engages things that seem distant from sports, but in the end aren't so unrelated at all."--Alexander Wolff, Sports Illustrated senior writer and author of Big Game, Small World: A Basketball Adventure "Paddy on the Hardwood is hilarious, heartbreaking, and touching--I couldn't put it down. I'm an avid reader, and it's the best sports book I've read in a long while."--Jerry West




The German Cabaret Legacy in American Popular Music


Book Description

The stylistic remnants of cabaret music from Weimar-era Germany are all around us. During the 20th century, its most prominent American exponents were the Germans Marlene Dietrich and Lotte Lenya, whose careers extended through the 1970s. Because of them (and others), the words and music of such artists as Kurt Weill, Bertolt Brecht, Friedrich Hollaender, and Marcellus Schiffer continue to be heard and exert widespread influence. Major songwriters touched by cabaret include Lennon & McCartney, Bacharach & David, Kander & Ebb, Bob Dylan, Randy Newman, and Patti Smith, among many others. African-American artists, beginning with Louis Armstrong, have been sympathetic interpreters of cabaret music. Modern-day Las Vegas appears to be the fulfillment of a prophecy made in the late 1920s by Weill & Brecht in their Mahagonny stage works. And today, the German Kabarett tradition remains strong with such stars as Ute Lemper and Max Raabe packing international venues.