A History of Peruvian Literature


Book Description

Peru, which in this century has produced world-renowned novelists of the stature of Mario Vargas Llosa and José María Arguedas, and poets such as the avant-garde CésarVallejo, possesses a distinctive and varied literary culture of great intrinsic value. Peru's Spanish colonial past connects it to the mainstream of Western literature; but native traditions have survived and continue to flourish, both in Quechua and in Spanish. Attempts to evade the colonial heritage gave rise to a literature which at first was limited to expressing the ethos of Lima's middle classes, but later broadened out to reflect regional values and give a voice to marginal sectors in Peruvian society. A History of Peruvian Literature sets in context and appraises, with ample quotation and analysis, all of the more significant Peruvian writings from the Renaissance onwards. The native tradition, the colonial period and the nineteenth century are the subjects of the first three chapters; then four chapters are devoted to the twentieth century, when Peruvian literary output is astonishing in its range, adventurousness and quality. All Spanish quoted is translated into English, the poetry in James Higgins' excellent verse; full bibliographies are provided for each author discussed.




National Union Catalog


Book Description

Includes entries for maps and atlases.




Dissertation Abstracts International


Book Description

Abstracts of dissertations available on microfilm or as xerographic reproductions.













Breaking the Sequence


Book Description

These nineteen essays introduce the rich and until now largely unexplored tradition of women's experimental fiction in the twentieth century. The writers discussed here range from Gertrude Stein to Christine Brooke-Rose and include, among others, Virginia Woolf, Jean Rhys, Jane Bowles, Marguerite Young, Eva Figes, Joyce Carol Oates, and Marguerite Duras. "Friedman and Fuchs demonstrate the breadth of their research, first in their introduction to the volume, in which they outline the history of the reception of women's experimental fiction, and analyze and categorize the work not only of the writers to whom essays are devoted but of a number of others, too; and second in an extensive and wonderfully useful bibliography."--Emma Kafalenos, The International Fiction Review "After an introduction that is practically itself a monograph, eighteen essayists (too many of them distinguished to allow an equitable sampling) take up three generations of post-modernists."--American Literature "The editors see this volume as part of the continuing feminist project of the `recovery and foregrounding of women writers.' Friedman and Fuchs's substantive introduction excellently synthesizes the issues presented in the rest of the volume."--Patrick D. Murphy, Studies in the Humanities Originally published in 1989. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.




Literary Fiction


Book Description

Insofar as literary theory has addressed the issue of literature as a means of communication and the function of literary fiction, opinions have been sharply divided, indicating that the elementary foundations of literary theory and criticism still need clarifying. Many of the "classical" problems that literary theory has been grappling with from Aristotle to our time are still waiting for a satisfactory solution. Based on a new cognitive model of literature as communication, Farner systematically explains how literary fiction works, providing new solutions to a wide range of literary issues, like intention, function, evaluation, delimitation of the literary work as such, fictionality, suspense, and the roles of author and narrator, along with such narratological problems as voice, point of view and duration. Covering a wide range of literary issues central to literary theory, offering new theories while also summarising the field as it stands, Literary Fiction will be a valuable guide and resource for students and scholars of the theory of literature.




The Black Heralds


Book Description

Before writing his breakthrough poem sequence 'Trilce', César Vallejo published 'The Black Heralds', his first book of poems, in 1919. Although heavily indebted to the aesthetics of modernismo, Vallejo's early volume finds a way to escape the merely decorative, and includes poems of indubitable originality, harbingers of his later masterpieces. In this varied book, lyrics of existential angst and romantic frustration appear amid descriptions of family life and Andean landscapes. 'The Black Heralds' includes many of Vallejo's best-known poems, and its deceptive straightforwardness has garnered a lasting appeal among poetry readers. This bilingual edition presents a new translation of 'The Black Heralds', and is based upon the latest textual discoveries, such as variants in some copies of the first edition. Aside from the contents of his first book, an appendix gathers all of Vallejo's early uncollected poems, as well as those which only survive in fragments. Together with 'Trilce' and 'The Complete Later Poems 1923-1938', this volume makes available, for the first time in English, all of César Vallejo's poetry. The new translations presented here are by the Irish poet, and award-winning translator, Michael Smith, and the Peruvian scholar Valentino Gianuzzi.