Improvised Tenor Saxophone Solos: Sonny Stitt


Book Description

He's played with the best in jazz. Now you can improve your playing with his practice tips. The book features a biography and table of abbreviations. Titles: * It Could Happen to You * Just You, Just Me * Over the Rainbow * Stella by Starlight




Improvised Tenor Saxophone Solos


Book Description

He's played with the best in jazz. Now you can improve your playing with his practice tips. The book features a biography and table of abbreviations. Titles include: It Could Happen to You * Just You, Just Me * Over the Rainbow * Stella by Starlight.




Sonny Stitt


Book Description

Sonny Stitt was one of the most influential saxophonists in jazz. Stitt was born on February 2, 1924 and died July 22, 1982. Since so little information is available about Stitt's life and music, the author conducted interviews with his widow, Pamela Stitt, and various musicians who performed with him. These interviews were done in order to provide insight into the life and music of this neglected jazz artist. Five improvised tenor saxophone solos, which were transcribed by the author, are analyzed in this paper. These solos were recorded between 1949 and 1972. All of the solos are based on one of the most popular vehicles for jazz improvisation, George Gershwin's "I Got Rhythm." Four of the five solos are from original compositions by Stitt based on the chord changes to "I Got Rhythm." The remaining solo was performed on the actual tune. The analysis of these solos includes consideration of the scales Stitt used and the use and development of melodic material. The author will trace the lineage of Stitt's tenor saxophone style. Although Stitt began his career as an alto saxophonist, he added the tenor saxophone to his arsenal in the late 1940's. Stitt developed a distinct personality on the tenor saxophone, which shows the influence of Lester Young. Many elements of Young's influence will be explored.




Body and Soul -- the Evolution of a Tenor Saxophone Standard


Book Description

Body & Soul, a song with music by Johnny Green and lyrics by Frank Eyton, Edward Heyman, and Robert Sour, was first published in 1930. It became a popular tune for jazz musicians. This volume presents transcriptions and analyses of recorded solos by Coleman Hawkins, Lester Young, Stan Getz, Sonny Rollins, John Coltrane, Dexter Gordon, Michael Brecker, and Chris Potter. With a foreword by Chris Potter.




Sonny Rollins Omnibook for C Instruments


Book Description

(Jazz Transcriptions). The Sonny Rollins Omnibook celebrates the bebop legend that worked with Miles, Monk, MJQ, and many others. His solo work has earned him many accolades, including Grammy Awards, election into the American Academy of Arts and Sciences, an Edward MacDowell Medal, and the Medal of Arts from President Barack Obama. This collection features 50 of his best, including: Airegin * All the Things You Are * Almost like Being in Love * Bouncing with Bud * Doxy * Ev'ry Time We Say Goodbye * I'll Remember April * Just in Time * Namely You * Oleo * On a Slow Boat to China * St. Thomas * Solid * Sonnymoon for Two * Vierd Blues * Woodyn' You * and more.




Elements of the jazz language for the developing improvisor


Book Description

A comprehensive book on jazz analysis and improvisation. Elements used in jazz improvisation are isolated for study: they are examined in recorded solos, suggestions are made for using each element in the jazz language, and specific exercises are provided for practicing the element.




Moving to Higher Ground


Book Description

“In this book I hope to reach a new audience with the positive message of America’s greatest music, to show how great musicians demonstrate on the bandstand a mutual respect and trust that can alter your outlook on the world and enrich every aspect of your life–from individual creativity and personal relationships to conducting business and understanding what it means to be American in the most modern sense.” –Wynton Marsalis In this beautiful book, the Pulitzer Prize-winning musician and composer Wynton Marsalis explores jazz and how an understanding of it can lead to deeper, more original ways of being, living, and relating–for individuals, communities, and nations. Marsalis shows us how to listen to jazz, and through stories about his life and the lessons he has learned from other music greats, he reveals how the central ideas in jazz can influence the way people think and even how they behave with others, changing self, family, and community for the better. At the heart of jazz is the expression of personality and individuality, coupled with an ability to listen to and improvise with others. Jazz as an art–and as a way to move people and nations to higher ground–is at the core of this unique, illuminating, and inspiring book, a master class on jazz and life by a brilliant American artist. Advance praise for Moving to Higher Ground “An absolute joy to read. Intimate, knowledgeable, supremely worthy of its subject. In addition to demolishing mediocre, uniformed critics, Moving to Higher Ground is a meaningful contribution to music scholarship.” –Toni Morrison “I think it should be in every bookstore, music store, and school in the country.” –Tony Bennett “Jazz, for Wynton Marsalis, is nothing less than a search for wisdom. He thinks as forcefully, and as elegantly, as he swings. When he reflects on improvisation, his subject is freedom. When he reflects on harmony, his subject is diversity and conflict and peace. When he reflects on the blues, his subject is sorrow and the mastery of it–how to be happy without being blind. There is philosophy in Marsalis’s trumpet, and in this book. Here is the lucid and probing voice of an uncommonly soulful man.” –Leon Wieseltier, literary editor, The New Republic “Wynton Marsalis is absolutely the person who should write this book. Here he is, as young as morning, as fresh as dew, and already called one of the jazz greats. He is not only a seer and an exemplary musician, but a poet as well. He informs us that jazz was created, among other things, to expose the hypocrisy and absurdity of racism and other ignorances in our country. Poetry was given to human beings for the same reason. This book could be called “How Love Can Change Your Life,” for there could be no jazz without love. By love, of course, I do not mean mush, or sentimentality. Love can only exist with courage, and this book could not be written without Wynton Marsalis’s courage. He has the courage to make powerful music and to love the music so, that he willingly shares its riches with the entire human family. We are indebted to him.” –Maya Angelou




Great Tenor Sax Solos


Book Description

(Artist Transcriptions). An outstanding jazz collection of 24 transcribed solos from some of the world's greatest tenor sax artists. Includes: St. Thomas (Sonny Rollins) * Body and Soul (Coleman Hawkins) * Lester Leaps In (Lester Young) * Parker 51 (Stan Getz) * Tune Up (Sonny Stitt) * Bye Bye Blues (Lew Tabackin) * I'm Old Fashioned (Peter Christlieb) * Bye Bye Blackbird (John Coltrane) * and more. Also includes an introduction and notes about each piece.




Jazz from Detroit


Book Description

Jazz from Detroit explores the city’s pivotal role in shaping the course of modern and contemporary jazz. With more than two dozen in-depth profiles of remarkable Detroit-bred musicians, complemented by a generous selection of photographs, Mark Stryker makes Detroit jazz come alive as he draws out significant connections between the players, eras, styles, and Detroit’s distinctive history. Stryker’s story starts in the 1940s and ’50s, when the auto industry created a thriving black working and middle class in Detroit that supported a vibrant nightlife, and exceptional public school music programs and mentors in the community like pianist Barry Harris transformed the city into a jazz juggernaut. This golden age nurtured many legendary musicians—Hank, Thad, and Elvin Jones, Gerald Wilson, Milt Jackson, Yusef Lateef, Donald Byrd, Tommy Flanagan, Kenny Burrell, Ron Carter, Joe Henderson, and others. As the city’s fortunes change, Stryker turns his spotlight toward often overlooked but prescient musician-run cooperatives and self-determination groups of the 1960s and ’70s, such as the Strata Corporation and Tribe. In more recent decades, the city’s culture of mentorship, embodied by trumpeter and teacher Marcus Belgrave, ensured that Detroit continued to incubate world-class talent; Belgrave protégés like Geri Allen, Kenny Garrett, Robert Hurst, Regina Carter, Gerald Cleaver, and Karriem Riggins helped define contemporary jazz. The resilience of Detroit’s jazz tradition provides a powerful symbol of the city’s lasting cultural influence. Stryker’s 21 years as an arts reporter and critic at the Detroit Free Press are evident in his vivid storytelling and insightful criticism. Jazz from Detroit will appeal to jazz aficionados, casual fans, and anyone interested in the vibrant and complex history of cultural life in Detroit.




Cannonball Adderley - Omnibook for E-flat Instruments


Book Description

(Jazz Transcriptions). Nearly 50 of Julian "Cannonball" Adderley's recorded solos transcribed exactly for E-flat instruments, including: Blue Funk * Cannonball * Easy to Love (You'd Be So Easy to Love) * Fiddler on the Roof * I Remember You * Love for Sale * Milestones * Oleo * On Green Dolphin Street * People Will Say We're in Love * So What * Somethin' Else * Stardust * Straight No Chaser * Things Are Getting Better * What Is This Thing Called Love? * Who Cares? (So Long As You Care for Me) * You Got It * and many more.