In a Time of Violence: Poems


Book Description

The publication of Eavan Boland's previous book, Outside History: Selected Poems 1980-1990, established Boland as a significant presence in the contemporary American poetry world. This, her seventh book, continues to mine what she has termed "the meeting place between womanhood and history."




Scared Violent Like Horses


Book Description

"A deeply personal examination of violent masculinity, driven by a yearning for more compassionate ways of being. "--Amazon.com




In the Sanctuary of Women


Book Description

Come spend some time in the sanctuary of women, an often-ignored space in Jewish and Christian history. This devotional book for women highlights six women from around the world and across the centuries, inviting us to discover what their lives tell us about God. Jan Richardson, a gifted poet, artist, and author, believes it is essential for women to listen to one another's wisdom and bring the fullness of their lives, with all the wonders and messiness, into their prayer life. In the Sanctuary of Women gathers together these women from scripture and history: Eve Brigid of Kildare The desert mothers Hildegard of Bingen Harriet Powers The Woman of the Song of Songs Each chapter becomes its own sanctuary, with one of the women serving as a companion as you contemplate the theme that her life offers. Throughout the readings Richardson weaves her own stories, poetry, prayers, and blessings. Midway through each chapter, a section called "The Secret Room" gives you a chance to pause and reflect on unexpected insights. Reading the book daily will carry you through six months, or you can dip into the readings as you wish. An invitation into reflection and prayer alone or in the company of others, In the Sanctuary of Women is a book to treasure and to share with the women and the men in your life.




Outside History


Book Description




Out of Violence Into Poetry


Book Description

Margaret Randall's most recent collection of poems, Out of Violence Into Poetry, was written over these past few years when language itself was violated by a president who lied until each lie, repeated often enough, resembled a terrible truth in the public discourse. Reality, sanity, beauty: all bend and run the risk of breaking when distorted beyond recognition. These poems consciously restore language to its natural habitat. They deal with history, memory, loss, life, death and promise. They address love and aging. They become a welcome refuge at a time of uncertainty and take us on disparate journeys that often have surprising twists. There is humor as well as rage. We cannot leave it to the politicians alone to give words their meaning back. That is the job of poets, and this book does that job well. Randall is the author of nearly 200 books, spanning more than six decades. Out of Violence into Poetry may well be her finest collection of poetry to date.




Time and Materials


Book Description

The poems in Robert Hass's new collection—his first to appear in a decade—are grounded in the beauty and energy of the physical world, and in the bafflement of the present moment in American culture. This work is breathtakingly immediate, stylistically varied, redemptive, and wise. His familiar landscapes are here—San Francisco, the Northern California coast, the Sierra high country—in addition to some of his oft-explored themes: art; the natural world; the nature of desire; the violence of history; the power and limits of language; and, as in his other books, domestic life and the conversation between men and women. New themes emerge as well, perhaps: the essence of memory and of time. The works here look at paintings, at Gerhard Richter as well as Vermeer, and pay tribute to his particular literary masters, friend Czeslaw Milosz, the great Swedish poet Tomas Tranströmer, Horace, Whitman, Stevens, Nietszche, and Lucretius. We are offered glimpses of a surpris­ingly green and vibrant twenty-first-century Berlin; of the demilitarized zone between the Koreas; of a Bangkok night, a Mexican desert, and an early summer morning in Paris, all brought into a vivid present and with a passionate meditation on what it is and has been to be alive. "It has always been Mr. Hass's aim," the New York Times Book Review wrote, "to get the whole man, head and heart and hands and every­thing else, into his poetry." Every new volume by Robert Hass is a major event in poetry, and this beautiful collection is no exception.




WHEREAS


Book Description

The astonishing, powerful debut by the winner of a 2016 Whiting Writers' Award WHEREAS her birth signaled the responsibility as mother to teach what it is to be Lakota therein the question: What did I know about being Lakota? Signaled panic, blood rush my embarrassment. What did I know of our language but pieces? Would I teach her to be pieces? Until a friend comforted, Don’t worry, you and your daughter will learn together. Today she stood sunlight on her shoulders lean and straight to share a song in Diné, her father’s language. To sing she motions simultaneously with her hands; I watch her be in multiple musics. —from “WHEREAS Statements” WHEREAS confronts the coercive language of the United States government in its responses, treaties, and apologies to Native American peoples and tribes, and reflects that language in its officiousness and duplicity back on its perpetrators. Through a virtuosic array of short lyrics, prose poems, longer narrative sequences, resolutions, and disclaimers, Layli Long Soldier has created a brilliantly innovative text to examine histories, landscapes, her own writing, and her predicament inside national affiliations. “I am,” she writes, “a citizen of the United States and an enrolled member of the Oglala Sioux Tribe, meaning I am a citizen of the Oglala Lakota Nation—and in this dual citizenship I must work, I must eat, I must art, I must mother, I must friend, I must listen, I must observe, constantly I must live.” This strident, plaintive book introduces a major new voice in contemporary literature.




Prelude to Bruise


Book Description

Praise for Saeed Jones: "Jones is the kind of writer who's more than wanted: he's desperately needed."—FlavorWire "I get shout-happy when I read these poems; they are the gospel; they are the good news of the sustaining power of imagination, tenderness, and outright joy."—D. A. Powell "Prelude to Bruise works its tempestuous mojo just under the skin, wreaking a sweet havoc and rearranging the pulse. These poems don't dole out mercy. Mr. Jones undoubtedly dipped his pen in fierce before crafting these stanzas that rock like backslap. Straighten your skirt, children. The doors of the church are open."—Patricia Smith "It's a big book, a major book. A game-changer. Dazzling, brutal, real. Not just brilliant, caustic, and impassioned but a work that brings history—in which the personal and political are inter-constitutive—to the immediate moment. Jones takes a reader deep into lived experience, into a charged world divided among unstable yet entrenched lines: racial, gendered, political, sexual, familial. Here we absorb each quiet resistance, each whoop of joy, a knowledge of violence and of desire, an unbearable ache/loss/yearning. This is not just a "new voice" but a new song, a new way of singing, a new music made of deep grief's wildfire, of burning intelligence and of all-feeling heart, scorched and seared. In a poem, Jones says, "Boy's body is a song only he can hear." But now that we have this book, we can all hear it. And it's unforgettable."—Brenda Shaughnessy "Inside each hunger, each desire, speaks the voice of a boy that admits "I've always wanted to be dangerous." This is not a threat but a promise to break away from the affliction of silence, to make audible the stories that trouble the dimensions of masculinity and discomfort the polite conversations about race. With impressive grace, Saeed Jones situates the queer black body at the center, where his visibility and vulnerability nurture emotional strength and the irrepressible energy to claim those spaces that were once denied or withheld from him. Prelude to a Bruise is a daring debut."—Rigoberto González From "Sleeping Arrangement": Take your hand out from under my pillow. And take your sheets with you. Drag them under. Make pretend ghosts. I can't have you rattling the bed springs so keep still, keep quiet. Mistake yourself for shadows. Learn the lullabies of lint. Saeed Jones works as the editor of BuzzfeedLGBT.




The Undressing: Poems


Book Description

“Immediate, sensual, unrelentingly intense.” —NPR A breathtaking volume about the violence of desire and the peace of love from celebrated poet Li-Young Lee, The Undressing is a tonic for spiritual anemia; it attempts to uncover things hidden since the dawn of the world. Short of achieving that end, these mysterious, unassuming poems investigate the human violence and dispossession increasingly prevalent around the world, and the horrors the poet grew up with as a child of refugees. Lee draws from disparate sources including the Old Testament, the Dao De Jing, and the music of the Wu-Tang Clan. While the ostensive subjects of these layered, impassioned poems are wide-ranging, their driving engine is a burning need to understand our collective human mission.




Keeping Time with Blue Hyacinths


Book Description

A surreal journey of sins, ghosts, and Saudi Princes