The Ghosts of Doodenbos


Book Description

The Netherlands in the year of the Lord 1571: The young widow Ann lives alone with her little son Florentijn in a house at the edge of the woods. From childhood on, Ann has been told to never ever go alone into the woods. But when her little son runs away, Ann has no choice. She must venture into the forest to save Florentijn from the creatures that live in the woods surrounding the village of Doodenbos. This is a historical horror short story of 3000 words or approx. 12 pages.




I Hold a Wolf by the Ears


Book Description

ONE OF TIME'S 10 BEST FICTION BOOKS OF 2020. Longlisted for the Joyce Carol Oates Prize. Named a Best Book of 2020 by NPR, Bustle, Good Housekeeping, the New York Public Library, Library Journal, Lit Hub, Electric Literature, and Tor.com "As enchanting as fairy tales, as mysterious as dreams, these exquisitely composed fictions are as urgent and original as any being written today.” —Sigrid Nunez, author of The Friend, winner of the 2018 National Book Award for Fiction An urgent and unsettling collection of women on the verge from Laura van den Berg, author of The Third Hotel I Hold a Wolf by the Ears, Laura van den Berg’s first story collection since her prizewinning book The Isle of Youth, draws readers into a world of wholly original, sideways ghost stories that linger in the mouth and the mind. Both timeless and urgent, these eleven stories confront misogyny, violence, and the impossible economics of America with van den Berg’s trademark spiky humor and surreal eye. Moving from the peculiarities of Florida to liminal spaces of travel in Mexico City, Sicily, and Iceland, I Hold a Wolf by the Ears is uncannily attuned to our current moment, and to the fears we reveal to no one but ourselves. In “Lizards,” a man mutes his wife’s anxieties by giving her a LaCroix-like seltzer laced with sedatives. In the title story, a woman poses as her more successful sister during a botched Italian holiday, a choice that brings about strange and destructive consequences, while in “Karolina,” a woman discovers her prickly ex-sister-in-law in the aftermath of an earthquake and is forced to face the truth about her violent brother. I Hold a Wolf by the Ears presents a collection of women on the verge, trying to grasp what’s left of life: grieving, divorced, and hyperaware, searching, vulnerable, and unhinged, they exist in a world that deviates from our own only when you look too closely. With remarkable control and transcendent talent, van den Berg dissolves, in the words of the narrator of “Slumberland,” “that border between magic and annihilation,” and further establishes herself as a defining fiction writer of our time.




In Ghost's Den


Book Description

This book is a collection of my thoughts and imaginations. It contains stories, thrillers, satires, adventures and it is about some personalities whom I admire the most. I do not believe in the existence of Ghosts or other supernatural things. In India, particularly in rural folk the tales of ghosts are prevalent since centuries. Some anti social elements take advantage of peoples belief in such things and exploit it in their favour. This book is an assault on those beliefs and the people who try to spread such thoughts. The satires are symbolic way of touching the most sensitive religious, political, and social issues. Here satires hit the present political and economic scenario which has made the life of common man difficult in India. There are features which I wrote during different times but relevant even today. These writings also showcase the condition of people living in small towns and villages. To me adventure is a part of our life. There are two experiences which are most thrilling and can give readers an exciting reading and some lessons to learn. Bhagat Singh, Manik Sarkar and Devi Lal are three personalities of different eras who can inspire and guide us.




Ghost Girl


Book Description

Perfect for fans of Small Spaces and Nightbooks, Ally Malinenko’s debut is an empowering and triumphant ghost story——with spooky twists sure to give readers a few good goosebumps! Zee Puckett loves ghost stories. She just never expected to be living one. It all starts with a dark and stormy night. When the skies clear, everything is different. People are missing. There’s a creepy new principal who seems to know everyone’s darkest dreams. And Zee is seeing frightening things: large, scary dogs that talk and maybe even . . . a ghost. When she tells her classmates, only her best friend Elijah believes her. Worse, mean girl Nellie gives Zee a cruel nickname: Ghost Girl. But whatever the storm washed up isn’t going away. Everyone’s most selfish wishes start coming true in creepy ways. To fight for what’s right, Zee will have to embrace what makes her different and what makes her Ghost Girl. And all three of them—Zee, Elijah, and Nellie—will have to work together if they want to give their ghost story a happy ending.




The Best Ghost Stories


Book Description




Humorous Ghost Stories


Book Description

CONTENTS: Introduction: The Humorous Ghost The Canterville Ghost by Oscar Wilde The Ghost-Extinguisher by Gelett Burgess "Dey Ain't No Ghosts" by Ellis Parker Butler The Transferred Ghost by Frank R. Stockton The Mummy's Foot by Théophile Gautier The Rival Ghosts by Brander Matthews The Water Ghost of Harrowby Hall by John Kendrick Bangs Back from that Bourne by Anonymous The Ghost-Ship by Richard Middleton The Transplanted Ghost by Wallace Irwin The Last Ghost in Harmony by Nelson Lloyd The Ghost of Miser Brimpson by Eden Phillpotts The Haunted Photograph by Ruth McEnery Stuart The Ghost that Got the Button by Will Adams The Specter Bridegroom by Washington Irving The Specter of Tappington Compiled by Richard Barham In the Barn by Burges Johnson A Shady Plot by Elsie Brown The Lady and the Ghost by Rose Cecil O'Neill




The Ghosts of Justice


Book Description

It is not possible to read Heidegger's text without the image of his arm raised in the Nazi salute haunting it. The image compels us to examine Heidegger's philosophy in terms of its susceptibility to Nazi ideology. Heidegger's philosophy was inscribed at the end of the history of philosophy, a time when Nazism was on the rise and on its way to the renewal of German destiny. In paragraph six of Being and Time Heidegger outlined his agenda for the renewal of philosophy. The renewal necessitated the destruction of the errant history of ontology in order to retrieve the pure primordial experiences. The parallels between the forms of two agendas are coincidental. However, my work shows where they overlapped. I explore the consequence of this overlap by soliciting the 'first' text of philosophy, The Anaximander Fragment, that speaks about justice and injustice. Justice is also at issue in the text of Jacques Derrida. Derrida's primary resource is paragraph six of Heidegger's Being and Time, a fact that caused some of his readers to assimilate him to Heidegger. Derrida has tried to distance himself from Heidegger and in a late text he has offered us the prescriptive phrase, "Deconstruction is justice," to guide our reading of his text. The phrase invites us to examine Derrida's work in light of its saying. This is what I try to do. I show that a separation cannot be accomplished without a price, because whether an author intends it or not, justice is something ghostly and it keeps its own account. Heidegger's arm and Derrida's hand caught in the trap of paragraph six tell another story, different from the stories the authors tell. The limbs tell the story about the ghosts of justice.




Humorous Ghost Stories


Book Description

The good ship sped on her way across the calm Atlantic. It was an outward passage, according to the little charts which the company had charily distributed, but most of the passengers were homeward bound, after a summer of rest and recreation, and they were counting the days before they might hope to see Fire Island Light. On the lee side of the boat, comfortably sheltered from the wind, and just by the door of the captain's room (which was theirs during the day), sat a little group of returning Americans. The Duchess (she was down on the purser's list as Mrs. Martin, but her friends and familiars called her the Duchess of Washington Square) and Baby Van Rensselaer (she was quite old enough to vote, had her sex been entitled to that duty, but as the younger of two sisters she was still the baby of the family)—the Duchess and Baby Van Rensselaer were discussing the pleasant English voice and the not unpleasant English accent of a manly young lordling who was going to America for sport. Uncle Larry and Dear Jones were enticing each other into a bet on the ship's run of the morrow. “I'll give you two to one she don't make 420,” said Dear Jones. “I'll take it,” answered Uncle Larry. “We made 427 the fifth day last year.” It was Uncle Larry's seventeenth visit to Europe, and this was therefore his thirty-fourth voyage. “And when did you get in?” asked Baby Van Rensselaer. “I don't care a bit about the run, so long as we get in soon.” “We crossed the bar Sunday night, just seven days after we left Queenstown, and we dropped anchor off Quarantine at three o'clock on Monday morning.” “I hope we sha'n't do that this time. I can't seem to sleep any when the boat stops.” “I can, but I didn't,” continued Uncle Larry, “because my stateroom was the most for'ard in the boat, and the donkey-engine that let down the anchor was right over my head.” “So you got up and saw the sun rise over the bay,” said Dear Jones, “with the electric lights of the city twinkling in the distance, and the first faint flush of the dawn in the east just over Fort Lafayette, and the rosy tinge which spread softly upward, and——”...




Mozart's Ghosts


Book Description

In Mozart's Ghosts, author Mark Everist investigates how the composer's past status can be understood as part of today's veneration.




The Scrap Book


Book Description