Fred Stein


Book Description

The people he photographed are famous, and famous are his portraits and cityscapes. The name of the photographer, however, is little known so far. Fred Stein is one of the pioneers of small-format photography of the 1930s and 1940s. The oeuvre of the man who only became a photographer by happenstance is a moving and dynamic testimony of 20th-century history. Stein created impressive pictures of cities and people. Born in Dresden in 1909 as the son of a rabbi, he became a stalwart socialist and was forced to leave his home town when the National Socialists came to power. Together with his wife Lilo, he fled to Paris on the pretext of a honeymoon in 1933. An aspiring lawyer, Stein then needed to follow a new career path-for which the wedding gift of a Leica 35mm camera turned out to be the key. The hardships of flight and emigration revealed his outstanding talent as a sensitive portrait and street photographer. First in Paris and then, after 1941, in his New York exile, Fred Stein on his forays through the city became an "ethnologist of the urban space", his eye always out for special moments and the poetry of the metropolis. A silent observer, his pictures would capture typical scenes and places, as well as the special quality of life in the city. In a similar way, his portraits testify to the unobtrusive proximity in his relationship with people. The list of those portrayed reads like a Who's Who of 20th-century history: Hannah Arendt, Albert Einstein, Willy Brandt, Arnold Zweig, Egon Erwin Kisch, Bertold Brecht, Marlene Dietrich, Salvador Dali, Martin Buber, Thomas Mann. His photographs are characterized by a profound humanity and a subtle sense of humor. As a humanist intellectual, he photographed more than just the perfect moment and never lost sight of the overall picture. In his picture stories Stein proves a masterful photographer of modernity, with a view full of empathy for his environment and his fellow human beings. This catalog shows a high quality selection of Fred Stein's most important photographs and at the same time provides an illustrated biography of the artist's life. It was written and selected in close cooperation with Fred's son, Peter Stein, who administers his father's oeuvre. Bilingual edition, English and German text.




Richard Wagner in Paris


Book Description

How did Wagner's experiences in Paris influence his works and social character? And how does his sometime desire for recognition by the French cultural establishment square with his German national identity and with the related idea of a universally valid art? Friedrich Nietzsche more than once claimed that Wagner's only true home was in Paris. This book is the first major study to trace Wagner's relationship with Paris from his first sojourn there (1839-1842) to the Paris Tannhäuser (1861). How did Wagner's experiences in Paris influence his works and social character? How does his sometime desire for recognition by the French cultural establishment square with his German national identity and with the related idea of a universally valid art? This book presents Wagner's perennial ambition of an international operatic success in the "capital city of the nineteenth century" and the paradoxical consequences of that ambition upon its failure. Through an examination of previously neglected source materials, the book engages with ideas in the so-called "Wagner debate" as an ongoing philosophical project that tries to come to terms with the composer's Germanness. The book is in three main parts arranged broadly in chronological sequence. The first considers Wagner's earliest years in Paris, focusing on his own French-language drafts of Das Liebesverbot and Der fliegende Holländer. The second part explores his stance towards Paris "at a distance" following his return to Saxony and subsequent political exile. Arriving at Wagner's most often discussed "Paris period" (1859-61), the third part interrogates the concert performances under the composer's direction at the Théâtre-Italien and revisionist aspects of their reception. JEREMY COLEMAN is Lecturer in Music in the School of Performing Arts, Universityof Malta.




My Life


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Acts


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The Diaries of Giacomo Meyerbeer: The years of celebrity, 1850-1856


Book Description

Volume 3 covers a time span that preeminently represents the period in the composer's life known as The Years of International Fame (1850-56). Confirmed as the major figure on the operatic scene, and freed from the more onerous duties of his official position, Meyerbeer was able to enjoy his most remarkable period of stability and renown, as the detailed and absorbing diary entries reveal. These years saw the composing, rehearsing, and staging of L'Etoile du Nord (1854), and his personal supervision of major productions in London, Dresden, Stuttgart, and Vienna.




The Annenberg Collection


Book Description

The Walter and Leonore Annenberg Collection of Impressionist and Post-Impressionist paintings, watercolors, and drawings constitutes one of the most remarkable groupings of avant-garde works of art from the mid-19th to the early 20th century ever given to The Metropolitan Museum of Art. A revised and expanded edition of the 1989 publication Masterpieces of Impressionism and Post-Impressionism: The Annenberg Collection, this volume presents more than fifty masterworks by such luminaries as Manet, Degas, Morisot, Renoir, Monet, Cezanne, Gauguin, Van Gogh, Picasso, and Matisse, accompanied by elucidating texts and a wealth of comparative illustrations. -- From publisher.