In Re Kramer


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The People Themselves


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This book makes the radical claim that rather than interpreting the Constitution from on high, the Court should be reflecting popular will--or the wishes of the people themselves.




Basic Black With Pearls


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A brilliant, lost feminist classic that is equal parts domestic drama and international intrigue. Shirley and Coenraad’s affair has been going on for decades, but her longing for him is as desperate as ever. She is a Toronto housewife; he works for an international organization known only as the Agency. Their rendezvous take place in Tangier, in Hong Kong, in Rome and are arranged by an intricate code based on notes slipped into issues of National Geographic. He recognizes her by her costume: a respectable black dress and string of pearls; his appearance, however, is changeable. But something has happened, the code has been discovered, and Coenraad sends Shirley (who prefers to be known as “Lola Montez”) to Toronto, the last place she wants to go. There the trail leads her through the sites of her impoverished immigrant childhood and sends her, finally, to her own house, where she discards her pearls and trades in her basic black for a dress of vibrant multicolored silk. Helen Weinzweig published her first novel when she was fifty-eight. Basic Black with Pearls, her second, won the Toronto Book Award and has since come to be recognized as a feminist landmark. Here Weinzweig imbues the formal inventiveness of the nouveau roman with psychological poignancy and surprising humor to tell a story of simultaneous dissolution and discovery.




In Re Rosin


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The Story That Cannot Be Told


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“By turns surprising, poetic, and stark, The Story That Cannot Be Told is one that should most certainly be read.” —Alan Gratz, New York Times bestselling author of Refugee “A mesmerizing debut.” —Publishers Weekly (starred review) A powerful middle grade debut with three starred reviews that weaves together folklore and history to tell the story of a girl finding her voice and the strength to use it during the final months of the Communist regime in Romania in 1989. Ileana has always collected stories. Some are about the past, before the leader of her country tore down her home to make room for his golden palace; back when families had enough food, and the hot water worked on more than just Saturday nights. Others are folktales like the one she was named for, which her father used to tell her at bedtime. But some stories can get you in trouble, like the dangerous one criticizing Romania’s Communist government that Uncle Andrei published—right before he went missing. Fearing for her safety, Ileana’s parents send her to live with the grandparents she’s never met, far from the prying eyes and ears of the secret police and their spies, who could be any of the neighbors. But danger is never far away. Now, to save her family and the village she’s come to love, Ileana will have to tell the most important story of her life.




Whose Art is It?


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Whose Art Is It? is the story of sculptor John Ahearn, a white artist in a black and Hispanic neighborhood of the South Bronx, and of the people he cast for a series of public sculptures commissioned for an intersection outside a police station. Jane Kramer, telling this story, raises one of the most urgent questions of our time: How do we live in a society we share with people who are, often by their own definitions, "different?" Ahearn's subjects were "not the best of the neighborhood." They were a junkie, a hustler, and a street kid. Their images sparked a controversy throughout the community--and New York itself--over issues of white representations of people of color and the appropriateness of particular images as civic art. The sculptures, cast in bronze and painted, were up for only five days before Ahearn removed them. This compelling narrative raises questions about community and public art policies, about stereotypes and multiculturalism. With wit, drama, sympathy, and circumspection, Kramer draws the reader into the multicultural debate, challenging our assumptions about art, image, and their relation to community. Her portrait of the South Bronx takes the argument to its grass roots--provocative, surprising in its contradictions and complexities and not at all easy to resolve. Accompanied by an introduction by Catharine R. Stimpson exploring the issues of artistic freedom, "political correctness," and multiculturalism, Whose Art Is It? is a lively and accessible introduction to the ongoing debate on representation and private expression in the public sphere.




In Re Freiman


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The Kramer


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THE STORY: Self-assured and unyielding, Bart Kramer after accepting an important business position inexorably intrudes himself into the lives of his associates. Coldly and dispassionately he sets out to save it, particularly the young man who has




Kramer vs. Kramer


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A novel about a father’s emotional custody battle by a New York Times–bestselling author—the basis for the hit movie and “a great read” (Dave Eggers). For Joanna and Ted Kramer, building a life in New York City is tough but full of joy thanks to their lovely little boy, Billy. Or so it seems, until one day Joanna walks out, unable to manage the burdens of family life and her own unfulfilled ambitions. Alone with Billy, Ted begins to navigate the challenges of single parenthood and forms a bond with his son that no one can break—except the courts. When Joanna suddenly resurfaces and decides she wants Billy back, Ted must fight for the right to hold on to everything he holds most dear. Adapted as the landmark film starring Dustin Hoffman and Meryl Streep, Kramer vs. Kramer is an unforgettable and heartrending story of love and devotion in the wake of divorce. This ebook features an illustrated biography of Avery Corman, including rare images from the author’s personal collection.




These Things Happen


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A domestic story told in numerous original and endearing voices. The story opens with Wesley, a tenth grader, and involves his two sets of parents (the mom and her second husband, a very thoughtful doctor; and the father who has become a major gay lawyer/activist and his fabulous "significant other" who owns a restaurant). Wesley is a fabulous kid, whose equally fabulous best friend Theo has just won a big school election and simultaneously surprises everyone in his life by announcing that he is gay. No one is more surprised than Wesley, who actually lives temporarily with his gay father and partner, so that he can get to know his rather elusive dad. When a dramatic and unexpected trauma befalls the boys in school, all the parents converge noisily in love and well-meaning support. But through it all, each character ultimately is made to face certain challenges and assumptions within his/her own life, and the playing out of their respective life priorities and decisions is what makes this novel so endearing and so special.