Rodin


Book Description

This definitive monograph from the Musée Rodin in Paris on the pioneering artist who paved the way for modern sculpture is now available in an affordable compact format. Revered today as the greatest sculptor of all time, whose expressive style prefigured that of the modernist movement and abstract sculpture, Auguste Rodin (1840–1917) stirred up much controversy during his lifetime, and his sculptures often met with hostility and incomprehension from his peers. This monograph traces the life and work of the artist, from his youth and early poverty-stricken years of apprenticeship to his most celebrated works—The Kiss, The Thinker, The Gates of Hell—which have become veritable icons; and from his passionate and tumultuous relationship with Camille Claudel to his extraordinary studio, working methods, and sources of inspiration, and his final years marked by war and illness. Written by experts from the Musée Rodin in Paris, this richly illustrated volume includes drawings, watercolors, engravings, and archival documents, as well as specially commissioned photographs of Rodin’s sculptures, completed by a chronology, bibliography, and history of the Musée Rodin—housed in the artist’s former studio in the Hôtel Biron. Providing insight into the many facets of his creative genius, this new compact edition of the Musée Rodin’s definitive reference on the artist and his oeuvre coincides with museum’s reopening in September 2015.




In Rodin's Studio


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Metamorphoses


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Metamorphoses: in Rodin's studio reveals the work of Auguste Rodin (1840-1917) and the materials he used to accomplish it, along with his collaborators, models, studio assistants and founders, as observed by eyewitnesses, photographers and writers. The theme of metamorphosis plunges us directly into the secrets of the studio to unveil the constantly shifting creative process of this revolutionary sculptor. Rodin is a pivotal figure not only because of his expression, of a rare emotional and psychological complexity, but also because of his profound renewal of the language of sculptural practice. One of the most striking aspects of his vision lies in his ascribing greater value to the act of creation, which he placed in the forefront, than to the imperious dogma of a necessarily completed work: no sculpture was ever immutably final in Rodin's mind.




Rodin


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Rodin


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Biografi om den franske billedhugger, der levede 1840-1917




Cathedrals of France


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Kiefer-Rodin


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An exceptional title developed in partnership with Rodin Museum, for the centenary of Rodin's death. The museum gave carte blanche to Anselm Kiefer, a renowned artist with an international career. Their aim was to highlight the similarity between these two men and their artistic journeys. Anselm Kiefer has been collaborating on this project for four years and will offer new works specially created for this exhibition - a mix of original large scale paintings, windows with sculptures/installations and large size book pages made of plaster and painted over. This book accompanies the Kiefer/Rodin: Cathedrals exhibition at Musee Rodin from March 2017 - October 2017 and Philadelphia: Barnes Foundation from mid November 2017 to end March 2018. There is a Rodin retrospective at Grand Palais, Paris, in October 2017. All three authors are curators at Musee Rodin. Their work is dedicated to preserving and publicising Rodin's art. SELLING POINTS: * Never before seen works by Anlsem Kiefer, created in homage to Rodin's work, to mark the centenary of his death * Published in conjunction with the centenary of Rodin's death * Many international celebrations have been planned: a 2 euro coin with Rodin's Thinker will be issued, as well as a stamp, a retrospective of Rodin at the Grand Palais in October 2017, and a film coming out in May - among many more 350 colour




Rodin


Book Description

The expression 'the Zola of Sculpture' was coined in the circles of the Royal Academy in the 1880s as a term of abuse. Rodin: 'The Zola of Sculpture' reveals how the appraisal of Rodin in British culture was shaped by controversies around the literary models of Zola and Baudelaire, in a period when negative notions about French culture were being progressively transformed into positive expressions of modern sculpture. Embedded within this collaborative book is the editor's proposition that Rodin came to play an important role in the cultural politics of the Entente Cordiale at a critical juncture of European history. Encompassing new scholarship in several disciplines, drawn from both sides of the Channel, Rodin: 'The Zola of Sculpture' offers the first in-depth account of Rodin's career in Britain in the period 1880-1914 and weaves this historical trajectory into a complex investigation of the interactions between French and British cultures. The authors examine the cultural agencies in which conceptions of Rodin's practice played a defining role, dealing in turn with artists' professional associations, art criticism, private and public collectors and the education of women sculptors.







You Must Change Your Life: The Story of Rainer Maria Rilke and Auguste Rodin


Book Description

Winner of the 2016 Marfield Prize In 1902, Rainer Maria Rilke—then a struggling poet in Germany—went to Paris to research and write a short book about the sculptor Auguste Rodin. The two were almost polar opposites: Rilke in his twenties, delicate and unknown; Rodin in his sixties, carnal and revered. Yet they fell into an instantaneous friendship. Transporting readers to early twentieth-century Paris, Rachel Corbett’s You Must Change Your Life is a vibrant portrait of Rilke and Rodin and their circle, revealing how deeply Rodin’s ideas about art and creativity influenced Rilke’s classic Letters to a Young Poet.