The Last American Man


Book Description

_____________ 'It is almost impossible not to fall under the spell of Eustace Conway ... his accomplishments, his joy and vigor, seem almost miraculous' - New York Times Review of Books 'Gilbert takes a bright-eyed bead on Eustace, hitting him square with a witty modernist appraisal of folkloric American masculinity' - The Times 'Conversational, enthusiastic, funny and sharp, the energy of The Last American Man never ebbs' - New Statesman _____________ A fascinating, intimate portrait of an endlessly complicated man: a visionary, a narcissist, a brilliant but flawed modern hero At the age of seventeen, Eustace Conway ditched the comforts of his suburban existence to escape to the wild. Away from the crushing disapproval of his father, he lived alone in a teepee in the mountains. Everything he needed he built, grew or killed. He made his clothes from deer he killed and skinned before using their sinew as sewing thread. But he didn't stop there. In the years that followed, he stopped at nothing in pursuit of bigger, bolder challenges. He travelled the Mississippi in a handmade wooden canoe; he walked the two-thousand-mile Appalachian Trail; he hiked across the German Alps in trainers; he scaled cliffs in New Zealand. One Christmas, he finished dinner with his family and promptly upped and left - to ride his horse across America. From South Carolina to the Pacific, with his little brother in tow, they dodged cars on the highways, ate road kill and slept on the hard ground. Now, more than twenty years on, Eustace is still in the mountains, residing in a thousand-acre forest where he teaches survival skills and attempts to instil in people a deeper appreciation of nature. But over time he has had to reconcile his ambitious dreams with the sobering realities of modernity. Told with Elizabeth Gilbert's trademark wit and spirit, The Last American Man is an unforgettable adventure story of an irrepressible life lived to the extreme. The Last American Man is a New York Times Notable Book and National Book Critics Circle Award Finalist.




Abolitionism


Book Description

A fresh synthesis of the abolitionist movement and ideas in the Anglo-American world.




On Exhibit


Book Description

Why did the Victorians collect with such a vengeance and exhibit in museums? Focusing on this key nineteenth-century enterprise, Barbara J. Black illuminates British culture of the period by examining the cultural power that this collecting and exhibiting possessed. Through its museums, she argues, Victorian London constructed itself as a world city. Using the tools of cultural criticism, social history, and literary analysis, Black roots Victorian museum culture in key political events and cultural forces: British imperialism, exploration, and tourism; advances in science and changing attitudes about knowledge; the commitment to improved public taste through mass education; the growth of middle-class dominance and the resulting bourgeois fetishism and commodity culture; and the democratization of luxury engendered by the French and industrial revolutions. She covers a wide range of genres--from poetry to museum guidebooks to the triple-decker novel--and treats three London museums as case studies: Sir John Soane's house-museum, the Natural History Museum, and the exemplary South Kensington. While On Exhibit provides a fascinating analysis of Victorian society, it also reminds us how modern the Victorians were--how, in crucial ways, our culture derives from the Victorian era. Forging connections among museums, urbanism, and modernity, Black provokes us to examine cultural imperialism and the costs and advantages of cultural consensus.




Barnett Newman


Book Description

Barnett Newman's writings reveal him to be an impassioned and articulate analyst of art and society who never hesitated to make his views known and always stood by them. To understand Newman's unique place in the culture of the twentieth century, we must know both his paintings and his words--a knowledge made possible by this long-awaited volume. "Barnett Newman [1905-1970] was a thinker who chose to develop his ideas both in painting and in writing. He was also a citizen who made his acts of painting and writing political. And he was an artist."--Richard Schiff, from the Introduction Barnett Newman's writings reveal him to be an impassioned and articulate analyst of art and society who never hesitated to make his views known and always stood by them. To understand Newman's unique place in the culture of the twentieth century, we must know both his paintings and his words--a knowledge made possible by this long-awaited volume. "Barnett Newman [1905-1970] was a thinker who chose to develop his ideas both in painting and in writing. He was also a citizen who made his acts of painting and writing political. And he was an artist."--Richard Schiff, from the Introduction




In Search of Christ in Latin America


Book Description

Noted theologian Samuel Escobar offers a magisterial survey and study of Christology in Latin America. Presented for the first time in English, this rich resource starts with the first Spanish influence and moves through popular religiosity and liberationist themes in Catholic and Protestant thought of the twentieth and twenty-first centuries, culminating in an important description of the work of the Latin American Theological Fraternity.




The Man Who Walked Backward


Book Description

From Pulitzer Prize finalist Ben Montgomery, the story of a Texas man who, during the Great Depression, walked around the world -- backwards. Like most Americans at the time, Plennie Wingo was hit hard by the effects of the Great Depression. When the bank foreclosed on his small restaurant in Abilene, he found himself suddenly penniless with nowhere left to turn. After months of struggling to feed his family on wages he earned digging ditches in the Texas sun, Plennie decided it was time to do something extraordinary -- something to resurrect the spirit of adventure and optimism he felt he'd lost. He decided to walk around the world -- backwards. In The Man Who Walked Backward, Pulitzer Prize finalist Ben Montgomery charts Plennie's backwards trek across the America that gave rise to Woody Guthrie, John Steinbeck, and the New Deal. With the Dust Bowl and Great Depression as a backdrop, Montgomery follows Plennie across the Atlantic through Germany, Turkey, and beyond, and details the daring physical feats, grueling hardships, comical misadventures, and hostile foreign police he encountered along the way. A remarkable and quirky slice of Americana, The Man Who Walked Backward paints a rich and vibrant portrait of a jaw-dropping period of history.




New Essays on The American


Book Description

This 1987 collection of essays casts light on this and other major aspects Henry James' novel The American.




Making America


Book Description

In this richly interdisciplinary work twenty-eight of the nation's leading critics and scholars offer a comprehensive exploration of American society and culture. Each outstanding in his or her own field, the contributors address "America" from a diversit




Race, Gender, Sexuality, and Social Class


Book Description

Race, Gender, Sexuality, and Social Class: Dimensions of Inequality, edited by renowned researcher and scholar Susan Ferguson, presents a contemporary and compelling overview of race, ethnicity, gender, and social class issues in the United States today. Taking an intersectional approach, the book is organized topically, rather than focusing on specific race/ethnic subgroups. The content is framed around the themes of identity, experiences of race, class, gender or sexuality, difference, inequality, and social change or personal empowerment, with historical context threaded throughout to deepen the reader's understanding. With engaging readings and cutting-edge scholarship the collection is not only refreshingly contemporary but also relevant to students’ lives.




Why Is America Different?


Book Description

Does the American Jewish experience represent a singular communal circumstance, or does it repeat, with obvious and unavoidable variation, the older European pattern of Jewish existence? In 2004, on the occasion of the 350th anniversary of the establishment of the American Jewish community, this question seemed well worth revisiting. To explore it more fully, the Elie Wiesel Center for Judaic Studies at Boston University brought together a distinguished group of expert scholars on the main areas of American Jewish life, stretching from the colonial Jewish experience to the image of Jews in contemporary films. The present volume represents the fruit of this collective reflection and interrogation.