First Platoon


Book Description

A powerful story of war in our time, of love of country, the experience of tragedy, and a platoon at the center of it all. This is a story that starts off close and goes very big. The initial part of the story might sound familiar at first: it is about a platoon of mostly nineteen-year-old boys sent to Afghanistan, and an experience that ends abruptly in catastrophe. Their part of the story folds into the next: inexorably linked to those soldiers and never comprehensively reported before is the U.S. Department of Defense’s quest to build the world’s most powerful biometrics database, with the ability to identify, monitor, catalog, and police people all over the world. First Platoon is an American saga that illuminates a transformation of society made possible by this new technology. Part war story, part legal drama, it is about identity in the age of identification. About humanity—physical bravery, trauma, PTSD, a yearning to do right and good—in the age of biometrics, which reduce people to iris scans, fingerprint scans, voice patterning, detection by odor, gait, and more. And about the power of point of view in a burgeoning surveillance state. Based on hundreds of formerly classified documents, FOIA requests, and exclusive interviews, First Platoon is an investigative exposé by a master chronicler of government secrets. First Platoon reveals a post–9/11 Pentagon whose identification machines have grown more capable than the humans who must make sense of them. A Pentagon so powerful it can cover up its own internal mistakes in pursuit of endless wars. And a people at its mercy, in its last moments before a fundamental change so complete it might be impossible to take back.










In the Track of the Troops: A Tale of Modern War


Book Description

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.




In the Track of the Troops


Book Description

Much to my surprise, I found that neither Nicholas Naranovitsch nor Bella nor my mother wouldconsent to witness my experiments with dynamite that day.As my old chum approached to greet me on the lawn before breakfast the day following, I could nothelp admiring his fine, tall, athletic figure. I don't know how it is, but I have always felt, somehow, asif I looked up at him, although we were both exactly the same height-six feet one without ourboots. I suppose it must have been owing to his standing so erect, while I slouched a little. Perhapsmy looking up to him mentally had something to do with it."You'll come to-day, won't you?" I said, referring to the experiments."Of course I will, old boy; but," he added, with a smile, "only on one condition.""What may that be?""That you don't bother Bella with minute details."Of course I promised not to say a word unless asked for explanations, and after breakfast we allwent to a part of the grounds which I wished to bring under cultivation. It was at that timeencumbered with several large trees, old roots, and a number of boulders."Come along with us, Lancey," I said to the groom, who was also my laboratory assistant, andwhom I met in the stable-yard, the scene of his memorable blowing-up. "I am about to try the effectof an explosive, and wish you to understand the details.""Yes, sir," replied Lancey, with a respectful touch of his cap; "I must say, sir, if you'll allow me, Inever knowed any one like you, sir, for goin' into details except one, and that one-""Ah, yes, I know, that was your friend the Scotch boy," said I, interrupting; but Lancey was aprivileged servant, and would not be interrupted."Yes, sir," he resumed, "the Scotch boy Sandy. We was at school together in Edinburgh, where I gotthe most o' my edication, and I never did see such a boy, sir, for goin' into-""Yes, yes, Lancey, I know; but I haven't time to talk about him just now. We are going to the bit ofwaste ground in the hollow; follow us there."




The Tender Soldier


Book Description

Part of the Pentagon's most daring and controversial attempt since Vietnam to bring social science to the Afghanistan battlefield, three tough-minded American civilians find their humanity tested and their lives forever changed by this little-known mission.




66 Stories of Battle Command


Book Description

Experienced commanders discuss anecdotes and case studies from their past operations.







Crossings


Book Description

A searing, beautifully told memoir by a Native American doctor on the trials of being a doctor-soldier in the Iraq War, and then, after suffering a stroke that left his life irrevocably changed, his struggles to overcome the new limits of his body, mind, and identity. Every juncture in Jon Kerstetter’s life has been marked by a crossing from one world into another: from civilian to doctor to soldier; between healing and waging war; and between compassion and hatred of the enemy. When an injury led to a stroke that ended his careers as a doctor and a soldier, he faced the most difficult crossing of all, a recovery that proved as shattering as war itself. Crossings is a memoir of an improbable, powerfully drawn life, one that began in poverty on the Oneida Reservation in Wisconsin but grew by force of will to encompass a remarkable medical practice. Trained as an emergency physician, Kerstetter’s thirst for intensity led him to volunteer in war-torn Rwanda, Kosovo, and Bosnia, and to join the Army National Guard. His three tours in the Iraq War marked the height of the American struggle there. The story of his work in theater, which involved everything from saving soldiers’ lives to organizing the joint U.S.–Iraqi forensics team tasked with identifying the bodies of Saddam Hussein’s sons, is a bracing, unprecedented evocation of a doctor’s life at war. But war was only the start of Kerstetter’s struggle. The stroke he suffered upon returning from Iraq led to serious cognitive and physical disabilities. His years-long recovery, impeded by near-unbearable pain and complicated by PTSD, meant overcoming the perceived limits of his body and mind and reimagining his own capacity for renewal and change. It led him not only to writing as a vocation but to a deeper understanding of how healing means accepting a new identity, and how that acceptance must be fought for with as much tenacity as any battlefield victory.