Glenstone


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Catalogue of the Inaugural Exhibition June 6-September 20, 1916


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This catalogue documents the Cleveland Museum of Art's inaugural exhibition in 1916, featuring a diverse array of artworks from all over the world. It provides valuable insights into the history of art exhibition in the United States. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.




Catalogue of the Inaugural Exhibition June 6-September 20 1916


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This historic book may have numerous typos and missing text. Purchasers can usually download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1916 edition. Excerpt: ...and his work greatly deteriorated. 1 Portrait of a Man. Lent by Mr. Edward Drummond Libbey. DURER, Albert. 2 Adoration of the Shepherds. The Holden Collection, No. 46. GOYA Y LUCIENTES, Jos6 de. Born at Fuendetodos in Aragon, 1746. Died at Bordeaux, 1828. Entered the studio of Martinez at the age of sixteen. Went to Rome, returning to Spain in 1774. Was appointed court painter in 1795. 3 Don Tadeo Bravo de Rivero. Lent by the F. Kleinberger Galleries. 4 Marquesa de Bajamar. Lent by M. Knoedler and Company. EL GRECO; Dominico Theotocopuli, called. Born in Crete? between 1545 and 1550. Died at Toledo, 1614. Nothing positive is known of his birth and youth, but there is reason to believe that he studied under Titian in Venice before 1570, and that in that year he went to Rome. His methods would suggest the influence of Tintoretto, even if he did not work in his studio. The Spanish ambassador in Rome was recruiting artists there for the decoration of the Escorial and El Greco may have gone to Spain in the hope of participating in this work. He seems to have been in Toledo by 1577. Soon after that time we find him executing important decorative works in that city, later in Madrid and other Spanish cities. Besides religious works he painted numerous portraits. 5 Holy Virgin. Lent by the Ehrich Galleries. 6 St. John. Lent by the Ehrich Galleries. HALS, Frans. Born at Antwerp!? 1580. Died at Haarlem, 1666. The family returned to Haarlem before 1600. Probably a pupil of Van Noordt and Van Mander. His greatest works are in the Museum of the city where he died. 7 Portrait of Wilhelm van Heythuysen. Lent by Mr. Charles L. Hutchinson. 8 Portrait of a Young Man. Lent by the F. Kleinberger Galleries. 9 The Flute Player. Lent by Mr. Edward Drummond...




Inaugural Exhibition


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Art of Another Kind


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The pioneering artists of the post-World War II era embraced artistic freedom and gesture-based styles, nontraditional materials and countercultural references. French art critic Michel Tapié even declared the existence of "un art autre" (art of another kind)--an art that entailed a radical break with all traditional notions of order and composition, in a movement toward something wholly "other." This catalogue accompanies the Solomon R. Guggenheim Museum exhibition Art of Another Kind: International Abstraction and the Guggenheim, 1949-1960, which especially highlights works that entered into the collection during the tenure of then-director James Johnson Sweeney. Featuring nearly 100 works by Carla Accardi, Pierre Alechinsky, Karel Appel, Martin Barré, Harry Bertoia, Louise Bourgeois, Alberto Burri, Sam Francis, Grace Hartigan, Asger Jorn, Yves Klein, Franz Kline, Willem de Kooning, Conrad Marca-Relli, Kenzo Okada, Jorge Oteiza, Jackson Pollock, Ad Reinhardt, Pierre Soulages, Clyfford Still, Antoni Tàpies, Jean Tinguely, Cy Twombly, Takeo Yamaguchi and Zao Wou-Ki, among others, this collection-based exhibition and publication explore the affinities and differences between artists working continents apart, in a period of great transition and rapid creative development. The fully illustrated exhibition catalogue includes essays by Tracey Bashkoff, Megan M. Fontanella and Joan Marter; an illustrated chronology; and short biographies of the artists.