Book Description
First Published in 1999. Routledge is an imprint of Taylor & Francis, an informa company.
Author : Howsam,
Publisher : Routledge
Page : 241 pages
File Size : 32,46 MB
Release : 1999-01-01
Category : Literary Criticism
ISBN : 1136174354
First Published in 1999. Routledge is an imprint of Taylor & Francis, an informa company.
Author : Leslie Howsam
Publisher : University of Toronto Press
Page : 270 pages
File Size : 47,23 MB
Release : 1999-12-15
Category : Language Arts & Disciplines
ISBN : 1442655623
The Kegan Paul imprint was created and its reputation for a distinguished list of titles established during a forty-year period from 1871 to 1911. Several publishers, and their firms, were involved in the development of the imprint during this period, beginning with Henry S. King and Company, and following in 1877 with Charles Kegan Paul and his partner Alfred Chenevix Trench. A financial crisis in 1889 forced an amalgamation with two other businesses and the new firm changed managers periodically until George Routledge and Son took over the business in 1911. Leslie Howsam combines biography and analytic bibliography in her study of the Kegan Paul imprint to demonstrate the value of publishing history as a contribution to the scholarly study of the book. Basing her research on intensive work in the company's surviving archives and supplemented by extensive library work with the actual books, Howsam looks at the wide range of significant titles published for the imprint. In addition, she reconstructs a biographical and business history of the firm based on published and unpublished accounts of the individuals involved, including the publishers and their families, and looks at the effects of changing business practices. The focus of Victorian Imprint – Kegan Paul is the duality of imprint: the publisher's imprint upon a list of books, and publisher's personalities, the imprint of their taste and judgment on the culture in which they lived.
Author : Sandy Adirondack
Publisher :
Page : 142 pages
File Size : 16,40 MB
Release : 1974
Category : Reference
ISBN :
Author : Sharon W. Propas
Publisher : Routledge
Page : 270 pages
File Size : 47,58 MB
Release : 2016-06-17
Category : History
ISBN : 1317216482
First published in 2006, this work is a valuable guide for the researcher in Victorian Studies. Updated to include electronic resources, this book provides guides to catalogs, archives, museums, collections and databases containing material on the Victorian period. It organises the vast array of reference sources by discipline to help researchers tailor their investigations.
Author : Kay Boardman
Publisher : Manchester University Press
Page : 256 pages
File Size : 36,29 MB
Release : 2024-07-30
Category : Literary Criticism
ISBN : 152618561X
Popular Victorian women writers considers a diverse group of women writers within the Victorian literary marketplace. It looks at authors such as Ellen Wood, Mary Braddon, Rhoda Broughton and Charlotte Yonge as well as less well-known writers including Jessie Fothergill and Eliza Meteyard. Each essay sets the individual author within her biographical and literary context and provides refreshing insights into their work. Together they bring the work of largely unknown authors and new perspectives on known authors to critical and public attention. Accessible and informative, the book is ideal for students of Victorian literature and culture as well as tutors and scholars of the period.
Author : Jeffrey Rosen
Publisher : Manchester University Press
Page : 531 pages
File Size : 17,16 MB
Release : 2016-09-30
Category : History
ISBN : 1784997900
Nominated for the William MB Berger Prize for British Art History 2017. The Victorians admired Julia Margaret Cameron for her evocative photographic portraits of eminent men like Tennyson, Carlyle and Darwin. However, Cameron also made numerous photographs that she called 'Fancy subjects', depicting scenes from literature, personifications from classical mythology, and Biblical parables from the Old and New Testament. This book is the first comprehensive study of these works, examining Cameron's use of historical allegories and popular iconography to embed moral, intellectual and political narratives in her photographs. A work of cultural history as much as art history, this book examines cartoons from Punch and line drawings from the Illustrated London News, cabinet photographs and autotype prints, textiles and wall paper, book illustrations and lithographs from period folios, all as a way to contextualise the allegorical subjects that Cameron represented, revealing connections between her 'Fancy subjects' and popular debates about such topics as Biblical interpretation, democratic government and colonial expansion.
Author : William Russell Pullen Library
Publisher :
Page : 74 pages
File Size : 25,41 MB
Release : 1996
Category : Microfilms
ISBN :
Author : Trevor Howard Howard-Hill
Publisher :
Page : 952 pages
File Size : 18,35 MB
Release : 1992
Category : Bibliography of bibliographies
ISBN :
Author : Stephen H. Goode
Publisher :
Page : 448 pages
File Size : 28,83 MB
Release : 1979
Category : American periodicals
ISBN :
Author : Bernard Lightman
Publisher : University of Chicago Press
Page : 565 pages
File Size : 10,22 MB
Release : 2009-10-15
Category : Science
ISBN : 0226481174
The ideas of Charles Darwin and his fellow Victorian scientists have had an abiding effect on the modern world. But at the time The Origin of Species was published in 1859, the British public looked not to practicing scientists but to a growing group of professional writers and journalists to interpret the larger meaning of scientific theories in terms they could understand and in ways they could appreciate. Victorian Popularizers of Science focuses on this important group of men and women who wrote about science for a general audience in the second half of the nineteenth century. Bernard Lightman examines more than thirty of the most prolific, influential, and interesting popularizers of the day, investigating the dramatic lecturing techniques, vivid illustrations, and accessible literary styles they used to communicate with their audience. By focusing on a forgotten coterie of science writers, their publishers, and their public, Lightman offers new insights into the role of women in scientific inquiry, the market for scientific knowledge, tensions between religion and science, and the complexities of scientific authority in nineteenth-century Britain.