Indexicality


Book Description

The book offers the first full-scale focused treatment of linguistic indexicality as a tool for analysis and explanation of the organization of linguistic structures. The book demonstrates the application of the concept of indexicality in the description of a broad range of linguistic phenomena, from the internal workings of morphology via relations within syntactic constructions to lexical and grammatical elements designed to hook on to features outside the clause in the interactional context. The book presents studies of the role of indexicality in synchrony and diachrony with descriptive cases from a number of languages from diverse language families. Part I focuses on the general nature of linguistic indexicality in the larger perspective of the semiotics of language, including examinations of domain-straddling indexical functions. Part II focuses on the role of indexicality in diachrony and the way it enters into the mechanisms of change, including examinations of semiotic shifts from indexical to symbolic function and vice versa. The book is relevant for researchers and students in historical and synchronic linguistics from a variety of linguistic frameworks with an interest in the role of semiotics in linguistic analysis.




The Inessential Indexical


Book Description

In this book the authors argue that there are no such things as essential indexicality, irreducibly de se attitudes, or self-locating attitudes.




Naming and Indexicality


Book Description

This book provides an accessible, comprehensive and critical overview of theories of linguistic reference and meaning in the 20th century.




Semantic Indexicality


Book Description

Semantic Indexicality shows how a simple syntax can be combined with a propositional language at the level of logical analysis. It is the adoption of such a base language which has not been attempted before, and it is this which constitutes the originality of the book. Cresswell's simple and direct style makes this book accessible to a wider audience than the somewhat specialized subject matter might initially suggest.




The Cambridge Handbook of Discourse Studies


Book Description

Aimed at equipping a new generation of scholars and students with the essential tools for analyzing discourse, this handbook provides an overview of key research fields and an introduction to the various methodologies, concepts and areas of investigation in discourse.




The Inessential Indexical


Book Description

When we represent the world in language, in thought, or in perception, we often represent it from a perspective. We say and think that the meeting is happening now, that it is hot here, that I am in danger and not you; that the tree looks larger from my perspective than from yours. The Inessential Indexical is an exploration and defense of the view that perspectivality is a philosophically shallow aspect of the world. Cappelen and Dever oppose one of the most entrenched and dominant trends in contemporary philosophy: that perspective (and the perspective of the first person in particular) is philosophically deep and that a proper understanding of it is important not just in the philosophies of language and mind, but throughout philosophy. They argue that there are no such things as essential indexicality, irreducibly de se attitudes, or self-locating attitudes. Their goal is not to show that we need to rethink these phenomena, to explain them in different ways. Their goal is to show that the entire topic is an illusion—there's nothing there. The Context and Content series is a forum for outstanding original research at the intersection of philosophy, linguistics, and cognitive science. The general editor is François Recanati (Institut Jean-Nicod, Paris).




About the Speaker


Book Description

This book considers important aspects of the syntax of sentences and their relation to the extra-sentential context. The relation between a sentence and the context is frequently reckoned to be in some sense "syntax-free", in that it is not syntactically represented but introduced post-syntactically by semantic rules of interpretation. Alessandra Giorgi develops a different perspective through an empirically grounded exploration of temporal indexicality: she argues that the speaker's temporal location is specified in the syntactic structure. She supports her analysis with theoretical and empirical arguments based on data mainly from English and Italian but also considering Chinese and Romanian. Professor Giorgi addresses some difficult and longstanding issues in the analysis of temporal phenomena - including the Italian imperfect indicative, the properties of the so-called future-in-the-past, and the properties of Free Indirect Discourse. She shows that her framework can account elegantly for all of them. Carefully argued, succinct, and clearly written her book will appeal widely to syntacticians and semanticists from graduate level upwards and to linguists interested in the syntax-semantics interface.




Linguistic Semantics


Book Description

This successor to Language, Meaning and Context provides an invaluable introduction to linguistic semantics.




Sociolinguistics


Book Description

An indispensable guide to the newest and most searching ideas about language in society.




The Sense of Music


Book Description

The fictional Dr. Strabismus sets out to write a new comprehensive theory of music. But music's tendency to deconstruct itself combined with the complexities of postmodernism doom him to failure. This is the parable that frames The Sense of Music, a novel treatment of music theory that reinterprets the modern history of Western music in the terms of semiotics. Based on the assumption that music cannot be described without reference to its meaning, Raymond Monelle proposes that works of the Western classical tradition be analyzed in terms of temporality, subjectivity, and topic theory. Critical of the abstract analysis of musical scores, Monelle argues that the score does not reveal music's sense. That sense--what a piece of music says and signifies--can be understood only with reference to history, culture, and the other arts. Thus, music is meaningful in that it signifies cultural temporalities and themes, from the traditional manly heroism of the hunt to military power to postmodern "polyvocality." This theoretical innovation allows Monelle to describe how the Classical style of the eighteenth century--which he reads as a balance of lyric and progressive time--gave way to the Romantic need for emotional realism. He argues that irony and ambiguity subsequently eroded the domination of personal emotion in Western music as well as literature, killing the composer's subjectivity with that of the author. This leaves Dr. Strabismus suffering from the postmodern condition, and Raymond Monelle with an exciting, controversial new approach to understanding music and its history.