The Arts of India, Southeast Asia, and the Himalayas at the Dallas Museum of Art


Book Description

In recent years, the Dallas Museum of Art has expanded its collection of South Asian art from a small number of Indian temple sculptures to nearly 500 works, including Indian Hindu and Buddhist sculptures, Himalayan Buddhist bronze sculptures and ritual objects, artwork from Southeast Asia, and decorative arts from India's Mughal period. Artworks in the collection have origins from the former Ottoman empire to Java, and architectural pieces suggest the grandeur of buildings in the Indian tradition. This volume details the cultural and artistic significance of more than 140 featured works, which range from Tibetan thangkas and Indian miniature paintings to stone sculptures and bronzes. Relating these works to one another through interconnecting narratives and cross-references, scholars and curators provide a broad cultural history of the region. Distributed for the Dallas Museum of Art




The Art of South and Southeast Asia


Book Description

Presents works of art selected from the South and Southeast Asian and Islamic collection of The Metropolitan Museum of Art, lessons plans, and classroom activities.




A Collecting Odyssey


Book Description

One of the finest private collections of Indian, Himalayan and Southeast Asian art in America is owned by James and Marilynn Alsdorf. This catalogue provides an opportunity for individuals other than scholars and specialists to view the works of art.







The Art of Ancient India


Book Description

To scholars in the field, the need for an up-to-date overview of the art of South Asia has been apparent for decades. Although many regional and dynastic genres of Indic art are fairly well understood, the broad, overall representation of India's centuries of splendor has been lacking. The Art of Ancient India is the result of the author's aim to provide such a synthesis. Noted expert Sherman E. Lee has commented: –Not since Coomaraswamyês History of Indian and Indonesian Art (1927) has there been a survey of such completeness.” Indeed, this work restudies and reevaluates every frontier of ancient Indic art _ from its prehistoric roots up to the period of Muslim rule, from the Himalayan north to the tropical south, and from the earliest extant writing through the most modern scholarship on the subject. This dynamic survey-generously complemented with 775 illustrations, including 48 in full color and numerous architectural ground plans, and detailed maps and fine drawings, and further enhanced by its guide to Sanskrit, copious notes, extensive bibliography, and glossary of South Asian art terms-is the most comprehensive and most fully illustrated study of South Asian art available. The works and monuments included in this volume have been selected not only for their artistic merit but also in order to both provide general coverage and include transitional works that furnish the key to an all encompassing view of the art. An outstanding portrayal of ancient Indiaês highest intellectual and technical achievements, this volume is written for many audiences: scholars, for whom it provides an up-to-date background against which to examine their own areas of study; teachers and students of college level, for whom it supplies a complete summary of and a resource for their own deeper investigations into Indic art; and curious readers, for whom it gives a broad-based introduction to this fascinating area of world art.




Collection Highlights from the Rubin Museum of Art


Book Description

Images and descriptions of art objects that represent the scope of the museum's collecting.




Art of the Himalayas


Book Description

A millennium of paintings, textiles, metal sculptures, ritual objects; aesthetic, religious contexts.




Temples of the Indus


Book Description

In Pakistan's northwest, a sequence of temples built between the sixth and the tenth centuries provides a missing chapter in the evolution of the Hindu temple in South Asia. Combining some elements from Buddhist architecture in Gandharā with the symbolically powerful curvilinear Nāgara tower formulated in the early post-Gupta period, this group stands as an independent school of that pan-Indic form, offering new evidence for its creation and original variations in the four centuries of its existence. Drawing on recent archaeology undertaken by the Pakistan Heritage Society as well as scholarship from the Encyclopaedia of Indian Temple Architecture project, this volume finally allows the Salt Range and Indus temples to be integrated with the greater South Asian tradition.




Abia South & Southeast Asian Art


Book Description

First Published in 1998. Routledge is an imprint of Taylor & Francis, an informa company.