The Congregationalist


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India


Book Description

Focusing on literature, film and the broadcast media, these essays are drawn from a conference at the University of Barcelona in Spain to celebrate the fiftieth anniversary of India's independence. The essays look both backwards and forwards in time, both to developments within India and to the growth of Indian communities settled throughout the world. In particular, the volume explores the position of women, both in literary and filmic portrayals, and through the emergence of important women's voices in Indian writing. In the first section, dealing with writing both in English and Indian languages, Murari Prasad traces the evolution of feminist ideas; Mary Condé explores anglophone women's writing with particular reference to Arundhati Roy and to expatriate writers in North America such as Bharati Mukerjee; and Elizabeth Russell discusses issues of identity in Indian women's writing in relationship to theories of gender and ethnicity. In the second section, which focuses on the defining voices of Indian nationalism, C.D. Narasimhaiah pays homage to the founding fathers of Indian writing, Mulk Raj Anand and Raja Rao. Syd Harrex analyses the work of R.K. Narayan and Savita Goel discusses the contemporary images of Rohinton Mistry. The third section deals with Indian writing in the diaspora. Kathleen Firth looks at the twice-displaced writer M.G. Vassanji; Rajana Ash focuses on the work of Indian women writers currently working in Britain; and Felicity Hand looks at the position of the Asian community in Britain through the work of such writers as Hanif Kureishi. The final section examines the development of Indian film and broadcast media. Somdatta Mandal deals with Bengali nationalism and print media; Daya Thusu surveys the evolution of Indian media into the late-nineties and Sara Martin compares Western images of India in film with India's own film industry. "...this book is an invaluable resource for anyone seeking to introduce themselves to Indian literature from 1947 to the present day from the Indian diaspora, with slighter chapters on film and the media. This book contextualises key figures of Indian literature, both novelist and poets, within the political and social aftermath of Partition, and offers insight to the complex issues of identity tackled by many post-colonial writers with key references to postmodern theorists including Edward Said, Helene Cixous, and Julia Kristeva." Parm Kaur, Black Alliance Newsletter Dr Kathleen Firth teaches in Spain at the University of Barcelona. She has researched the area of overseas South Asian literature.




Incarnations


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For all of India’s myths, stories and moral epics, Indian history remains a curiously unpeopled place. In Incarnations, Sunil Khilnani fills that space, recapturing the human dimension of how the world’s largest democracy came to be. His trenchant portraits of emperors, warriors, philosophers, film stars and corporate titans—some famous, some unjustly forgotten—bring feeling, wry humour and uncommon insight to dilemmas that extend from ancient times to our own.







The Indian Review


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Unsettling Native Art Histories on the Northwest Coast


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Inseparable from its communities, Northwest Coast art functions aesthetically and performatively beyond the scope of non-Indigenous scholarship, from demonstrating kinship connections to manifesting spiritual power. Contributors to this volume foreground Indigenous understandings in recognition of this rich context and its historical erasure within the discipline of art history. By centering voices that uphold Indigenous priorities, integrating the expertise of Indigenous knowledge holders about their artistic heritage, and questioning current institutional practices, these new essays "unsettle" Northwest Coast art studies. Key themes include discussions of cultural heritage protections and Native sovereignty; re-centering women and their critical role in transmitting cultural knowledge; reflecting on decolonization work in museums; and examining how artworks function as living documents. The volume exemplifies respectful and relational engagement with Indigenous art and advocates for more accountable scholarship and practices.




Northwest Coast Indian Art


Book Description

The 50th anniversary edition of this classic work on the art of Northwest Coast Indians now offers color illustrations for a new generation of readers along with reflections from contemporary Northwest Coast artists about the impact of this book. The masterworks of Northwest Coast Native artists are admired today as among the great achievements of the world’s artists. The painted and carved wooden screens, chests and boxes, rattles, crest hats, and other artworks display the complex and sophisticated northern Northwest Coast style of art that is the visual language used to illustrate inherited crests and tell family stories. In the 1950s Bill Holm, a graduate student of Dr. Erna Gunther, former Director of the Burke Museum, began a systematic study of northern Northwest Coast art. In 1965, after studying hundreds of bentwood boxes and chests, he published Northwest Coast Indian Art: An Analysis of Form. This book is a foundational reference on northern Northwest Coast Native art. Through his careful studies, Bill Holm described this visual language using new terminology that has become part of the established vocabulary that allows us to talk about works like these and understand changes in style both through time and between individual artists’ styles. Holm examines how these pieces, although varied in origin, material, size, and purpose, are related to a surprising degree in the organization and form of their two-dimensional surface decoration. The author presents an incisive analysis of the use of color, line, and texture; the organization of space; and such typical forms as ovoids, eyelids, U forms, and hands and feet. The evidence upon which he bases his conclusions constitutes a repository of valuable information for all succeeding researchers in the field. Replaces ISBN 9780295951027










The Athenaeum


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