Indian Sculpture: 700-1800


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Indian Sculpture


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Architecture and Art of Southern India


Book Description

George Michell provides a pioneering and richly illustrated introduction to the architecture, sculpture and painting of Southern India under the Vijayanagara empire and the states that succeeded it. This period, encompassing some four hundred years, from the fourteenth to the eighteenth century, was endowed with an abundance of religious and royal monuments which remain as testimonies to the history and ideology behind their evolution. The author evaluates the legacy of this artistic heritage, describing and illustrating buildings, sculptures and paintings that have never been published before. In a previously neglected area of art history, the author presents an original and much-needed reassessment.







Hindu Gods in an American Landscape


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In India, Hindu images have been cast for millennia through the lost wax process and brought to life by priests--becoming not merely venerated icons but actual embodiments of gods. Second and third generation Hindu Americans have increasingly adopted a more worldly perspective toward religious objects, viewing them as symbolic rather than actual presences of the deity. The author traces the origins of this important shift, and examines Western attitudes regarding sacred objects, as well as the complex layering of traditional and modern Hindu attitudes in a globalized world.




Treasures of Indian Art


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Reproduction of treasures displayed at an exhibition at National Museum, New Delhi; Indian Museum, Calcutta and National Gallery of Modern art at Mumbai on the occasion of India's 50 years of Independence.




Metalwork and Material Culture in the Islamic World


Book Description

The material and visual culture of the Islamic World casts vast arcs through space and time, and encompasses a huge range of artefacts and monuments from the minute to the grandiose, from ceramic pots to the great mosques. Here, Venetia Porter and Mariam Rosser-Owen assemble leading experts in the field to examine both the objects themselves and the ways in which they reflect their historical, cultural and economic contexts. With a focus on metalwork, this volume includes an important new study of Mosul metalwork and presents recent discoveries in the fields of Fatimid, Mamluk and Qajar metalwork. By examining architecture, ceramics, ivories and textiles, seventeenth-century Iranian painting and contemporary art, the book explores a wide range of artistic production and historical periods from the Umayyad caliphate to the modern Middle East. This rich and detailed volume makes a significant contribution to the fields of Art History, Architecture and Islamic Studies, bringing new objects to light, and shedding new light on old objects.




The Exiled Pandits of Kashmir


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This book discusses all the questions related to Kashmiri Pandits and their relation and current issues regarding their return to Kashmir. The book explores the importance of return of Kashmiri Pandits for Kashmir and both major Kashmiri communities, especially those who really want to return home, out of their own volition and for all right reasons. The book shows how to bring about a reasonable and realistic degree of practical and sustainable reconciliation between the two communities, whilst trying to make them stand in each other’s shoes, understand each other’s perspective and pain and then self-introspect sincerely, so that a bridge of mutual trust and acceptance is rebuilt between the two communities, which can then allow those Pandits who genuinely want to return cross over and be home.




Circa 1492


Book Description

Surveys the art of the Age of Exploration in Europe, the Far East, and the Americas




Objects of Translation


Book Description

Objects of Translation offers a nuanced approach to the entanglements of medieval elites in the regions that today comprise Afghanistan, Pakistan, and north India. The book--which ranges in time from the early eighth to the early thirteenth centuries--challenges existing narratives that cast the period as one of enduring hostility between monolithic "Hindu" and "Muslim" cultures. These narratives of conflict have generally depended upon premodern texts for their understanding of the past. By contrast, this book considers the role of material culture and highlights how objects such as coins, dress, monuments, paintings, and sculptures mediated diverse modes of encounter during a critical but neglected period in South Asian history. The book explores modes of circulation--among them looting, gifting, and trade--through which artisans and artifacts traveled, remapping cultural boundaries usually imagined as stable and static. It analyzes the relationship between mobility and practices of cultural translation, and the role of both in the emergence of complex transcultural identities. Among the subjects discussed are the rendering of Arabic sacred texts in Sanskrit on Indian coins, the adoption of Turko-Persian dress by Buddhist rulers, the work of Indian stone masons in Afghanistan, and the incorporation of carvings from Hindu and Jain temples in early Indian mosques. Objects of Translation draws upon contemporary theories of cosmopolitanism and globalization to argue for radically new approaches to the cultural geography of premodern South Asia and the Islamic world.