Author : Carole Charette
Publisher : Archaeopress Publishing Ltd
Page : 210 pages
File Size : 12,26 MB
Release : 2021-02-04
Category : Art
ISBN : 1789696909
Prof. Daniel Arsenault, a leading exponent of Canadian Shield rock art, sadly passed away in 2016. This book contains 14 thought-provoking chapters dealing with Daniel’s first love—the archaeology of artistic endeavour. It provides the reader with new ideas about the interpretation and dating of rock art, ethnography, heritage and material culture.
Author : Leslie G. Kelen
Publisher : Gibbs Smith Publishers
Page : 122 pages
File Size : 17,31 MB
Release : 1996
Category : Art
ISBN :
Sixty color and 15 bandw photographs utilize natural light and show Utah's prehistoric rock art images in the context of the surrounding canyons. The photos are presented with brief captions, and with the words of Ute, Paiute, Hopi, and Northwest Shoshone individuals who describe the what the art means to them personally. An introductory essay discusses the various artistic styles of native peopls of this region over a period of 8,000 years. N. Scott Momaday supplied the foreword. A lovely book. No index or references. 10x11" Annotation copyright by Book News, Inc., Portland, OR
Author : Andrzej Rozwadowski
Publisher : Archaeopress Publishing Ltd
Page : 150 pages
File Size : 14,44 MB
Release : 2021-06-17
Category : Art
ISBN : 1789698472
This book presents a fresh perspective on rock art by considering how ancient images function in the present. It focuses on how ancient heritage is recognized and reified in the modern world, and how rock art stimulates contemporary processes of cultural identity-making.
Author : Jamie Hampson
Publisher : Archaeopress Publishing Ltd
Page : 183 pages
File Size : 14,37 MB
Release : 2022-12-29
Category : Art
ISBN : 1803273895
Focusing on stunning paintings and engravings from around the world, 16 papers interrogate the driving forces behind global rock art research. Many of the motifs featured were created by indigenous hunter-gatherer groups; this book sheds new light on non-Western rituals and worldviews, many of which are threatened or on the point of extinction.
Author : Bruno David
Publisher : Oxford University Press
Page : 1185 pages
File Size : 47,78 MB
Release : 2018-10-17
Category : Social Science
ISBN : 0190844949
Rock art is one of the most visible and geographically widespread of cultural expressions, and it spans much of the period of our species' existence. Rock art also provides rare and often unique insights into the minds and visually creative capacities of our ancestors and how selected rock outcrops with distinctive images were used to construct symbolic landscapes and shape worldviews. Equally important, rock art is often central to the expression of and engagement with spiritual entities and forces, and in all these dimensions it signals the diversity of cultural practices, across place and through time. Over the past 150 years, archaeologists have studied ancient arts on rock surfaces, both out in the open and within caves and rock shelters, and social anthropologists have revealed how people today use art in their daily lives. The Oxford Handbook of the Archaeology and Anthropology of Rock Art showcases examples of such research from around the world and across a broad range of cultural contexts, giving a sense of the art's regional variability, its antiquity, and how it is meaningful to people in the recent past and today - including how we have ourselves tended to make sense of the art of others, replete with our own preconceptions. It reviews past, present, and emerging theoretical approaches to rock art investigation and presents new, cutting-edge methods of rock art analysis for the student and professional researcher alike.
Author : Robert Layton
Publisher : Cambridge University Press
Page : 306 pages
File Size : 45,89 MB
Release : 1992-11-27
Category : Art
ISBN : 0521346665
A survey of Australian rock art, presenting detailed case studies revealing the significance of both recent and ancient art for Australia's living indigenous communities.
Author : José Antonio González Zarandona
Publisher : University of Pennsylvania Press
Page : 312 pages
File Size : 19,52 MB
Release : 2020-01-17
Category : Social Science
ISBN : 0812251563
A fascinating case study of the archaeological site at Murujuga, Australia Located in the Dampier Archipelago of Western Australia, Murujuga is the single largest archaeological site in the world. It contains an estimated one million petroglyphs, or rock art motifs, produced by the Indigenous Australians who have historically inhabited the archipelago. To date, there has been no comprehensive survey of the site's petroglyphs or those who created them. Since the 1960s, regional mining interests have caused significant damage to this site, destroying an estimated 5 to 25 percent of the petroglyphs in Murujuga. Today, Murujuga holds the unenviable status of being one of the most endangered archaeological sites in the world. José Antonio González Zarandona provides a full postcolonial analysis of Murujuga as well as a geographic and archaeological overview of the site, its ethnohistory, and its considerable significance to Indigenous groups, before examining the colonial mistreatment of Murujuga from the seventeenth century to the present. Drawing on a range of postcolonial perspectives, Zarandona reads the assaults on the rock art of Murujuga as instances of what he terms "landscape iconoclasm": the destruction of art and landscapes central to group identity in pursuit of ideological, political, and economic dominance. Viewed through the lens of landscape iconoclasm, the destruction of Murujuga can be understood as not only the result of economic pressures but also as a means of reinforcing—through neglect, abandonment, fragmentation, and even certain practices of heritage preservation—the colonial legacy in Western Australia. Murujuga provides a case study through which to examine, and begin to reject, archaeology's global entanglement with colonial intervention and the politics of heritage preservation.
Author : Jo McDonald
Publisher : ANU Press
Page : 306 pages
File Size : 21,57 MB
Release : 2022-09-06
Category : Social Science
ISBN : 1760465364
Australia has one of the largest inventories of rock art in the world with pictographs and petroglyphs found almost anywhere that has suitable rock surfaces – in rock shelters and caves, on boulders and rock platforms. First Nations people have been marking these places with figurative imagery, abstract designs, stencils and prints for tens of thousands of years, often engaging with earlier rock markings. The art reflects and expresses changing experiences within landscapes over time, spirituality, history, law and lore, as well as relationships between individuals and groups of people, plants, animals, land and Ancestral Beings that are said to have created the world, including some rock art. Since the late 1700s, people arriving in Australia have been fascinated with the rock art they encountered, with detailed studies commencing in the late 1800s. Through the 1900s an impressive body of research on Australian rock art was undertaken, with dedicated academic study using archaeological methods employed since the late 1940s. Since then, Australian rock art has been researched from various perspectives, including that of Traditional Owners, custodians and other community members. Through the 1900s, there was also growing interest in Australian rock art from researchers across the globe, leading many to visit or migrate to Australia to undertake rock art research. In this volume, the varied histories of Australian rock art research from different parts of the country are explored not only in terms of key researchers, developments and changes over time, but also the crucial role of First Nations people themselves in investigations of this key component of their living heritage.
Author : Liam M. Brady
Publisher : University Press of Colorado
Page : 411 pages
File Size : 43,88 MB
Release : 2016-12-01
Category : Social Science
ISBN : 1607324989
Rock art has long been considered an archaeological artifact reflecting activities from the past, yet it is also a phenomenon with present-day meaning and relevance to both indigenous and non-indigenous communities. Relating to Rock Art in the Contemporary World challenges traditional ways of thinking about this highly recognizable form of visual heritage and provides insight into its contemporary significance. One of the most visually striking forms of material culture embedded in landscapes, rock art is ascribed different meanings by diverse groups of people including indigenous peoples, governments, tourism offices, and the general public, all of whom relate to images and sites in unique ways. In this volume, leading scholars from around the globe shift the discourse from a primarily archaeological basis to one that examines the myriad ways that symbolism, meaning, and significance in rock art are being renegotiated in various geographical and cultural settings, from Australia to the British Isles. They also consider how people manage the complex meanings, emotions, and cultural and political practices tied to rock art sites and how these factors impact processes relating to identity construction and reaffirmation today. Richly illustrated and geographically diverse, Relating to Rock Art in the Contemporary World connects archaeology, anthropology, and heritage studies. The book will appeal to students and scholars of archaeology, anthropology, heritage, heritage management, identity studies, art history, indigenous studies, and visual theory, as well as professionals and amateurs who have vested or avocational interests in rock art. Contributors: Agustín Acevedo, Manuel Bea, Jutinach Bowonsachoti, Gemma Boyle, John J. Bradley, Noelene Cole, Inés Domingo, Kurt E. Dongoske, Davida Eisenberg-Degen, Dánae Fiore, Ursula K. Frederick, Kelley Hays-Gilpin, Catherine Namono, George H. Nash, John Norder, Marianna Ocampo, Joshua Schmidt, Duangpond Singhaseni, Benjamin W. Smith, Atthasit Sukkham, Noel Hidalgo Tan, Watinee Tanompolkrang, Luke Taylor, Dagmara Zawadzka
Author : Robyn Sloggett
Publisher : Taylor & Francis
Page : 165 pages
File Size : 18,99 MB
Release : 2022-11-04
Category : Art
ISBN : 1000777138
Climatic and Environmental Threats to Cultural Heritage examines the challenges that environmental change, both sudden and long-term, poses to the preservation of cultural material. Acknowledging the diversity of human cultural heritage across collecting institutions, heritage sites and communities, the book highlights how, in Australia, Southeast Asia and the Pacific, the quest to preserve such precious knowledge relies on records and narratives being available to inform decisions now and into the future. Bringing together a diverse range of stakeholders who have an interest in – and responsibility for – the care of cultural heritage material and places of cultural heritage value, the book explores their thinking on and actions in relation to issues of climate change and environmental risk. Sloggett and Scott highlight the stakeholders’ shared interest in drawing on their expertise to meet the challenges that environmental change brings to the future of our cultural heritage and our cultural identity. Based on the understanding that this global challenge requires local, national and international co‐operation, the book also considers how local knowledge can have international application. Climatic and Environmental Threats to Cultural Heritage will be of interest to those engaged in the study of heritage, conservation, archaeology, archives, anthropology, climate change and the environment. It will also be useful to practitioners and others attempting to understand the effect of environmental change on cultural heritage around the globe.
