Ruthless Compassion


Book Description

The historical development of Esoteric Buddhism in India is still known only in outline. A few verifiably early texts do give some insight into the origin of the ideas which would later develop and spread to East and Southeast Asia, and to Tibet. However, there is another kind of evidence which can be harnessed to the project of reconstructing the history of Esoteric Buddhist doctrines and practice. This evidence consists of art objects, mainly sculpture, which survive in significant numbers from the 6th to the 13th century.




Buddhist Goddesses of India


Book Description

"The Indian Buddhist world abounds with goddesses--voluptuous tree spirits, maternal nurturers, potent healers and protectors, transcendent wisdom figures, cosmic mothers of liberation, and dancing female Buddhas. Despite their importance in Buddhist thought and practice, these female deities have received relatively little scholarly attention, and no comprehensive study of the female pantheon has been available. Buddhist Goddesses of India is the essential and definitive guide to divinities that, as Miranda Shaw writes, "operate from transcendent planes of bliss and awareness for as long as their presence may benefit living beings." Beautifully illustrated, the book chronicles the histories, legends, and artistic portrayals of nineteen goddesses and several related human figures and texts. Drawing on a sweeping range of material, from devotional poetry and meditation manuals to rituals and artistic images, Shaw reveals the character, powers, and practice traditions of the female divinities. Interpretations of intriguing traits such as body color, stance, hairstyle, clothing, jewelry, hand gestures, and handheld objects lend deep insight into the symbolism and roles of each goddess. In addition to being a comprehensive reference, this book traces the fascinating history of these goddesses as they evolved through the early, Mahayana, and Tantric movements in India and found a place in the pantheons of Tibet and Nepal."--Publisher's website.




Transcending Patterns


Book Description

In Transcending Patterns: Silk Road Cultural and Artistic Interactions through Central Asian Textiles, Mariachiara Gasparini investigates the origin and effects of a textile-mediated visual culture that developed at the heart of the Silk Road between the seventh and fourteenth centuries. Through the analysis of the Turfan Textile Collection in the Museum of Asian Art in Berlin and more than a thousand textiles held in collections worldwide, Gasparini discloses and reconstructs the rich cultural entanglements along the Silk Road, between the coming of Islam and the rise of the Mongol Empire, from the Tarim to Mediterranean Basin. Exploring in detail the iconographic transfer between different agents and different media from Central Asian caves to South Italian churches, the author depicts and describes the movement and exchange of portable objects such as sculpture, wall painting, and silk fragments across the Asian continent and across the ages. Gasparini’s history offers critical perspectives that extend far beyond an outmoded notion of “Silk Road studies.” Her cross-media work shows readers how certain material cultures are connected not only by the physical routes they take but also because of the meanings and interpretations these objects engage in various places. Transcending Patterns is at once art history, material and visual cultural history, Asian studies, conservatory studies, and linguistics.




The Tibetan History Reader


Book Description

Covering the social, cultural, and political development of Tibet from the seventh century to the modern period, this resource reproduces essential, hard-to-find essays from the past fifty years of Tibetan studies, along with several new contributions. Beginning with Tibet's emergence as a regional power and concluding with its profound contemporary transformations, the collection is both a general and specific history, connecting the actions of individuals, communities, and institutions to broader historical trends shaping Asia and the world. With contributions from American, French, German, Italian, Chinese, Japanese, and Tibetan scholars, the anthology reflects the international character of Tibetan studies and its multiple, interdisciplinary perspectives. By far the most concise scholarly anthology on Tibetan civilization in any Western language, this reader draws a clear portrait of Tibet's history, its relation to its neighbors, and its role in world affairs.




Esoteric Buddhism in Mediaeval Maritime Asia


Book Description

This volume advocates a trans-regional, and maritime-focused, approach to studying the genesis, development and circulation of Esoteric (or Tantric) Buddhism across Maritime Asia from the seventh to the thirteenth centuries ce. The book lays emphasis on the mobile networks of human agents (‘Masters’), textual sources (‘Texts’) and images (‘Icons’) through which Esoteric Buddhist traditions spread. Capitalising on recent research and making use of both disciplinary and area-focused perspectives, this book highlights the role played by Esoteric Buddhist maritime networks in shaping intra-Asian connectivity. In doing so, it reveals the limits of a historiography that is premised on land-based transmission of Buddhism from a South Asian ‘homeland’, and advances an alternative historical narrative that overturns the popular perception regarding Southeast Asia as a ‘periphery’ that passively received overseas influences. Thus, a strong point is made for the appreciation of the region as both a crossroads and rightful terminus of Buddhist cults, and for the re-evaluation of the creative and transformative force of Southeast Asian agents in the transmission of Esoteric Buddhism across mediaeval Asia.




A History of Sanskrit Grammatical Literature in Tibet, Volume 2 Assimilation into Indigenous Scholarship


Book Description

This first, systematic survey of the Tibetan non-canonical literature dealing with Sanskrit grammar, partly consists of translations of Indic works, such as revisions of canonical versions, and translations of works not contained in the canon, and partly of original Tibetan works. In the first chapter of the book a detailed description of these textual materials is presented – sixty-one titles in total – which were produced during all periods of Tibetan literary history, from the ninth to the twentieth centuries. The second chapter discusses one specific effect of the impetus of Indic traditional grammar within Tibetan scholastics, namely the influence of Indic models of linguistic description on Tibetan indigenous grammar. This particular assimilation of an Indic technical discipline into Tibetan scholarship is examined in detail, and it is shown that other segments of Indic Buddhism were sources of inspiration and derivation for the Tibetan grammarians as well.




The Symbolism of the Stupa


Book Description

A close analysis of the architecture of the stupa—a Buddhist symbolic form that is found throughout South, Southeast, and East Asia. The author, who trained as an architect, examines both the physical and metaphysical levels of these buildings, which derive their meaning and significance from Buddhist and Brahmanist influences.




The Symbolism of the Stupa


Book Description

In his preface to The Symbolism of the Stupa Prof. Craig Reynolds writes "The stupa is a symbolic form that pullulates throghout south southeast and East Asia. In its Indian manifestations it is an extreme case in terms of architectural function: it has no usable has a basic simplicity. In this state of the art studt Adrian Snodrass reads the stupa as a cultural artifact. The mounment concretizes metaphysical principles and generates multivalent meanings in ways that can be articulated with lite