Traditional Indonesian Textiles


Book Description

The reverence accorded to textile art on the islands is reflected in every area of production; precision of weave and exquisite patterning are testimony to superlative craftsmanship. Lying at the heart of a vast network of trading routes, Indonesia has absorbed a wealth of foreign influences that have spawned an eclectic culture uniquely mirrored in its textile art. Beautiful cloud shapes characteristic of Chinese painting reappear in Javanese batik, while Ming porcelain and Chinese embroideries have provided inspiration for many wonderful patterns. Indian symbols - the tree of life, the naga snake, the sacred mountain, the lotus - have all been rendered as textile motifs. Geometric forms, human and animal figures and even Dutch Art Deco designs can also be found.




Indonesian Textile Techniques


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Textiles of Indonesia


Book Description

Drawn from one of the world's leading textile collections, this magnificently presented array of traditional weavings from the Indonesian archipelago provides a unique window into the region's cultures, rites, and history. Gathered over the course of four decades, the Thomas Murray collection of Indonesian textiles is one of the most important privately owned collections of its type in the world. The objects comprise ritual clothing and ceremonial cloths that tell us much about the traditions of pre-Islamic Indonesian cultures, as well as about the influences of regional trade with China, India, the Arab world, and Europe. As with the earlier volume, Textiles of Japan (Prestel, 2018), the book focuses on some of the finest cloths to come out of the archipelago, presenting each object with impeccable photographs, colors, patterns, and intricate details. Geographically arranged, this volume pays particular attention to textiles from the Batak and the Lampung region of Sumatra, the Dayak of Borneo, and the Toraja of Sulawesi, as well as rare textiles from Sumba, Timor and other islands. Readers will learn about the intricate and highly developed traditions of dyeing, weaving, and beading techniques that have been practiced for centuries, resulting in a breathtaking collection of motifs, patterns, dyes, and adornments. Original texts by leading international experts draw on the latest research to offer historical context, unspool the mysteries behind ancient iconography, and provide new insights into dating and provenance. At once opulent and scholarly, this book arrives at a moment of growing interest in Southeast Asian culture and carries the imprimatur of one of the art world's leading collectors. Full List of Contributors: Lorraine Aragon, Joanna Barrkman, Chris Buckley, Kristal Hale, Valerie Hector, Janet Alison Hoskins, Itie van Hout, Eric Kjellgren, Fiona Kerlogue, Brigitte Khan Majlis, Robyn Maxwell, Thomas Murray, and Sandra Sardjono.




Ikat Textiles of the Indonesian Archipelago


Book Description

What knowledge is conserved about ikat textiles and their use in the Indonesian archipelago consists primarily of the records of missionary and scientific fieldwork, predominantly compiled by non-Indonesians. The coverage is thin-many weaving regions are covered by only one or two sources, and several regions have never been studied in detail. Much traditional knowledge is being lost, especially in the more remote island regions in the Indonesian archipelago, which require a concerted effort if any trace of their culture is to survive. UMAG hopes to contribute to the broader project by means of this publication, which shows ikat culture through a close reading of examples from over fifty weaving regions-several covered for the first time-and an introduction to the conditions, beliefs and customs of the various peoples who have created and used them. The book was enriched by the collaboration of twelve region-specific experts who gave critical feedback on chapters or provided details on techniques and motifs that only they could have provided. - Verlagsangaben.




Batik, Traditional Textiles of Indonesia


Book Description

Batik occupies a special place in Indonesian culture. Each fabric has a rich story to tell--as a reflection of the nation's religious beliefs, sophisticated court cultures and cosmopolitan history. The extraordinary textiles in this book are from the collections of Rudolf Smend and Donald Harper. Most date from the period 1880 to 1930 when the art of batik reached its apogee. Having collected historical batik for over thirty years and published two books on the subject, Rudolf Smend has invited his friend and fellow batik specialist Donald Harper to contribute his fine collection to this publication as well. None of the batik in this book have been published before. They represent an exquisite cross-section of the batik production of Java--the most important batik-producing region in the world. The cloths are complemented by vintage photographs from the first quarter of the 20th century demonstrating how the batik were worn at court and at home. Three are from museums in Dresden and Cologne, while three are from the private collection of Leo Haks. The others have been collected over the past 30 years from private sources in Java. The captions are by Maria Wronska-Friend, an ethnologist and batik expert who frequently visits Indonesian batik centers and has worked for many years as an anthropologist in Papua New Guinea. Her contributions provide fundamental knowledge for lovers of this art form while at the same time providing new insights for experts. Rudolf Smend has invited other batik aficionados of his generation to share their passion for batik in this book. Inger McCabe Elliott, author of the bestselling Batik: Fabled Cloth of Java has contributed her lifelong experience. Other authorities like Annegret Haake, Brigitte Khan Majlis and Jonathan Hope share their views and expertise in these pages. This book represents a labor of love and a lifetime of friendship for the two authors, who hope it will provide inspiration to a whole new generation of batik lovers.




The Art of Indonesian Textiles


Book Description

This beautiful Museum Studies showcases over seventy remarkable examples of Indonesian textile art, a recent gift to the Art Institute from the E. M. Bakwin Collection. The featured works—including batiks, ikats, and other textiles—represent the finest examples of Indonesia’s rich textile production. Brigitte Khan Majlis, Indonesian textile expert, explores these objects not only as works of art––stunning products of both individual creativity and a long aesthetic tradition––but also as important artifacts that illuminate the history, beliefs, and lives of the people who make and treasure them.




Indonesian Textiles


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Floating Threads


Book Description

Floating Threads represents an attempt to catalogue float weave techniques used to decorate Batik cloth throughout the archipelago and hints at possible lines of distribution. Being a coffee-table book, photographs are an important part of the story. Our main sources for photography have been collections in Indonesia's own provincial museums and the National Museum of Indonesia with gaps filled by local collectors and foreign museums when not available in Indonesia. Unfortunately, Indonesia's provincial museums were established after 1950, when specimens of some textiles were no longer available in the country, the prime examples of this being the pinatikan of North Sulawesi and the Kalumpang (West Sulawesi) textiles featured in Chapter Two. The photographed textiles cover the 19th century to the present, complementing the text which reaches into the distant past and includes recent experimentations, for contemporary fabrics are as important as historical weavings to the continuation of Indonesia's precious textile traditions. Modernization is the only way to keep weavers interested in plying their trade, stimulated by the popularity of their products. New forms will always arise to replace old styles that have fallen out of favor, but there will always be a weaver or two who will go beyond craft-production to the level of fine art, as the reader will see in this book. The discussion has been expanded with technical details of specific weaves by the Japanese scholar Keiko Kusakabe, a PhD candidate who has been trekking through the difficult terrain of West and northern South Sulawesi for over a decade in her quest for information on traditional textile production techniques in the region. Keiko keeps these techniques alive by teaching them to her students in Japan.




Indonesian Textiles


Book Description