Ineffability and Its Metaphysics


Book Description

Can art, religion, or philosophy afford ineffable insights? If so, what are they? The idea of ineffability has puzzled philosophers from Laozi to Wittgenstein. In Ineffability and its Metaphysics: The Unspeakable in Art, Religion and Philosophy, Silvia Jonas examines different ways of thinking about what ineffable insights might involve metaphysically, and shows which of these are in fact incoherent. Jonas discusses the concepts of ineffable properties and objects, ineffable propositions, ineffable content, and ineffable knowledge, examining the metaphysical pitfalls involved in these concepts. Ultimately, she defends the idea that ineffable insights as found in aesthetic, religious, and philosophical contexts are best understood in terms of self-acquaintance, a particular kind of non-propositional knowledge. Ineffability as a philosophical topic is as old as the history of philosophy itself, but contributions to the exploration of ineffability have been sparse. The theory developed by Jonas makes the concept tangible and usable in many different philosophical contexts.




Ineffability


Book Description

Scharfstein describes the extraordinary powers that have been attributed to language everywhere, and then looks at ineffability as it has appeared in the thought of the great philosophical cultures: India, China, Japan, and the West. He argues that there is something of our prosaic, everyday difficulty with words in the ineffable reality of the philosophers and theologians, just as there is something unformulable, and finally mysterious in the prosaic, everyday successes and failures of words.




Ineffability and Philosophy


Book Description

Presenting a fascinating analysis of the idea of what can't be said, this book ascertains whether the notion of there being a truth, or a state of affairs, or knowledge that can't be expressed linguistically is a coherent notion. The author distinguishes different senses in which it might be said that something can't be said. The first part looks at the question of whether ineffability is a coherent idea. Part two evaluates two families of arguments regarding whether ineffable states of affairs actually exist: the argument from mysticism and the argument from epistemic boundedness. Part three looks more closely at the relation between mystic and non-mystic stances. In the fourth and final part the author distinguishes five qualitatively different types of ineffability. Ineffability and Philosophy is a significant contribution to this area of research and will be essential reading for philosophers and those researching and studying the philosophy of language.




Ineffability and Philosophy


Book Description

This book asks whether the notion of there being a truth, or a state of affairs, or knowledge that can't be expressed linguistically is a coherent notion.




Ineffability and Religious Experience


Book Description

Ineffability – that which cannot be explained in words – lies at the heart of the Christian mystical tradition. This is the first book to engage with the concept of ineffability within contemporary philosophy of religion and provides a starting point for further scholarly debate.




Ineffability: An Exercise in Comparative Philosophy of Religion


Book Description

This collection of essays is an exercise in comparative philosophy of religion that explores the different ways in which humans express the inexpressible. It brings together scholars of over a dozen religious, literary, and artistic traditions, as part of The Comparison Project's 2013-15 lecture and dialogue series on "religion beyond words." Specialist scholars first detailed the grammars of ineffability in nine different religious traditions as well as the adjacent fields of literature, poetry, music, and art. The Comparison Project's directors then compared this diverse set of phenomena, offering explanations for their patterning, and raising philosophical questions of truth and value about religious ineffability in comparative perspective. This book is the inaugural publication of The Comparison Project, an innovative new approach to the philosophy of religion housed at Drake University (Des Moines, Iowa, USA). The Comparison Project organizes a biennial series of scholar lectures, practitioner dialogues, and comparative panels about core, cross-cultural topics in the philosophy of religion. Specialist scholars of religion first explore this topic in their religions of expertise; comparativist philosophers of religion then raise questions of meaning, truth, and value about this topic in comparative perspective. The Comparison Project stands apart from traditional approaches to the philosophy of religion in its commitment to religious inclusivity. It is the future of the philosophy of religion in a diverse, global world.




Mysticism, Ineffability and Silence in Philosophy of Religion


Book Description

The authors in this volume explore a wide variety of the contemporary approaches to mystical and religious experience to elucidate what religious experience is, in its own terms, and how its practitioners understand it. This anthology features contributions that point out that contemporary studies of consciousness, sociology, hermeneutics, neuroscience, medicine, and other fields, are revealing that there is much more to be said for the inner life of a human’s consciousness than reductionists and behaviorists will allow. This book is one of very few that primarily takes the stance of academic practitioners, explaining their own experience, rather than that of academics trying to explain the phenomena away, as really politics, or sociology, or delusion, or psychological pathology, or literary flights of fancy, or an aberration of any of the other academic fields. Most of the authors in this volume embrace the task of explaining and analyzing religious experience, mysticism, and the healing power of silence and presence, using the resources of all of the academic disciplines, as appropriate. The essays contained analyze religious, and non-religious, mystical and profoundly personal experiences across several world religions, and in areas such as art and music, as well as in solving personal crises such as family disruption and patriarchal oppression. The authors address the subject matter through analyses of the frequent and destructive failures of language, or just noise, to capture or express the nuances of the inner life of a person. It is this very ineffability of self that renders the spiritual, emotional and interior life of individuals beyond cognition and perception, of the straightforward sorts embraced by most cognitive disciplines. The contributors come from a variety of cross-disciplinary fields to bring forth the possibilities for an intuitive and creative, rich and growing inner life for a human. This text appeals to students, researchers, and practitioners.




Ineffability


Book Description

The essays in this volume explore the persistent struggle of language to overcome its own limitations. Given their scope--from Dante's confrontation with the divine All to Samuel Beckett's obsessive need to speak in the face of Nothing--they expand our notion of the extent to which all speech is an assault on silence, an attempt to articulate what lies beyond the grasp of words. The collection offers the reader, in roughly chronological order, diverse conceptions of the ineffable as either superfluity or absence of reality. It also exposes language in the act of extending its own boundaries, drawing attention to those literary tactics by which speech attempts to suggest what cannot be said. While largely a study of poetry, from medieval to modern, the volume also touches upon drama and a variety of prose, combining close textual readings with broader thematic discussions.




Deep Refrains


Book Description

Deep Refrains is a wide-ranging investigation of the philosophy of music. Michael Gallope asks what it means for music to "speak” when it is not saying anything in particular. To answer this question, he turns to the writings of some of the most revered thinkers of the twentieth century--Ernst Bloch, Theodor Adorno, Vladimir Jank�l�vitch, Gilles Deleuze, and F�lix Guattari. For these theorists, Gallope argues, the paradox that music is both ineffable and yet harbors deep philosophical wisdoms is fertile ground for thinking outside of conceptual boundaries. It provides the lens for a utopian potentiality that inspires hope (Bloch), an ethical critique of modernity (Adorno), an exemplification of the ephemeral movement of lived time (Jank�l�vitch), and a sonic extension of the syncopated, contrapuntal rhythms of sense and social life (Deleuze and Guattari). Gallope argues that a philosophical engagement with music’s ineffability rarely calls for silence or declarations of the unspeakable. Rather, it asks us to think through the ways in which the impact of music is made to address complex philosophical problems specific to the modern world.




Music and the Ineffable


Book Description

The classic work on the philosophy of music—now available in English to a new generation of readers Vladimir Jankélévitch left behind a remarkable body of work steeped as much in philosophy as in music. His writings on moral quandaries reflect a lifelong devotion to music and performance, and, as a counterpoint, he wrote on music aesthetics and on modernist composers such as Fauré, Debussy, and Ravel. Music and the Ineffable brings together these two threads, the philosophical and the musical, as an extraordinary quintessence of his thought. Jankélévitch deals with classical issues in the philosophy of music, including metaphysics and ontology. These are a point of departure for a sustained examination and dismantling of the idea of musical hermeneutics in its conventional sense. Music, Jankélévitch argues, is not a hieroglyph, not a language or sign system; nor does it express emotions, depict landscapes or cultures, or narrate. On the other hand, music cannot be imprisoned within the icy, morbid notion of pure structure or autonomous discourse. Yet if musical works are not a cipher awaiting the decoder, music is nonetheless entwined with human experience, and with the physical, material reality of music in performance. Music is "ineffable," as Jankélévitch puts it, because it cannot be pinned down, and has a capacity to engender limitless resonance in several domains. Jankélévitch's singular work on music was central to such figures as Roland Barthes and Catherine Clément, and the complex textures and rhythms of his lyrical prose sound a unique note, until recently seldom heard outside the francophone world.