Inscapes


Book Description




Inscapes


Book Description




Inscapes


Book Description




Inscape


Book Description

'Louise Carey's dystopian future is chillingly plausible' Claire North 'Deftly written, mastefully paced, vividly imagined and absolutely gripping from the first page to last' Joe Hill Warning: use of this gate will take you outside of the InTech corporate zone. Different community guidelines may apply, and you may be asked to sign a separate end-user license agreement. Do you wish to continue? Tanta has trained all her young life for this. Her very first mission is a code red: to take her team into the unaffiliated zone just outside InTech's borders and retrieve a stolen hard drive. It should have been quick and simple, but a surprise attack kills two of her colleagues and Tanta barely makes it home alive. Determined to prove herself and partnered with a colleague whose past is a mystery even to himself, Tanta's investigation uncovers a sinister conspiracy that makes her question her own loyalties and the motives of everyone she used to trust. 'A propulsive thriller filled with great twists and reversals' SFX Introducing a razor-sharp debut SF thriller, INSCAPE holds a mirror up to our own reality by exploring just where our sinister corporation-led world might lead us. For fans of Bladerunner 2049, Mr Robot or 84K by Claire North.




New Inscapes


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Inscapes of the Child's World


Book Description

INSCAPES OF THE CHILD'S WORLD won the 1987-88 Best Book Award from the Canadian Guidance and Counseling Association.




Wisdom


Book Description

In this book, renowned philosopher John Kekes develops and defends a humanistic conception of wisdom as a personal attitude--one that can guide how we face adversities and evaluate the often conflicting possibilities and limits of life in the context in which we live. Wisdom includes basic assumptions about the concrete and constantly changing conditions of life; reflective understanding of how we can rely on reason to evaluate the possibilities open to us and recognize the limits we have no choice but to accept; and it includes depth that enables us to accept that perennial problems are part of the human condition and yet to restrain our false hopes and disenchanted reactions to the vicissitudes of life. The evaluative attitude of wisdom is personal, not theoretical; anthropocentric, not metaphysical; context-dependent, not universal; and humanistic, not scientific. It recognizes that there are many forms of worthwhile lives, and denies that there is one ideal of The Good that everyone should try to approximate. It accepts that all of our beliefs, emotions, and desires are fallible, yet they are correctable provided we are sufficiently critical of them. The resulting conception of wisdom is intended as a contribution to philosophy as a humanistic discipline. It is a radical departure from traditional ways of thinking about wisdom.




Mary Frank Inscapes


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The Disappearance of God


Book Description

A landmark work of literary criticism by one of the foremost interpreters of nineteenth-century England, The Disappearance of God confronts the consciousness of an absent (though perhaps still existent) God in the writings of Thomas De Quincey, Robert Browning, Emily Bronte, Matthew Arnold, and Gerard Manley Hopkins. J. Hillis Miller surveys the intellectual and material developments that conspired to cut man off from God -- among other factors the city, developments within Christianity, subjectivism, and the emergence of the modern historical sense -- and shows how each writer's body of work reflects a sustained response to the experience of God's disappearance and a unique effort to weave a new fabric of connection between God and creation.




Art in Action


Book Description

Taking vigorous issue with the pervasive Western notion that the arts exist essentially for the purpose of aesthetic contemplation, Nicholas Wolterstorff proposes instead what he sees as an authentically Christian perspective: that art has a legitimate, even necessary, place in everyday life. While granting that galleries, theaters and concert halls serve a valid purpose, Wolterstorff argues that art should also be appreciated in action -- in private homes, in hotel lobbies, in factories and grocery stores, on main street. His conviction that art should be multifunction is basic to the author's views on art in the city (he regards most American cities as dehumanizing wastelands of aesthetic squalor, dominated by the demands of the automobile), and leads him to a helpful discussion of its role in worship and the church. Developing an aesthetic that is basically grounded, yet always sensitive to the human need for beauty, Wolterstorff make a brilliant contribution to understanding how art can serve to broaden and enrich our lives.