Smithsonian Civil War


Book Description

Smithsonian Civil War is a lavishly illustrated coffee-table book featuring 150 entries in honor of the 150th anniversary of the Civil War. From among tens of thousands of Civil War objects in the Smithsonian's collections, curators handpicked 550 items and wrote a unique narrative that begins before the war through the Reconstruction period. The perfect gift book for fathers and history lovers, Smithsonian Civil War combines one-of-a-kind, famous, and previously unseen relics from the war in a truly unique narrative. Smithsonian Civil War takes the reader inside the great collection of Americana housed at twelve national museums and archives and brings historical gems to light. From the National Portrait Gallery come rare early photographs of Stonewall Jackson and Ulysses S. Grant; from the National Museum of American History, secret messages that remained hidden inside Lincoln's gold watch for nearly 150 years; from the National Air and Space Museum, futuristic Civil War-era aircraft designs. Thousands of items were evaluated before those of greatest value and significance were selected for inclusion here. Artfully arranged in 150 entries, they offer a unique, panoramic view of the Civil War.




The Negro Motorist Green Book


Book Description

The Negro Motorist Green Book was a groundbreaking guide that provided African American travelers with crucial information on safe places to stay, eat, and visit during the era of segregation in the United States. This essential resource, originally published from 1936 to 1966, offered a lifeline to black motorists navigating a deeply divided nation, helping them avoid the dangers and indignities of racism on the road. More than just a travel guide, The Negro Motorist Green Book stands as a powerful symbol of resilience and resistance in the face of oppression, offering a poignant glimpse into the challenges and triumphs of the African American experience in the 20th century.




The New Art Museum Library


Book Description

The New Art Museum Library addresses the issues facing today's art museum libraries through a series of scholarly essays written by top librarians in the field. In 2007, the publication, Art Museum Libraries and Librarianship, edited by Joan Benedetti, was the first to solely focus on the field of art museum librarianship. In the decade since then, many changes have occurred in the field--both technological and ideological--prompting the need for a follow-up publication. In addition to representing current thinking and practice, this new publication also addresses the need to clearly articulate and define the art museum library’s value within its institution. It documents the broad changes in the environment that art museum libraries now function within and to celebrate the many innovative initiatives that are flourishing in this new landscape. Librarians working in art museum face unique challenges as museums redefine what object-based, visitor-centric learning looks like in the 21st century. These unique challenges mean that art museum libraries are developing new strategies and initiatives so that they can continue to thrive in this environment. The unique nature of these initiatives mean that they will be useful to librarians working in a wide range of special libraries, as well as more broadly in academic and public libraries. The New Art Museum Library is uniquely positioned to present new strategies and initiatives including digital art history initiatives, the new norms in art museum library staffing, and the public programing priorities that are core to many art museum libraries today. This book is an endorsed project of ARLIS/NA.




The Lives of Dillon Ripley


Book Description

A Yale-educated Renaissance man, S. Dillon Ripley was a Òcourtly, determined, hugely ambitious, energetic, funny, and colorful ornithologist, conservationist, and cultural standard-bearerÓ who led the Smithsonian Institution for twenty years, during its greatest period of growth. During his watch, from 1964 to 1984, the SI added eight new museums and seven new research centers and began publication of the Smithsonian magazine. It was RipleyÕs vision that transformed Òthe nationÕs atticÓ from a dusty archive to a vibrant educational and cultural institution, just as he had transformed YaleÕs Peabody museum before it. Prior to his career at the SI, and running parallel with it for the rest of his life, was RipleyÕs work as an ornithologist, begun in New Guinea in the 1930s, continued through his PhD from Harvard in 1943, and culminating in his landmark thirty-year project documenting the bird life of India. His lifelong passion for ornithology led him to positions of leadership in worldwide nature conservation. In the midst of these endeavors he was recruited in 1944 to the Office of Strategic Services, a Yalie club at the outset that became the forerunner of the modern CIA. Posted to Ceylon, he recruited and ran agents who reported from and infiltrated Japanese-held Southeast Asia. Roger D. Stone worked with Ripley on the board of the World Wildlife Fund. He has access to the Ripley familyÕs archives and photos, as well as to the voluminous archives at the Smithsonian and the National Archives, and to over forty hours of transcribed interviews, conducted with Ripley at the Smithsonian.




The Innocents Abroad


Book Description

Reprint of the original, first published in 1869.




The Enola Gay and the Smithsonian Institution


Book Description

On August 6, 1945, the B-29 Enola Gay dropped an atomic bomb on Hiroshima, Japan, which ushered on the end of World War II. For the 50th anniversary of this major event in world history, the National Air and Space Museum of the Smithsonian Institution produced an exhibit. A controversy erupted, however, over the exhibit's historical authenticity. Veterans, for example, complained that the museum displayed a misrepresented version of history. After concisely covering the background of the Enola Gay and its mission, this study focuses on the controversy surrounding the museum exhibit. Issues covered include casualty figures, ethical questions, and political correctness, among others. The viewpoints of such groups as museum personnel, exhibit organizers, veterans, and historians are covered. Appendices offer information on content analysis of the National Air and Space Museum exhibit script, non-museum materials that were intended to complement the exhibit script, and the importance of full disclosure in research.




Ainu


Book Description

"Some 55 scholars, mostly Japanese but with a considerable number from the US and Europe, write about the ethnicity, theories of origin, history, economies, art, religious beliefs, mythology, and other aspects of the culture of the Ainu, the indigenous people of Japan, now principally found in Hokkaido and smaller far northern islands. Hundreds of photographs and paintings, mostly in excellent quality color, show a wide variety of Ainu people, as well as clothing, jewelry, and various artifacts."--"Choice". "The most in-depth treatise available on Ainu prehistory, material culture, and ethnohistory." - "Library Journal".--Amazon.com (2001 ed, book description).




Music in the Age of Confucius


Book Description

" ... The most remarkable [discovery] in Chinese musical history to date ..." (rec. i Early music 2001:3).




An Odyssey in Print


Book Description

This elegantly illustrated accompaniment to a new Smithsonian Libraries exhibition provides a three-part expedition through the collection. The book includes essays by Michael Dirda and Storrs Olson and accompanies the exhibition at the Smithsonian's National Museum of American History in Washington, D.C.