Inside Venice


Book Description

The superb private interiors of Venice are revealed in this lavishly photographed book. This gorgeously photographed journey through entrancingly beautiful Venetian interiors is sure to appeal to Venice’s many admirers interested in the elegance and refinement of classical Old World interior design. The private properties featured in this handsome volume are not accessible to the public and most are published here for the first time. The book is a luxurious presentation of the hidden architectural and interior design treasures of Venice, ranging from historical ninth-century buildings to contemporary renovations that blend old and new. Seventy-two properties, each photographed exclusively for the book, are profiled—mainly private apartments and palazzos, along with some churches, hotels, and other public spaces that those interested in interiors will find inspiring. Author and preservation expert Toto Bergamo Rossi personally selected each property for inclusion based on his detailed field knowledge gained over many years as director of the Venetian Heritage Foundation, whose mission is to safeguard Venetian cultural heritage as manifested in architecture, music, and fine art.




The Book of Venice


Book Description

An inspector rages against the announcement that police HQ is to relocate – the way so many of the city’s residents already have – to the mainland... An aspiring author struggles with the inexorable creep of rentalisation that has forced him to share his apartment, and life, with ‘global pilgrims’... An ageing painter rails against the liberties taken by tourists, but finds his anger undermined by his own childhood memories of the place... The Venice presented in these stories is a far cry from the ‘impossibly beautiful’, frozen-in-time city so familiar to the thousands who flock there every year – a city about which, Henry James once wrote, ‘there is nothing new to be said.’ Instead, they represent the other Venice, the one tourists rarely see: the real, everyday city that Venetians have to live and work in. Rather than a city in stasis, we see it at a crossroads, fighting to regain its radical, working-class soul, regretting the policies that have seen it turn slowly into a theme park, and taking the pandemic as an opportunity to rethink what kind of city it wants to be.




Beautiful Woman in Venice (A)


Book Description




Venice


Book Description

Margaret Plant presents a wide-ranging cultural history of the city from the fall of the Republic in 1797, until 1997, showing how it has changed and adapted and how perceptions of it have shaped its reality.




Humans vs Monsters


Book Description

The year is 1912. The world is reeling from the worldwide Great Depression, which has left every nation on earth reeling financially. During this time, two camps of nations have risen to prominence. The nations of America, France, England, and Russia, despite the economic collapses, have managed to start to pull themselves out of the Great Depression. On the other side is the UMN, the United Monster Nations, comprised of Transylvania (home of the vampires), Luciansburg (home of the werewolves, or Lycans), Covenia (home of the Witches or Wiccans), and Decemus (home of the zombies, or the walking dead). Both groups of nations are weary of one another. The UMN is ruled over with an iron hand by Grand Chancellor Alucard, who has brought to an end the centuries-long war between the monster races and has had the monster clans united in their hatred of mankind. At the outset of our story, the UMN has been on a military buildup for more than ten years now and is planning a massed military assault against the human nations listed above for control of the Earth. Though they preach for peace with America, this is just a clever ruse by Lord Alucard to buy his nations more time to prepare for war. One can only imagine the horrors of a conventional war. Gone are the days of lining up soldiers and having them simply walk into oncoming fire. This is a new century with new ways of warfare. A conventional war could mean the deaths of countless millions of lives, both monster and human.




The Inquisitor in the Hat Shop


Book Description

Early modern Venice was an exceptional city. Located at the intersection of trade routes and cultural borders, it teemed with visitors, traders, refugees and intellectuals. It is perhaps unsurprising, then, that such a city should foster groups and individuals of unorthodox beliefs, whose views and life styles would bring them into conflict with the secular and religious authorities. Drawing on a vast store of primary sources - particularly those of the Inquisition - this book recreates the social fabric of Venice between 1640 and 1740. It brings back to life a wealth of minor figures who inhabited the city, and fostered ideas of dissent, unbelief and atheism in the teeth of the Counter-Reformation. The book vividly paints a scene filled with craftsmen, friars and priests, booksellers, apothecaries and barbers, bustling about the city spaces of sociability, between coffee-houses and workshops, apothecaries' and barbers' shops, from the pulpit and drawing rooms, or simply publicly speaking about their ideas. To give depth to the cases identified, the author overlays a number of contextual themes, such as the survival of Protestant (or crypto-Protestant) doctrines, the political situation at any given time, and the networks of dissenting groups that flourished within the city, such as the 'free metaphysicists' who gathered in the premises of the hatter Bortolo Zorzi. In so doing this rich and thought provoking book provides a systematic overview of how Venetian ecclesiastical institutions dealt with the sheer diffusion of heterodox and atheistical ideas at different social levels. It will be of interest not only to scholars of Venice, but all those with an interest in the intellectual, cultural and religious history of early-modern Europe --




Visions of Venice in Shakespeare


Book Description

Despite the growing critical relevance of Shakespeare's two Venetian plays and a burgeoning bibliography on both The Merchant of Venice and Othello, few books have dealt extensively with the relationship between Shakespeare and Venice. Setting out to offer new perspectives to a traditional topic, this timely collection fills a gap in the literature, addressing the new historical, political and economic questions that have been raised in the last few years. The essays in this volume consider Venice a real as well as symbolic landscape that needs to be explored in its multiple resonances, both in Shakespeare's historical context and in the later tradition of reconfiguring one of the most represented cities in Western culture. Shylock and Othello are there to remind us of the dark sides of the myth of Venice, and of the inescapable fact that the issues raised in the Venetian plays are tremendously topical; we are still haunted by these theatrical casualties of early modern multiculturalism.




Sargent's Venice


Book Description

Den amerikanske kunstner John Singer Sargents (1856-1925) skildringer af Venedig.




Venice and the Slavs


Book Description

This book studies the nature of Venetian rule over the Slavs of Dalmatia during the eighteenth century, focusing on the cultural elaboration of an ideology of empire that was based on a civilizing mission toward the Slavs. The book argues that the Enlightenment within the “Adriatic Empire” of Venice was deeply concerned with exploring the economic and social dimensions of backwardness in Dalmatia, in accordance with the evolving distinction between “Western Europe” and “Eastern Europe” across the continent. It further argues that the primitivism attributed to Dalmatians by the Venetian Enlightenment was fundamental to the European intellectual discovery of the Slavs. The book begins by discussing Venetian literary perspectives on Dalmatia, notably the drama of Carlo Goldoni and the memoirs of Carlo Gozzi. It then studies the work that brought the subject of Dalmatia to the attention of the European Enlightenment: the travel account of the Paduan philosopher Alberto Fortis, which was translated from Italian into English, French, and German. The next two chapters focus on the Dalmatian inland mountain people called the Morlacchi, famous as “savages” throughout Europe in the eighteenth century. The Morlacchi are considered first as a concern of Venetian administration and then in relation to the problem of the “noble savage,” anthropologically studied and poetically celebrated. The book then describes the meeting of these administrative and philosophical discourses concerning Dalmatia during the final decades of the Venetian Republic. It concludes by assessing the legacy of the Venetian Enlightenment for later perspectives on Dalmatia and the South Slavs from Napoleonic Illyria to twentieth-century Yugoslavia.




Money and Banking in Medieval and Renaissance Venice


Book Description

Originally published in 1985. Frederic C. Lane and Reinhold C. Mueller, in the first volume of Money and Banking in Medieval and Renaissance Venice, discuss Venice's economic achievement in terms of the complex system the city's inhabitants developed to manage moneys of account and coins. Money merchants of Venice developed a system whereby a premium attached to moneys of account acted as a stabilizing force and allowed merchants to engage in long-term trade. This system, according to the authors, helped establish Venice as a dominant city-state in international trade and exchange. This book outlines the development and success of this system through 1508. At the time it was first published, this book made a significant contribution to the history of money and economics by underscoring the large role that Venice played in the economic history of the West and the ascendance of capitalism as a structuring force of society.