Intimate Class Acts


Book Description

The economically privileged Lenny is able to taste the forbidden delights of the adult world because of her ayah. The romantic relationship between Sai, an upper-class Gujarati girl and Gyan, a lower-middle-class Nepali boy, crosses both class and ethnic boundaries. The marriage between Ram, an aristocratic Hindu and Rose, a working-class Englishwoman, transgresses racial and class lines while also reinforcing patriarchal hierarchies. These relationships in Ice-Candy-Man, The Inheritance of Loss and Rich Like Us reveal striking similarities in how gendered and classed identities are lived in India and Pakistan. In this scholarly work, Maryam Mirza examines ten novels in English by women writers from the Indian subcontinent. She explores the role of power and desire and of emotional and physical intimacy in cross-class relations. Among others, Mirza examines well-known novels such as Arundhati Roy’s The God of Small Things and Kamila Shamsie’s Salt and Saffron and works that have hitherto drawn limited critical attention, such as Moni Mohsin’s The End of Innocence and Brinda Charry’s The Hottest Day of the Year.




Intimate Class Acts


Book Description

In this scholarly work, Maryam Mirza examines ten novels in English by women writers from the Indian subcontinent. She explores the role of power and desire, and of emotional and physical intimacy in cross-class relations. Striking similarities in how gendered and classed identities are lived in India and Pakistan are revealed in this text.




Class Acts


Book Description

Here's the complete guide to handling sticky situations, embarrassing questions, rude encounters, and faux pas with grace and style.




The Cambridge Handbook of Class Actions


Book Description

International authors describe class action procedure in this concise, comparative, and empirical perspective on aggregate litigation.




Class Acts Volume 1


Book Description

JMS Books' Trios are themed collections of three gay romance stories by a trio of authors. Each story is available separately, but readers can get all three for a discounted bundle price. Class Acts Volume 1 contains three M/M romances just in time for back to school! Contains the stories: Being Fitz by J.D. Walker: Fitz is worn out by users, an unforgiving bus route, and life, in general. When he stumbles over a dead body in the park, things can't seem to get much worse, until he meets Detective Holland Simms. Arrogant and infuriating, Fitz is at once at odds and intrigued by Simms, who seems to be interested in him, surprisingly. Can he make a new start? Professor Poison by R.W. Clinger: When Niall Reed decides to enroll in a mystery writing college course, his professor is none other than best-selling mystery writer Professor Poison. Things heat up between them, but there's a mysterious man in the professor's life named Collin. As the end of the class approaches, will Niall learn who Collin is, or will he lose Professor Poison to a mysterious stranger? Substitute Teacher by David Connor and E.F. Mulder: Stone Larrabee knows he can't teach if his students aren't willing to learn. When he meets combative, closed off parent, Edison Watts, he discovers he has some learning to do, as well. In order to learn, one has to be willing to hope, change, and grow, he decides. Getting Edison to do that with him might be a challenge, but Stone knows he's up to it, and Edison agrees to try.







Class Action Jurisdiction Act


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Indian Literature and the World


Book Description

This book is about the most vibrant yet under-studied aspects of Indian writing today. It examines multilingualism, current debates on postcolonial versus world literature, the impact of translation on an “Indian” literary canon, and Indian authors’ engagement with the public sphere. The essays cover political activism and the North-East Tribal novel; the role of work in the contemporary Indian fictional imaginary; history as felt and reconceived by the acclaimed Hindi author Krishna Sobti; Bombay fictions; the Dalit autobiography in translation and its problematic international success; development, ecocriticism and activist literature; casteism and access to literacy in the South; and gender and diaspora as dominant themes in writing from and about the subcontinent. Troubling Eurocentric genre distinctions and the split between citizen and subject, the collection approaches Indian literature from the perspective of its constant interactions between private and public narratives, thereby proposing a method of reading Indian texts that goes beyond their habitual postcolonial identifications as “national allegories”.




Postcolonial Servitude


Book Description

Domestic servitude is a widespread phenomenon in countries like India, Pakistan, Sri Lanka, where even lower-middle class homes rely on domestic workers (mostly women and children). While social scientists have begun to study this unregulated and exploitative "informal sector," literary critics have not paid attention to servants in South Asian literatures or examined their political or literary significance. Postcolonial Servitude argues that a new generation of writers has begun to rethink this culture of servitude and to devise new forms of writing designed to prompt change in normalized ways of seeing and being. It is the first to offer a sustained exploration of servitude and servants in South Asian English literature, from the early 20th century to the present.




Freedom Inc.: Gendered Capitalism in New Indian Literature and Culture


Book Description

While globalization is often credited with the eradication of 'traditional' constraints tied to gender and caste, in reality the opening up of the Indian economy in the 1990s has led to a decline in freedom for many female, Dalit, and lower class Indians. This book explores the contraction of what it means to be free in post-liberalization India, examining how global capitalism has exacerbated existing inequalities based on traditional femininities and masculinities, while also creating new hierarchies. Freedom Inc. argues that post-1990s literature and culture frequently represents and reinforces the equation of free-market capitalism with individual freedom within the new 'idea of India.' However, many texts often also challenge this logic by pointing to more expansive horizons of autonomy for the gendered self. Through readings of texts as diverse as Dalit women's life-writing, pop fiction, realist novels, self-help, regional film, and Netflix TV shows, Mangharam investigates how notions like 'free trade,' 'entrepreneurship,' and 'self-help' are experienced, embodied, and challenged by disadvantaged peoples, and by women differently than men. In the process, Freedom Inc. explores how different literary forms illuminate alternative and buried pathways to fuller freedoms.