Introduction and Allegro, Harp, Flute, Clarinet & String Quartet. Parts
Author : Maurice Ravel
Publisher :
Page : pages
File Size : 50,97 MB
Release : 1906
Category :
ISBN :
Author : Maurice Ravel
Publisher :
Page : pages
File Size : 50,97 MB
Release : 1906
Category :
ISBN :
Author : Maurice Ravel
Publisher :
Page : pages
File Size : 36,81 MB
Release : 1906
Category :
ISBN :
Author : Maurice Ravel
Publisher :
Page : 37 pages
File Size : 22,41 MB
Release : 1959
Category : Septets (Clarinet, flute, harp, violins (2), viola, cello)
ISBN :
Author : Maurice Ravel
Publisher :
Page : pages
File Size : 26,99 MB
Release : 197?
Category : Septets
ISBN :
Author : Christian Erickson
Publisher : Createspace Independent Publishing Platform
Page : 36 pages
File Size : 16,14 MB
Release : 2018-05-14
Category :
ISBN : 9781534862081
Using the instrumentation of Ravel's "Introduction and Allegro" (harp, flute, clarinet, and string quartet), "Concertino Concordante" is a lyrical harp concerto in miniature. Duration ca. 15 minutes.
Author : Maurice Ravel
Publisher :
Page : 37 pages
File Size : 21,61 MB
Release : 1980
Category : Septets (Clarinet, flute, harp, violins (2), viola, cello)
ISBN :
Author : Kenyon C. Rosenberg
Publisher : Scarecrow Press
Page : 278 pages
File Size : 41,36 MB
Release : 1987
Category : Language Arts & Disciplines
ISBN : 9780810820418
No descriptive material is available for this title.
Author : Wenonah M. Govea
Publisher : Bloomsbury Publishing USA
Page : 366 pages
File Size : 30,16 MB
Release : 1995-06-30
Category : Music
ISBN : 0313369461
The harp is both the oldest and the newest of instruments. It has existed in some form in nearly all cultures since man has made music. The contemporary concert instrument has been known since the mid-19th century. This work is a compendium of the biographies of many notable harpists of the modern era. The biographies make clear how these performers shaped the contrasts in style and technique of harp playing that have developed over the past 150 years, as cultural, social, and psychological forces influenced individual performance. In addition to the biographical information, the A-Z entries include critical reviews, discographies, and selected bibliographies where possible. New material from the former Soviet states is included.
Author : Denise Erdonmez Grocke
Publisher : Jessica Kingsley Publishers
Page : 273 pages
File Size : 31,43 MB
Release : 2007
Category : Music
ISBN : 184310413X
This practical book describes the specific use of receptive (listening) methods and techniques in music therapy clinical practice and research, including relaxation with music for children and adults, the use of visualisation and imagery, music and collage, song-lyric discussion, vibroacoustic applications, music and movement techniques, and other forms of aesthetic listening to music. The authors explain these receptive methods of intervention using a format that enables practitioners to apply them in practice and make informed choices about music suitable for each of the different techniques. Protocols are described step-by-step, with reference to the necessary environment, conditions, skills and appropriate musical material. Receptive Methods in Music Therapy will prove indispensable to music therapy students, practitioners, educators and researchers.
Author : Ben Earle
Publisher : Cambridge University Press
Page : 321 pages
File Size : 31,4 MB
Release : 2013-08-15
Category : Music
ISBN : 1107433797
Luigi Dallapiccola is widely considered a defining figure in twentieth-century Italian musical modernism, whose compositions bear passionate witness to the historical period through which he lived. In this book, Ben Earle focuses on three major works by the composer: the one-act operas Volo di notte ('Night Flight') and Il prigioniero ('The Prisoner'), and the choral Canti di prigionia ('Songs of Imprisonment'), setting them in the context of contemporary politics to trace their complex path from fascism to resistance. Earle also considers the wider relationship between musical modernism and Italian fascism, exploring the origins of musical modernism and investigating its place in the institutional structures created by Mussolini's regime. In doing so, he sheds new light on Dallapiccola's work and on the cultural politics of the early twentieth century to provide a history of musical modernism in Italy from the fin de siècle to the early Cold War.