Medieval Welsh Medical Texts


Book Description

Introduction giving full explanation of the nature of the corpus and the historical context. This will allow readers to understand the nature of the texts, and to make inferences about how the medical texts which follow might have been used. Notes giving sources and analogues for the recipes in other contemporary European languages (Latin, Middle English, Anglo-Norman). These will allow readers to understand the common theories underlying the recipes and to make judgements about the place of this material within the larger European medical tradition of the time. Comprehensive glossaries. These will allow readers to find any recipe based on the ingredients used in it, or the condition treated, allowing them to compare with recipes in other sources themselves, from other time periods, or investigate the corpus of the way different ingredients were used. Comprehensive plant-name glossary giving evidence for the interpretation of the plant names in the corpus from a series of previously unstudied pre-modern plant-name glossaries. This will allow readers to evaluate the evidence for the interpretation of the plant names and hopefully spur on further research on this neglected topic.




Barddas


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Iolo Manuscripts


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The Best Books


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Cauldron of the Gods


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Imagine the forest. As darkness falls, the somber beeches disappear in misty twilight and shadows seem to gather under their branches. Far away, the blackbird's call tells of the coming of the night. The birds cease their singing, silence descends, soon the beasts of the night will make their appearance. Between tangled roots, hidden by nettles and brambles, the earth seems to ripple. A few humps of earth seem to emerge from the ground. They are the last traces of burial mounds, of mounds, which were tall and high 2500 years ago. Many of them have disappeared, hidden by tangled roots of beech and oak, ploughed flat by careless farmers, others again show caved-in tops where grave robbers have looted the central chamber. The locals shun these hills. There are tales that strange fires can be seen glowing on the mounds, and that on spooky nights, great armed warriors arise from their resting places. Then the doors to the deep are thrown open and unwary travelers have to beware of being invited into the halls of the dead and unborn. Here the kings of the deep feast and celebrate, time passes differently and strange treasures may be found. Who knows the nights when the gates are open? Who carries the primrose, the wish-flower, the strange blossom that opens the doors to the hollow hills?




Iolo manuscripts


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Welsh Traditional Music


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Welsh traditional music has, until now, been the 'Cinderella' of world music studies. Over the years, few English-language writers have paid it any attention, largely because the majority of the songs of Wales are in the Welsh language. Now, at last, that gap has been filled by an American. Phyllis Kinney's book, Welsh Traditional Music, will both delight and inform anyone with an interest in the subject, be they a general reader, an academic, or a performer. It covers the traditional music of Wales from its beginnings through to the present day and contains an extensive selection of more than 200 musical examples. The book not only includes musical analysis of many of the examples, but also places the songs firmly in their social and historical context. Among the many different forms of Welsh traditional music discussed are seasonal music (including wassail songs, Christmas and May carols and Plygain carols), folk drama, ballad-singing, the relevance of the eisteddfod and the musical journals of the nineteenth century,. In addition, it includes a history of collecting from the eighteenth century to the establishment and on-going activities of the Welsh Folk-Song Society in the twentieth. Both the the instrumental and the vocal traditions are examined and there is a section dealing with the uniquely Welsh tradition of 'cerdd dant'. Overall, the value of the book lies not only in its ground-breaking nature and the quality of its scholarship, but in its discussion of Welsh traditional music in the context of the Welsh musical tradition generally. Phyllis Kinney is an American who has steeped herself in the culture, and become fluent in the language, of her adopted country. She is an acknowledged authority on the traditional music of Wales and has produced a book which will become a classic.




Granite Reef


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Between Wales and England


Book Description

Between Wales and England is an exploration of eighteenth-century anglophone Welsh writing by authors for whom English-language literature was mostly a secondary concern. In its process, the work interrogates these authors’ views on the newly-emerging sense of ‘Britishness’, finding them in many cases to be more nuanced and less resistant than has generally been considered. It looks primarily at the English-language works of Lewis Morris, Evan Evans, and Edward Williams (Iolo Morganwg) in the context of both their Welsh- and English-language influences and time spent travelling between the two countries, considering how these authors responded to and reimagined the new national identity through their poetry and prose.