Iphigenie auf Tauris


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Goethes Iphigenie auf Tauris


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Adventures with Iphigenia in Tauris


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This book presents a cultural history of the Greek tragedy and its influence on subsequent Greek and Roman art and literature.




German Classics


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Goethe's Iphigenie Auf Tauris: With Introduction and Notes (1898)


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This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.




Goethe's Iphigenie Auf Tauris


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Excerpt from Goethe's Iphigenie Auf Tauris: With Introduction and Notes The reason for this popularity is in the remarkable char acter of the work. It is at once a most interesting dramatic presentation of an important mental and moral conflict, and a poem replete with rare and exquisite beauty of thought and expression. Wrought out on the plan of a Greek drama and imbued with the Greek spirit of simplicity and perfection of form, it constitutes an admirable basis for a comparison between the best of ancient history and the best of modern art. But in spite of its simplicity there is perhaps no other drama of Goethe, not even excepting his Faust, which calls for fuller elucidation, if one seeks to attain the highest aim of literary study. The many points of connection between the modern poet and the poets of Greece require attention, as well as the influence of the French drama, which has been so well shown by Hans Morsch, and the relation of the drama to the poet's own life and efforts at the time of its composition. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.




Euripides: Iphigenia in Tauris


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Euripides' Iphigeneia among the Taurians has been a popular and influential text from antiquity onwards. It is a suspenseful drama set on the Black Sea coast in what is now Crimea, which explores themes of family loyalty, Greeks and barbarians, and the nature of the gods. The plot combines an unrecognised meeting between Iphigeneia, now a priestess of Artemis among the Taurians, and her brother Orestes, who with his friend Pylades has been captured and brought to her for sacrifice, with an exciting escape attempt for all three, ultimately brought about by divine intervention. This edition includes a full Introduction to the literary and production aspects of the play, while the Commentary elucidates problems of language as well as interpretation. These combine to make the play fully accessible to intermediate-level undergraduates and graduate students wishing to read it in the original Greek.




A Commentary on Euripides' Iphigenia in Tauris


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This work is the first major commentary on Euripides' Iphigenia in Tauris to appear in English in more than 65 years. It offers detailed analysis of a fascinating play that scholars so far had considered mainly as a source of information about Athenian cult and viewed as a romantic adventure story with happy end. Apart from including sober assessments of textual, linguistic and metrical problems, the commentary sheds new light on the play’s treatment of myth, its intricate structure, presentation of character, and place in Euripides’ work. In particular it offers fresh insights into the play’s relationship to the literary tradition, especially its treatment of the crimes of the Pelopids, and its presentation of the complex, ambiguous relationship of humans and gods as well as that of Greeks and barbarians. Unlike most other tragedies, Iphigenia in Tauris does not feature any villain and avoids concentrating on past crimes and their corrosive influence on the characters’ present. The Taurians are not portrayed simply as savage and slow barbarians and Iphigenia, the most intelligent character, fails to transcend her limitations. Religion and cult in both myth and contemporary Athens are a mixture of traditional and invented elements and the play as a whole turns out to be an intriguing and unique experiment in Euripides’ career.