Ireland Stereoviews


Book Description

Stereoscopic, or 3D photography, works because it is able to recreate the illusion of depth. Human eyes are set about two-and-a-half inches apart, so each eye sees an image slightly differently. If one takes two separate photographs that same distance apart, with a suitable viewer it is possible to recreate that illusion of depth. Following the birth of photography in the early years of the 19th century, the first stereoscope was shown by Sir Charles Wheatstone in June 1838 at the Royal Scottish Society of Arts. Eleven years later Sir David Brewster described a binocular camera, and the first stereoscopic photographs were produced. This new book illustrates some of the best of the stereoscopic photographs taken from the middle of the 19th century.




Opto-Ireland 2002


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Contact Zones


Book Description

Since the mid-nineteenth century photography has played a central role in cultural encounters within and between migrant communities in the United States. Migrant histories have been mediated through the photographic image, and the cultural practices of photography have themselves been transformed as migrant communities mobilise the photographic image to navigate experiences of cultural dislocation and the forging of new identities. Exploring photographic images and the cultural practices of photography as ‘contact zones’ through which cultural exchange and transformation takes place, this volume addresses the role of photography in migrant histories in the United States from the mid-nineteenth century to today. Taking as its focal point photography’s role in shaping migrant experiences of cultural transformation, and how migrant experiences have re-configured culturally differentiated practices of photography, case studies on migration from Europe, Central America, and North America position photography as entwined with cultural histories of migration and cultural transformation in the United States.




The World of Stereographs


Book Description

An exact reprint edition of the definitive work on stereographs originally published by the author in 1977. Intended as a survey and guide to stereographs, it considers them from four points of view: historical, geographical, topical, and by the photographers who produced them. Two checklists include: the names and locations of 3500 North American stereographers arranged alphabetically by states; and a world register of 4200 cited photographers giving the countries and approximate dates of activity, with references to the pages of the book on which they are cited. Three hundred illustrations of stereographs supplement the text.







Stereo World


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Picture World


Book Description

The modern media world came into being in the nineteenth century, when machines were harnessed to produce texts and images in unprecedented numbers. In the visual realm, new industrial techniques generated a deluge of affordable pictorial items, mass-printed photographs, posters, cartoons, and illustrations. These alluring objects of the Victorian parlor were miniaturized spectacles that served as portals onto phantasmagoric versions of 'the world.' Although new kinds of pictures transformed everyday life, these ephemeral items have received remarkably little scholarly attention. Picture World shines a welcome new light onto these critically neglected yet fascinating visual objects. They serve as entryways into the nineteenth century's key aesthetic concepts. Each chapter pairs a new type of picture with a foundational keyword in Victorian aesthetics, a familiar term reconceived through the lens of new media. 'Character' appears differently when considered with caricature, in the new comics and cartoons appearing in the mass press in the 1830s; likewise, the book approaches 'realism' through pictorial journalism; 'illustration' via illustrated Bibles; 'sensation' through carte-de-visite portrait photographs; 'the picturesque' by way of stereoscopic views; and 'decadence' through advertising posters. Picture World studies the aesthetic effects of the nineteenth century's media revolution: it uses the relics of a previous era's cultural life to interrogate the Victorian world's most deeply-held values, arriving at insights still relevant in our own media age.




Photography in Ireland


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The Irish Revival Reappraised


Book Description

Selina Guinness (Dun Laoghaire) Ireland through the stereoscope: reading the cultural politics of theosophy in the Irish Literary Revival Leeann Lane DCU) 'There are compensations in the congested districts for their poverty': � and the idealized peasant of the agricultural co-operative movement Liam MacMath�na (DCU) From manuscripts to street signs via S�adna: the Gaelic League and the changing role of literacy in Irish, 1875-1915 "na N� Bhroim�il (Mary Immac.) American influence on the Gaelic League: inspiration or control? Mary Stakelum (UL) A song to sweeten Ireland's wrong: music education and the Celtic Revival Elizabeth Crooke (UU) Revivalist archaeology and museum politics during the Irish Revival Janice Helland (Queen's, King.) Embroidered spectacle: Celtic Revival as aristocratic display Elaine Cheasley Paterson (QUB) Crafting a national identity: the Dun Emer Guild, 1902-8 Marnie Hay (UCD) Explaining Uladh: cultural nationalism in Ulster Lucy McDiarmid (Villanova U) Revivalist belligerence: three controversies Alex Davis (UCC) Whoops from the peat-bog?: Joseph Campbell and the London avant-garde Maria O'Brien (UU) Thomas William Rolleston: the forgotten man G.K. Peatling (Guelph U) Robert Lynd, paradox and the Irish revival: 'Acting-out' or 'Working-through'? Brian Griffin (Bath Spa) The Revival at local level: Katherine Frances Purdon's portrayal of rural Ireland Michael McAteer A currency crisis: modernist dialectics in The Countess Cathleen Mary Burke (QUB) Eighteenth-century European scholarship and nineteenth-century Irish literature: Synge's Tinker's Wedding and the orientalizing of 'Irish Gypsies' Patrick Lonergan (NUIG) 'The sneering, lofty conception of what they call culture': O'Casey, popular culture and the Literary Revival