Irishness in North American Women's Writing


Book Description

This book examines ideas of Irishness in the writing of Mary McCarthy, Maeve Brennan, Alice McDermott, Alice Munro, Jane Urquhart, and Emma Donoghue. Individual chapters engage in detail with questions central to the social or literary history of Irish women in North America and pay special attention to the following: discourses of Irish femininity in twentieth-century American and Canadian literature; mythologies of Irishness in an American and Canadian context; transatlantic literary exchanges and the influence of canonical Irish writers; and ideas of exile in the work of diasporic women writers.




Room


Book Description

Kidnapped as a teenage girl, Ma has been locked inside a purpose built room in her captor's garden for seven years. Her five year old son, Jack, has no concept of the world outside and happily exists inside Room with the help of Ma's games and his vivid imagination where objects like Rug, Lamp and TV are his only friends. But for Ma the time has come to escape and face their biggest challenge to date: the world outside Room.




The Famine Diaspora and Irish American Women's Writing


Book Description

The Famine Diaspora and Irish American Women’s Writing considers the works of eleven North American female authors who wrote for or descended from the Irish Famine generation: Anna Dorsey, Christine Faber, Elizabeth Gurley Flynn, Mother Jones, Kate Kennedy, Margaret Dixon McDougall, Mary Meaney, Alice Nolan, Fanny Parnell, Mary Anne Sadlier, and Elizabeth Hely Walshe. This collection examines the ways the writings of these women contributed significantly to the construction of Irish North-American identities, and played a crucial role in the dissemination of Famine memories transgenerationally as well as transnationally. The included annotated excerpts from these women writers’ works and the accompanying essays by prominent international scholars offer insights on the sociopolitical position of the Irish in North America, their connections with the homeland, women’s activities in transnational (often Catholic) publishing networks and women writers’ mediation of Ireland’s cultural heritage. Furthermore, the volume illustrates the generic variety of Irish American women’s writing of the Famine generation, which comprises political treatises, novels, short stories and poetry, and bears witness to these female authors’ profound engagement with political and social issues, such as the conditions of the poor and woman’s vote.




Irishness in North American Women's Writing


Book Description

'This is a lively, thought-provoking, engrossing, and eminently readable study of cross-connections in North American women's writing. Irishness in North American Women's Writing: Transatlantic Affinities is a timely, original, and richly observant study of six diverse women writers and a valuable intervention in the field of transatlantic studies.' - Anne Fogarty, University College Dublin, Ireland 'This absorbing, historically informed study further enhances Ellen McWilliams' scholarly credentials in the field of Irish diasporic literary studies. Written in a lucid, accessible style, her book is an essential tool for those who wish to deepen their understanding of the subtleties of the transatlantic exchanges that make the work of these six North American women writers so compelling.' -Liam Harte, University of Manchester, UK 'Ellen McWilliams' ground-breaking study, Irishness in North American Women's Writing: Transatlantic Affinities, extends the critical landscape on major Irish-American and Irish-Canadian women authors: her nuanced investigations excitingly broaden transatlantic studies and complicate essentialist readings of Irish, Canadian, and American nationalism. Furthermore, by examining Irish-Canadian women's literature, the volume addresses an enormous critical gap.' - Kate Costello-Sullivan, Le Moyne College, New York, USA This book examines ideas of Irishness in the writing of Mary McCarthy, Maeve Brennan, Alice McDermott, Alice Munro, Jane Urquhart, and Emma Donoghue. Individual chapters engage in detail with questions central to the social or literary history of Irish women in North America and pay special attention to the following: discourses of Irish femininity in twentieth-century American and Canadian literature; mythologies of Irishness in an American and Canadian context; transatlantic literary exchanges and the influence of canonical Irish writers; and ideas of exile in the work of diasporic women writers.




Routledge International Handbook of Irish Studies


Book Description

Routledge International Handbook of Irish Studies begins with the reversal in Irish fortunes after the 2008 global economic crash. The chapters included address not only changes in post-Celtic Tiger Ireland but also changes in disciplinary approaches to Irish Studies that the last decade of political, economic, and cultural unrest have stimulated. Since 2008, Irish Studies has been directly and indirectly influenced by the crash and its reverberations through the economy, political landscape, and social framework of Ireland and beyond. Approaching Irish pasts, presents, and futures through interdisciplinary and theoretically capacious lenses, the chapters in this volume reflect the myriad ways Irish Studies has responded to the economic precarity in the Republic, renewed instability in the North, the complex European politics of Brexit, global climate and pandemic crises, and the intense social change in Ireland catalyzed by all of these. Just as Irish society has had to dramatically reconceive its economic and global identity after the crash, Irish Studies has had to shift its theoretical modes and its objects of analysis in order to keep pace with these changes and upheavals. This book captures the dynamic ways the discipline has evolved since 2008, exploring how the age of austerity and renewal has transformed both Ireland and scholarly approaches to understanding Ireland. It will appeal to students and scholars of Irish studies, sociology, cultural studies, history, literature, economics, and political science. Chapter 3, 5 and 15 of this book is available for free in PDF format as Open Access from the individual product page at www.routledge.com. It has been made available under a Creative Commons Attribution-Non Commercial-No Derivatives 4.0 license.




Cabbage and Bones


Book Description

In this affecting anthology of fiction by Irish-American women, the voices of some of our most important writers are finally celebrated. These 25 pieces, more than half of which have never before been published in book form, include selections by such established, award-winning authors as Anna Quindlen, Alice McDermott, Mary McCarthy, and Mary McGarry Morris, as well as promising newcomers.










The History of British Women's Writing, 1830-1880


Book Description

This volume charts the rise of professional women writers across diverse fields of intellectual enquiry and through different modes of writing in the period immediately before and during the reign of Queen Victoria. It demonstrates how, between 1830 and 1880, the woman writer became an agent of cultural formation and contestation, appealing to and enabling the growth of female readership while issuing a challenge to the authority of male writers and critics. Of especial importance were changing definitions of marriage, family and nation, of class, and of morality as well as new conceptions of sexuality and gender, and of sympathy and sensation. The result is a richly textured account of a radical and complex process of feminization whereby formal innovations in the different modes of writing by women became central to the aesthetic, social, and political formation of British culture and society in the nineteenth century.




A Ghost in the Throat


Book Description

An Post Irish Book Awards Nonfiction Book of the Year • A Guardian Best Book of 2020 • Shortlisted for the 2021 Rathbones Folio Prize • Longlisted for the 2021 Republic of Consciousness Prize • Winner of the James Tait Black Biography Prize • A New York Times New & Noteworthy Title • Longlisted for the 2021 Gordon Burn Prize • A Buzzfeed Recommended Summer Read • A Publishers Weekly Best Book of 2021 • A Book Riot Best Book of 2022 • An NPR Best Book of 2021 • A Chicago Public Library Best Book of 2021 • A Globe and Mail Book of the Year • A Winnipeg Free Press Top Read of 2021 • An Entropy Magazine Best of the Year • A LitHub Best Book of 2021 • A New York Times Critics' Top Book of 2021 • A National Book Critics Circle Award Finalist When we first met, I was a child, and she had been dead for centuries. On discovering her murdered husband’s body, an eighteenth-century Irish noblewoman drinks handfuls of his blood and composes an extraordinary lament. Eibhlín Dubh Ní Chonaill’s poem travels through the centuries, finding its way to a new mother who has narrowly avoided her own fatal tragedy. When she realizes that the literature dedicated to the poem reduces Eibhlín Dubh’s life to flimsy sketches, she wants more: the details of the poet’s girlhood and old age; her unique rages, joys, sorrows, and desires; the shape of her days and site of her final place of rest. What follows is an adventure in which Doireann Ní Ghríofa sets out to discover Eibhlín Dubh’s erased life—and in doing so, discovers her own. Moving fluidly between past and present, quest and elegy, poetry and those who make it, A Ghost in the Throat is a shapeshifting book: a record of literary obsession; a narrative about the erasure of a people, of a language, of women; a meditation on motherhood and on translation; and an unforgettable story about finding your voice by freeing another’s.