Is the Visual World a Grand Illusion?


Book Description

There is a scepticism about whether the world "out there" really is as we perceive it. A new breed of hyper-sceptics now challenge whether we even have the perceptual experience we think we have. This title presents a collection of essays which explore the reliability of visual perception.




Consciousness


Book Description

Consciousness, the last great mystery for science, remains a hot topic. How can a physical brain create our experience of the world? What creates our identity? Do we really have free will? Could consciousness itself be an illusion? Exciting new developments in brain science are continuing the debates on these issues, and the field has now expanded to include biologists, neuroscientists, psychologists, and philosophers. This controversial book clarifies the potentially confusing arguments, and the major theories, whilst also outlining the amazing pace of discoveries in neuroscience. Covering areas such as the construction of self in the brain, mechanisms of attention, the neural correlates of consciousness, and the physiology of altered states of consciousness, Susan Blackmore highlights our latest findings. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.




Grand Illusion


Book Description

Franco-German cultural exchange reached its height at the 1937 Paris World’s Fair, where the Third Reich worked to promote an illusion of friendship between the two countries. Through the prism of this decisive event, Grand Illusion examines the overlooked relationships among Nazi elites and French intellectuals. Their interaction, Karen Fiss argues, profoundly influenced cultural production and normalized aspects of fascist ideology in 1930s France, laying the groundwork for the country’s eventual collaboration with its German occupiers. Tracing related developments across fine arts, film, architecture, and mass pageantry, Fiss illuminates the role of National Socialist propaganda in the French decision to ignore Hitler’s war preparations and pursue an untenable policy of appeasement. France’s receptiveness toward Nazi culture, Fiss contends, was rooted in its troubled identity and deep-seated insecurities. With their government in crisis, French intellectuals from both the left and the right demanded a new national culture that could rival those of the totalitarian states. By examining how this cultural exchange shifted toward political collaboration, Grand Illusion casts new light on the power of art to influence history.




Grand Illusion


Book Description

A new and groundbreaking historical narrative, Grand Illusion: Phantasmagoria in Nineteenth-Century Opera explores how technical innovations in Paris transformed the grand opera into a transcendent, dream-like audio-visual spectacle.




Grand Illusions


Book Description

War, modernism, and the academic spirit -- Women in peril -- Mirroring masculinity -- Opposing visions -- Opening the floodgates -- To see or not to see -- Being there -- Behind the mask -- Monsters in our midst.




The Visual (Un)Conscious and Its (Dis)Contents


Book Description

Visual control of our actions can be unconscious as well as conscious. For example, when a pedestrian steps onto a street and then suddenly steps back, to avoid being hit by an oncoming car, the pedestrian's visual system has been able to detect the car very rapidly. Since the registration of the approaching car in conscious vision could take a few hundreds of milliseconds - possibly too long to avoid being struck by it, the rapid injury-avoiding action has relied on the oncoming car being detected at unconscious levels in the visual system. So how, and at what level in the visual system is a stimulus processed unconsciously? This book explores unconscious and conscious vision, investigated using psychophysical and brain-recording methods. These methods allow microtemporal analyses of visual processing during the interval, ranging from a few 10s to a few 100s of milliseconds, between a stimulus's impinging on the retinae and its eliciting a behavioral response or a conscious percept. By tying these findings to well-known neuroanatomical and physiological substrates of vision, the book presents and discusses theoretical and empirical approaches to, and findings on, conscious and unconscious vision. In addition to presenting an in-depth, integrative review of recent and ongoing scientific and scholarly research, the book proposes several avenues for directing future research in these areas. It also provides a well articulated theoretical and a detailed empirical base that points to the special importance of the processing of surface properties of visual objects to their conscious vision. Aimed at scientists and scholars in visual cognition, visual neuroscience and, more broadly, cognitive science - including that part of the philosophical community that is currently occupied with the mind-brain problem, the book sheds new light on and advances experimental, philosophical, and scholarly research on visual consciousness.




Experimental Phenomena of Consciousness


Book Description

Experimental Phenomena of Consciousness is the definitive collection of consciousness phenomena in which awareness emerges as an experimental variable. With its comprehensive yet succinct entries, arranged alphabetically, this dictionary will be a valuable reference tool for students, libraries, and researchers at all levels in psychology, neuroscience, and philosophy who are investigating consciousness, cognition, perception, and attention. It will also be an important addition to the reading lists of courses on consciousness and cognition. Most entries include illustrations and a list of references where more thorough treatments of the topic can be found. The book is supported by a Web page that provides dynamic illustrations and other supplemental material. As the first reference book on the topic, Experimental Phenomena of Consciousness will be a valuable tool for undergraduates, graduate students, professional researchers, and anyone who has an interest in the subject of consciousness.




Action in Perception


Book Description

"Perception is not something that happens to us, or in us," writes Alva Noë. "It is something we do." In Action in Perception, Noë argues that perception and perceptual consciousness depend on capacities for action and thought—that perception is a kind of thoughtful activity. Touch, not vision, should be our model for perception. Perception is not a process in the brain, but a kind of skillful activity of the body as a whole. We enact our perceptual experience. To perceive, according to this enactive approach to perception, is not merely to have sensations; it is to have sensations that we understand. In Action in Perception, Noë investigates the forms this understanding can take. He begins by arguing, on both phenomenological and empirical grounds, that the content of perception is not like the content of a picture; the world is not given to consciousness all at once but is gained gradually by active inquiry and exploration. Noë then argues that perceptual experience acquires content thanks to our possession and exercise of practical bodily knowledge, and examines, among other topics, the problems posed by spatial content and the experience of color. He considers the perspectival aspect of the representational content of experience and assesses the place of thought and understanding in experience. Finally, he explores the implications of the enactive approach for our understanding of the neuroscience of perception.




The Idea of a Pure Theory of Law


Book Description

Most contemporary legal philosophers tend to take force to be an accessory to the law. According to this prevalent view the law primarily consists of a series of demands made on us; force, conversely, comes into play only when these demands fail to be satisfied. This book claims that this model should be jettisoned in favour of a radically different one: according to the proposed view, force is not an accessory to the law but rather its attribute. The law is not simply a set of rules incidentally guaranteed by force, but it should be understood as essentially rules about force. The book explores in detail the nature of this claim and develops its corollaries. It then provides an overview of the contemporary jurisprudential debates relating to force and violence, and defends its claims against well-known counter-arguments by Hart, Raz and others. This book offers an innovative insight into the concept of Pure Theory. In contrast to what was claimed by Hans Kelsen, the most eminent contributor to this theory, the author argues that the core insight of the Pure Theory is not to be found in the concept of a basic norm, or in the supposed absence of a conceptual relation between law and morality, but rather in the fundamental and comprehensive reformulation of how to model the functioning of the law intended as an ordering of force and violence.




The Cambridge Handbook of Cognitive Science


Book Description

An authoritative, up-to-date survey of the state of the art in cognitive science, written for non-specialists.