Islamic Architecture in South Asia


Book Description

Muslim contribution towards evolving and perpetuating a distinctive style of architecture in the South Asian subcontinent has been epoch-making. Different and divergent from its local counterpart, the style was essentially a synthesized assimilation of foreign as well as local elements, which together created marvels both of religious and secular buildings. While foreign elements were introduced by the Arabs, Persians, Turks, and the Central Asians, local characteristics were borrowed from the Hindu-Jaina temples and Buddhist monastic establishments. The Muslims built their habitats according to the dictates of their faith, their taste and resources, and in accordance with the prevailing climatic conditions, availability of materials, and proficiency of technical know-how. During the last hundred years several art and architectural historians have described and evaluated the birth, adolescence, and maturity of these styles. However, a cumulative of the exploration and excavation of several archaeological sites and surveys of hitherto unknown or little known standing monuments, was yet to be attempted. The present book gives a resume of these efforts and researches, putting it in chronological perspective and geographical sequence. The material researched and illustrated by the architectural historians and published in the annual reports, memoirs and journals of the old Archaeological Survey of India and the Pakistan Department of Archaeology, has been generously and extensively adapted and included in the text. For the first time, after analytical treatment it has been presented in order to give a comprehensive picture of Islamic architecture in South Asia, up to the time of the decline and extinction of the grand Moghul Empire.




Islamic Architecture of Pakistan


Book Description

Covers Various Phases And Facets Of Islamic Architecture Of Pakistan And Is Concerned With Arab And Central Asian Contributions. Lavishly Illustrated.







Stealing from the Saracens


Book Description

Europeans are in denial. Against a backdrop of Islamophobia, they are increasingly distancing themselves from their cultural debt to the Muslim world. But while the legacy of Islam and the Middle East is in danger of being airbrushed out of Western history, its traces can still be detected in some of Europe's most recognisable monuments, from Notre-Dame to St Paul's Cathedral. In this comprehensively illustrated book, Diana Darke sets out to redress the balance, revealing the Arab and Islamic roots of Europe's architectural heritage. She tracks the transmission of key innovations from the great capitals of Islam's early empires, Damascus and Baghdad, via Muslim Spain and Sicily into Europe. Medieval crusaders, pilgrims and merchants from Europe later encountered Arab Muslim culture in journeys to the Holy Land. In more recent centuries, that same route through modern-day Turkey connected Ottoman culture with the West, leading Sir Christopher Wren himself to believe that Gothic architecture should more rightly be called 'the Saracen style', because of its Islamic origins. Recovering this overlooked story within the West's long history of borrowing from the Islamic world, Darke sheds new light on Europe's buildings and offers rich insights into the possibilities of cultural exchange.




Muslim Architecture in Pakistan


Book Description

This study, the first of its kind, is based on the author's own architectural documentation and photography. The historical monuments studied in this book include baolies (step-wells), caravanserais, baradaries, kos minars, bridges, hammams, etc. which were meant for the welfare and comfort of the public. These were constructed during the Muslim rule in the areas now forming Pakistan. Muslim rulers evinced great interest in raising splendid structures, many of which-particularly those reflecting the public welfare aspects of Muslim architecture- are yet to be properly explored and studied. Khurshid Hasan Shaikh has undertaken the task of documenting and studying such public welfare structures in Pakistan as owing to the passage of time, vagaries of nature, and continued neglect, all such buildings have suffered. By going through the write-up and the photographs, as contained in the book, one can well appreciate the significance of the public welfare aspects of the vanishing architectural heritage of the Muslim era in Pakistan. The book is illustrated with photographs and plans of some selected examples of such structures.




History of Pakistan: an Architectural View


Book Description

Pakistan 's historic architecture is dominated by tombs and holy monuments. Pakistan is also known for its contemporary design. In 1958, Pakistan opted to relocate its capital from Karachi to a new city that would be named Islamabad, or "Land of Islam ".Multiplicity describes pakistani architecture. Contemporary ventures deal with numerous narratives, both pursuing tradition and departing from it. Modern designs are influenced by broader contexts, guided by the coexistence and juxtaposition of situations such as controlled growth and informal settlements in Karachi and Islamabad; These public and private initiatives in turn explore new ways and designs. Even though Pakistan has a strong history of structures from Indo-Saracen and Mughal, there are several other examples of Islamic architecture and modern ventures.Dive right straight into this book to discover more about the history, culture, people and architectural designs of Pakistan!




Modernity and Tradition


Book Description

The book explores some of the central issues in the current discourse on transitional cultures, in a world increasingly dominated by technological innovations and rapidly changing values. Critiquing modernity as a Euro-centric ideology which has little relevance or meaning in the context of cultures with different experiences of history, sensitivities, and belief systems, the book presents the traditional perspective, rooted in perennial wisdom, as an alternative framework. Here not only do art and architecture have a positive and constructive role and function, but human endeavour generally can find a purpose and direction.




The Transnational Mosque


Book Description

Kishwar Rizvi, drawing on the multifaceted history of the Middle East, offers a richly illustrated analysis of the role of transnational mosques in the construction of contemporary Muslim identity. As Rizvi explains, transnational mosques are structures built through the support of both government sponsorship, whether in the home country or abroad, and diverse transnational networks. By concentrating on mosques--especially those built at the turn of the twenty-first century--as the epitome of Islamic architecture, Rizvi elucidates their significance as sites for both the validation of religious praxis and the construction of national and religious ideologies. Rizvi delineates the transnational religious, political, economic, and architectural networks supporting mosques in Saudi Arabia, Iran, Turkey, and the United Arab Emirates, as well as in countries within their spheres of influence, such as Pakistan, Syria, and Turkmenistan. She discerns how the buildings feature architectural designs that traverse geographic and temporal distances, gesturing to far-flung places and times for inspiration. Digging deeper, however, Rizvi reveals significant diversity among the mosques--whether in a Wahabi-Sunni kingdom, a Shi&8219;i theocratic government, or a republic balancing secularism and moderate Islam--that repudiates representations of Islam as a monolith. Mosques reveal alliances and contests for influence among multinational corporations, nations, and communities of belief, Rizvi shows, and her work demonstrates how the built environment is a critical resource for understanding culture and politics in the contemporary Middle East and the Islamic world.




Design and Color in Islamic Architecture


Book Description

Michael Barry's text draws on a wealth of historical, technical and iconographic information to illuminate the history and meaning of these remarkable decorations.




Muqarnas


Book Description

Oleg Grabar, On Catalogues, Exhibitions, and Complete Works ;Jonathan M. Bloom, The Mosque of the Qarafa in Cairo ;Leonor Fernandes, The Foundation of Baybars al-Jashankir: Its Waqf, History, and Architecture ;Howard Crane, Some Archaeological Notes on Turkish Sardis ;Nancy Shatzman Steinhardt, Siyah Qalem and Gong Kai: An Istanbul Album Painter and a Chinese Painter of the Mongolian Period ;Do gan Kuban, The Style of Sinan's Domed Structures ;Yasser Tabbaa, Bronze Shapes in Iranian Ceramics of the Twelfth and Thirteenth Centuries ;Mehrdad Shokoohy and Natalie H. Shokoohy, The Architecture of Baha al-Din Tughrul in the Region of Bayana, Rajasthan ;Glenn D. Lowry, Humayun's Tomb: Form, Function, and Meaning in Early Mughal Architecture ;Peter Alford Andrews, The Generous Heart or the Mass of Clouds: The Court Tents of Shah Jahan ;Priscilla P. Soucek, Persian Artists in Mughal India: Influences and Transformations ;A.J. Lee, Islamic Star Patterns ;