Isole abbandonate della laguna : com' erano e come sono


Book Description

This is the first research work in English and Italian to attempt an accurate historical and cultural survey of the lagoon islands of Venice other than Murano,Torcello and Burano. The authors have had over thirty five years of experience mapping, describing and, in some cases, preserving the heritage of these numerous islands. The abandonment of the islands has left many in great peril from changing climate,time and the depredations of man. Extraordinarily rich in detail and discussion (included material from medieval, Renaissance, Enlightenment and modern sources , chroniclers and writers that has hitherto not been translated). A discussion of current urban and climatic issues facing the Venetian lagoon also included. Published by the San Marco Press. ¿¿historically important¿ Lady Clarke, chair of Venice in Peril Market: Venice, Venetian history, Veneto, archeology, ecology and environmental studies; preservation studies, Art history,Italy Release Date:03/2009 Copyright:2008




Visualizing Venice


Book Description

Visualizing Venice presents the ways in which the use of innovative technology can provide new and fascinating stories about places and times within history. Written by those behind the Visualizing Venice project, this book explores the variety of disciplines and analytical methods generated by technologies such as 3D images and interoperable models, GIS mapping and historical cartography, databases, video animations, and applications for mobile devices and the web. The volume is one of the first collections of essays to integrate the theory and practice of visualization technologies with art, architectural, and urban history. The chapters demonstrate how new methodologies generated by technology can change and inform the way historians think and work, and the potential that such methods have to revolutionize research, teaching, and public-facing communication. With over 30 images to support and illustrate the project’s work, Visualizing Venice is ideal for academics, and postgraduates of digital history, digital humanities, and early modern Italy.




Cleaning Up Renaissance Italy


Book Description

People and goods from across the globe filled the vibrant ports of Genoa and Venice during the Renaissance. This book takes us onto the streets, bridges, and waterways of these significant, sensuous cities to reveal the ambitious schemes undertaken to promote the cleanliness and health of their communities. Along the way, we encounter a broad and fascinating cross-section of Renaissance society -- from courtesans to street food sellers and architects to canal diggers -- and, using new archival sources, uncover both the ideals and lived experiences of health and environmental management. During the Renaissance, vital connections were believed to exist between people's natures and those of the places they inhabited. Problems in urban or environmental bodies could have social and moral, as well as physical, effects. Street cleaning or the dredging of canals, therefore, were often justified in societal and religious, as well as natural, terms. These associations shaped government measures to regulate everyday life in ports, alongside communal responses to natural disasters. They informed the management of the environment, including waste disposal, flood defences, dredging, and land reclamation, and endowed such activity with both physical and symbolic purpose. This is not simply a story of elite, official initiatives. Members of communities used public health structures to resolve the challenges of urban life -- social and physical. Occupational groups such as fishermen acted as environmental experts through the organisation of their guilds and provided reports on specific projects and proposals to government magistracies. Finally, the governments of both ports operated important systems of petitions and privileges, which encouraged innovation and the development of new technology by citizens and foreigners to address the central, environmental challenges of the day. Renaissance public health, then, emerges as a collaborate enterprise, as well as a site of tension within cosmopolitan neighbourhoods, and its study unveils more about forms of governance and community in this period. An illuminating and original account of social policies, urban design, and environmental management between 1400 and 1600, Cleaning Up Renaissance Italy provides a new, multi-disciplinary history of Renaissance Italy.




The Land between Two Seas: Art on the Move in the Mediterranean and the Black Sea 1300–1700


Book Description

The Land Between Two Seas: Art on the Move in the Mediterranean and the Black Sea 1300-1700 focuses on the strong riverine ties that connect the seas of the Mediterranean system (from the Western Mediterranean through the Sea of Marmara, the Black Sea and the Sea of Azov) and their hinterland. Addressing the mediating role of the Balkans between East and West all the way to Poland and Lithuania, as well as this region’s contribution to the larger Mediterranean artistic and cultural melting pot, this innovative volume explores ideas, artworks and stories that moved through these territories linking the cultures of Central Asia with those of western Europe.




Giammaria Mosca Called Padovano


Book Description

Author of statues in the major churches of Padua and Venice, Giammaria Mosca was among the leading sculptors in northern Italy during the second and third decades of the sixteenth century. In 1529 Mosca was summoned by the King of Poland to erect his tomb in Cracow. From 1533 until the artist's death in 1574, documents at regular intervals record important commissions to Mosca throughout Poland from the Polish royal family, as well as from prominent members of the nobility and ecclesiastical hierarchy. Many of Mosca's inscribed and documented monuments survive in their original site and state and testify to the sculptor's key role in the diffusion in Eastern Europe of Italian Renaissance ideals. In both native and adoptive homes, thus, there exists a substantial body of extant and documented works by Mosca; indeed, Mosca is virtually unique among &émigr&é Renaissance sculptors for the completeness with which both halves of his career are documented and therefore offers the perfect test case for assessing the effect of emigration from the center to the periphery. Yet no one has ever asked whether Mosca's move to Poland changed his art. For the first time, Anne Markham Schulz not only explores the effect on Mosca's art of new patrons and materials, of different artistic conventions, functions, and traditions, but also sets Mosca's emigration within the context of those cultural exchanges between Italy and Poland that contributed fundamentally to the formation of the Polish Renaissance. This book represents the first comprehensive study of Giammaria Mosca in any language. It includes more than 260 detail photographs of all of Mosca's sculptures; almost every one has been made anew, many from specially constructed scaffolds. In addition, another 109 photographs illustrate comparative works. All documents concerning the artist, most never published before and many quite unknown, are reproduced in their entirety. There is an exhaustive catalogue of all works attributed to Mosca or his shop and a comprehensive bibliography of scholarship in ten languages.




Venezia


Book Description




The Robert Lehman Collection


Book Description

This volume, one of a series of sixteen, catalogues the eighteenth-century Italian drawings in The Robert Lehman Collection at The Metropolitan Museum. -- Metropolitan Museum of Art website.




Class, Culture and the Agrarian Myth


Book Description

Using examples from different historical contexts, this book examines the relationship between class, nationalism, modernity and the agrarian myth. Essentializing rural identity, traditional culture and quotidian resistance, both aristocratic/plebeian and pastoral/Darwinian forms of agrarian myth discourse inform struggles waged 'from above' and 'from below', surfacing in peasant movements, film and travel writing. Film depictions of royalty, landowner and colonizer as disempowered, ‘ordinary’ or well-disposed towards ‘those below’, whose interests they share, underwrite populism and nationalism. Although these ideologies replaced the cosmopolitanism of the Grand Tour, twentieth century travel literature continued to reflect a fear of vanishing rural ‘otherness’ abroad, combined with the arrival there of the mass tourist, the plebeian from home.




The Pursuit of Italy


Book Description

One of The Economist's Books of the Year A provocative, entertaining account of Italy's diverse riches, its hopes and dreams, its past and present Did Garibaldi do Italy a disservice when he helped its disparate parts achieve unity? Was the goal of political unification a mistake? The question is asked and answered in a number of ways in The Pursuit of Italy, an engaging, original consideration of the many histories that contribute to the brilliance—and weakness—of Italy today. David Gilmour's wonderfully readable exploration of Italian life over the centuries is filled with provocative anecdotes as well as personal observations, and is peopled by the great figures of the Italian past—from Cicero and Virgil to the controversial politicians of the twentieth century. His wise account of the Risorgimento debunks the nationalistic myths that surround it, though he paints a sympathetic portrait of Giuseppe Verdi, a beloved hero of the era. Gilmour shows that the glory of Italy has always lain in its regions, with their distinctive art, civic cultures, identities, and cuisines. Italy's inhabitants identified themselves not as Italians but as Tuscans and Venetians, Sicilians and Lombards, Neapolitans and Genoese. Italy's strength and culture still come from its regions rather than from its misconceived, mishandled notion of a unified nation.




Italian Venice


Book Description

In this elegant book Richard Bosworth explores Venice—not the glorious Venice of the Venetian Republic, but from the fall of the Republic in 1797 and the Risorgimento up through the present day. Bosworth looks at the glamour and squalor of the belle époque and the dark underbelly of modernization, the two world wars, and the far-reaching oppressions of the fascist regime, through to the “Disneylandification” of Venice and the tourist boom, the worldwide attention of the biennale and film festival, and current threats of subsidence and flooding posed by global warming. He draws out major themes—the increasingly anachronistic but deeply embedded Catholic Church, the two faces of modernization, consumerism versus culture. Bosworth interrogates not just Venice’s history but its meanings, and how the city’s past has been co-opted to suit present and sometimes ulterior aims. Venice, he shows, is a city where its histories as well as its waters ripple on the surface.