Jewish Artists and the Bible in Twentieth-century America


Book Description

Explores the works of five major American Jewish artists: Jack Levine, George Segal, Audrey Flack, Larry Rivers, and R. B. Kitaj. Focuses on the use of imagery influenced by the Bible.







A Century of Israeli Art


Book Description

A Century of Israeli Art presents the story of modern Israel's visual culture, beginning with the pre-state years of Zionist art in the early 20th century and extending to the present day, as a new generation of Israeli artists rises to international prominence in the 21st century. Framing artistic developments in the context of successive periods, author Yigal Zalmona describes the many ways in which Israel's art has been influenced by its social and political history. This look at the wider picture goes hand-in-hand with detailed, enlightening analyses of seminal artworks from every period. Zalmona surveys the early days of the Bezalel School, founded in 1906 in the spirit of the Arts and Crafts movement; Land-of-Israel art during an era of nation-building; the pre-eminence of international modernism and Lyrical Abstraction after 1948; social-activist and conceptual art in the 1970s; and the recent embrace of photography and video. Throughout its evolution, Israeli art has reflected a complex cultural discourse revolving around questions of identity – Western versus Eastern, local versus universal, national and ethnic, collective and personal. Drawing on the author's decades of accumulated knowledge and activity in the field of Israeli art – as historian, critic, teacher, and curator – and aimed at a broad audience, this book will be fascinating reading for art-lovers and for all those with an interest in Israel's cultural history, offering a compelling example of the interaction between visual art and a dynamic, multifaceted society.




Fixing the World


Book Description

The first full-color book to examine Jewish American painters and their works.







One Hundred Years Of Art In Israel


Book Description

This landmark volume brings the rich legacy of Israeli art to a Western audience for the first time. Gideon Ofrat, Israel's preeminent curator, art critic, and art historian, traces the complete history of painting and sculpture in Israel, from nineteenth-century Jewish folk art in Ottoman Palestine to the kaleidoscopic postmodern patterns of Israeli art today. Contains over 350 illustrations, 185 in color.




Chagall to Kitaj


Book Description




Spirals


Book Description

In this elegantly written and beautifully illustrated book, Nico Israel reveals how spirals are at the heart of the most significant literature and visual art of the twentieth century. Juxtaposing the work of writers and artists—including W. B. Yeats and Vladimir Tatlin, James Joyce and Marcel Duchamp, and Samuel Beckett and Robert Smithson—he argues that spirals provide a crucial frame for understanding the mutual involvement of modernity, history, and geopolitics, complicating the spatio-temporal logic of literary and artistic genres and of scholarly disciplines. The book takes the spiral not only as its topic but as its method. Drawing on the writings of Walter Benjamin and Alain Badiou, Israel theorizes a way of reading spirals, responding to their dual-directionality as well as their affective power. The sensations associated with spirals––flying, falling, drowning, being smothered—reflect the anxieties of limits tested or breached, and Israel charts these limits as they widen from the local to the global and recoil back. Chapters mix literary and art history to explore 'pataphysics, Futurism, Vorticism, Dada and Surrealism, "Concentrisme," minimalism, and entropic earth art; a coda considers the work of novelist W. G. Sebald and contemporary artist William Kentridge. In Spirals, Israel offers a refreshingly original approach to the history of modernism and its aftermaths, one that gives modernist studies, comparative literature, and art criticism an important new spin.







Art in Zion


Book Description

Art in Zion deals with the link between art and national ideology and specifically between the artistic activity that emerged in Jewish Palestine in the first decades of the twentieth century and the Zionist movement. In order to examine the development of national art in Jewish Palestine, the book focuses on direct and indirect expressions of Zionist ideology in the artistic activity in the yishuv (the Jewish community in Palestine). In particular, the book explores two major phases in the early development of Jewish art in Palestine: the activity of the Bezalel School of Art and Crafts, and the emergence during the 1920s of a group of artists known as the Modernists.