It's a Lonely World: an Indie Author's Journey


Book Description

Are you the new guy trying to learn this self-publishing gig? Have you tried to self-publish your book and wonder why it has failed to gather sales and reviews? You got a book script, but don't know where to start? Do you feel like self-publishing will mark you as an amateur?You and thousands of other Indie-Authors are not alone.What is an Indie-Author? It is someone, a single individual, who chooses to publish their books without the help or interference of traditional publishing houses. The reasons are numerous for choosing such a path in life, but the reason is freedom. It is also very hard to get attention from agents or publishing houses, and therefore, self-publishing is the only way left remaining to get your book published.For decades, the stigma of the term,' self-published' has meant bad book covers, bad interior formatting, and just a bad story in general. Back in the old days, there were no viable services accessible to the self-publishing author. You were lucky if you knew a guy who knew another guy who was an editor. This is no longer the case these days. There are thousands of editors, artists, and promoters out there in the land of the internet to help you.With Amazon publishing thousands of titles per week, there is no reason why you, the Indie-Author, should fail in launching your book with, at the least, moderate returns on your hard work.In this volume, you will learn:- Why do you need an ISBN- The purpose of a Library Control Number, why you need one- Copyright- The Hero's Journey- the importance of structure- A checklist for your book launch- What editors look for in a story- Plagiarism- Why you need to readAmong these critical keys for the success of your book, you will find plenty of other information regarding my journey into the world of self-publishing. My mistakes are there for you to learn from.




Self-Publishing 3.0


Book Description

Self-Publishing 3.0 is a concept and a publishing era defined by the concept: that any author (with the requisite skills) now has the means to establish a sustainable and scalable business. It is also a campaign from the Alliance of Independent Authors (#selfpub3.0) that works with authors, readers, literary organizations, and creative industries to support independent authors in acquiring the three necessary skills: writing, publishing and creative business. The Self-Publishing 3.0 era, the era of author enterprise, began around 2018. In this era, writers are moving beyond exclusively signing all rights to a single 3rd-party publisher, or exclusively self-publishing with one platform or service, into true creative and commercial independence. This short book outlines both the concept and campaign and aims to explain to self-publishing authors why Self-Publishing 3.0 is important, the tools and techniques driving this trend, and how to take part in this movement that is enabling authors in more number than ever before to earn a living from writing and publishing books.




Beckoning Light (The Afterglow Trilogy #1)


Book Description

As Charlotte steps through the gate, she has a strong feeling that nothing will ever be the same again. Moving back to South Carolina after three years away, Charlotte knows she’s going to have to face people from her past and adjust to a new high school, but she’s completely unprepared for what else waits for her in Charleston. Drawn through an old garden gate, Charlotte discovers a hidden world where she meets Calvin, a boy to whom she is inexplicably attracted. As Charlotte is pulled deeper into this hidden world, it’s up to her older brother Kevin to rescue her. The problem is that no matter how hard Kevin tries, the rescue depends upon Charlotte fighting her intense feelings for Calvin while mastering a set of abilities that she has only just discovered she possesses.




Business For Authors


Book Description

Are you ready to take the next step in your author journey? Art for the sake of art is important. Writing for the love of it, or to create something beautiful on the page, is absolutely worthwhile and critical to expand the sum of human expression. But I’m not here to talk about creativity or the craft of writing in this book. My aim is to take the result of your creativity into the realm of actually paying the bills. To take you from being an author to running a business as an author. I was a business consultant for 13 years before I gave up my job in September 2011 to become a full-time author-entrepreneur. I worked for large corporates and small businesses, implementing financial systems across Europe and Asia Pacific. I’ve also started a number of my own businesses ”" a scuba dive charter boat in New Zealand, a customized travel website, a property investment portfolio in Australia as well as my freelance consultancy. I’ve failed a lot and learned many lessons in my entrepreneurial life and I share them all in this book. In the last six years of being an author, through tempestuous changes in the publishing world, I've learned the business side of being a writer and I now earn a good living as an author-entrepreneur. I’m an author because it's my passion and my joy but also because it's a viable business in this age of global and digital opportunity. In the book, you will learn: Part 1: From Author To Entrepreneur The arc of the author’s journey, definition of an author-entrepreneur, deciding on your definition of success. Plus/ should you start a company? Part 2: Products and Services How you can turn one manuscript into multiple streams of income by exploiting all the different rights, various business models for authors and how to evaluate them, information on contracts, copyright and piracy. Plus/ putting together a production plan. Part 3: Employees, Suppliers and Contractors The team you need to run your business. Your role as author and what you’re committing to, as well as co-writing. Editors, agents and publishers, translators, book designers and formatters, audiobook narrators, book-keeping and accounting, virtual assistants. Plus/ how to manage your team. Part 4: Customers In-depth questions to help you understand who your customers are and what they want, as well as customer service options for authors. Part 5: Sales and Distribution How to sell through distributors and your options, plus all the information you need to sell direct. ISBNs and publishing imprints ”" do you need them? Plus/ your options for pricing. Part 6: Marketing Key overarching marketing concepts. Book-based marketing including cover, back copy and sales pages on the distributors. Author-based marketing around building your platform, and customer-based marketing around your niche audience and targeted media. Part 7: Financials Revenues of the author business and how to increase that revenue. Costs of the author business and funding your startup. Banking, PayPal, accounting, reporting, tax and estate planning. Part 8: Strategy and Planning Developing your strategy and business plan. Managing your time and developing professional habits. The long-term view and the process for becoming a full-time author. Plus/ looking after yourself. Part 9: Next Steps Questions from the book to help you work out everything to do with your business, plus encouragement for your next steps. Appendices, Workbook and Bonus Downloads including a workbook and business plan template. If you want to go from being an author to running a business as an author, download a sample or buy now.







The Healthy Writer


Book Description

Do you suffer from physical pain relating to your writing life? Are you struggling with back pain, weight gain related to sedentary working, anxiety, depression, sleep problems, neck pain, eye strain, stress, loneliness, digestive issues, or Repetitive Strain Injury? These are the most common issues reported by writers and if you struggle with any of them, you are not alone. Writing is not a physically healthy job, but if you want a long-term writing career, then you need to look after your body. I've been through my own pain journey over the last six years. I used to get crippling migraines that sent me to a dark room, and back pain so bad that I couldn't sleep, as well as stress levels so high that I wasn't able to breathe normally. Now, my back pain, migraines and RSI have almost gone completely, and I manage my writing life in a far healthier way than ever before. I share my personal journey and insights with you in this book. My co-author is Dr Euan Lawson, who shares his insights into how we can reduce pain, improve health and build a writing career for the long term. The book covers: Introduction and survey results from 1200 writers 7 Reasons why writing is great for your health Part 1: The Unhealthy Writer Stress, anxiety, burnout Back, neck and shoulder pain Repetitive Strain Injury (RSI) A personal journey to a pain-free back Writing with chronic pain Sedentary life and inactivity Sleep problems/ insomnia Eye strain, headaches, and migraine A personal story of headaches and migraine Loneliness and isolation Weight gain or weight loss Joanna's Letter to Sugar Digestive issues and IBS A personal journey through IBS with FODMAP Mood and mental health Riding the Waves: Writing with depression Alcohol - the good, the bad, and the ugly Coffee and caffeine Supplements, substances, and nootropics Part 2: The Healthy Writer Improve your workspace Sort out your sleep Sort out your diet From fat to fit Sort out your back Lessons learned about writing from yoga How to use dictation for a healthier writing life The active writer mindset Strategies for the sofa-bound The active writer: Three golden rules The running writer: Three rookie mistakes Lessons learned about writing from walking a double ultra-marathon Find a community Build wellbeing with mindfulness Develop healthy habits for the long-term Conclusion: It's your turn. Choose life! It's time to be a healthy writer!




Cambion's Law


Book Description

When the masks come off, only one law matters... Half-human. Half-succubus. All work and no play. Ambitious prosecutor Lily Knight fights like a demon in the courtroom, but she's as dangerous to herself as others. Touch-starved by choice, she refuses to live beholden to any lover. "Innocent" doesn't describe Sebastian Ritter's craving for dominance in bedroom and boardroom. But one brush of his fingers over her skin tells Lily that he didn't commit the horrific crime he's charged with. With her life and secrets on the line, Lily races to find the real culprit. From the infuriating incubus who taught her to tempt and take, to intrigues and indiscretions at a masked cabaret, each unraveling thread entangles her further in a perilous game of seduction and lies. To survive, she must embrace her power, unleash her hunger, and surrender control...at the risk of becoming the monster she fears most of all. Cambion's Law offers trope-flipping paranormal suspense, modern noir fantasy, and dark romantic tension with a slow burn, subversive power dynamic grounded in mutual consent. Perfect for fans of Book of Azrael, Ninth House, and TV's Jessica Jones or Lucifer.




Writing Travel


Book Description

Interest in travel writing has grown rapidly within the disciplines of postcolonial and cultural studies; however, recent scholarship has failed to place travel writing within the larger literary tradition. Writing Travel assembles a superb collection of essays that demonstrate how travel attempts to reconfigure the world and, in so doing, to become a metaphor for imagination, subjectivity, and representation itself. Examining a broad range of texts and travellers from across the world, the contributors discuss canonical authors such as Homer, Goethe, and Baudelaire, alongside lesser known writers such as Theodor Herzl, Hans Erich Nossack, and William Gibson. This theoretically rich volume draws connections between travel and narrative, and provides powerful insights into the relationship between travel and the spoken act of storytelling, as well as the more ambivalent act of story writing. An engaging collection of essays by first-rate scholars, Writing Travel is an illuminating exploration of the history of travel writing, its influence on other literary genres, and the origins of narrative.




Cultures and Politics of Global Communication: Volume 34, Review of International Studies


Book Description

This special issue of Review of International Studies focuses on how International Relations (IR) communicates with the world, and vice versa. It opens up the discussion of the politics of communication within the discipline and beyond. With a variety of different mediums ranging from media, film, memory, music, culture, and emotions, this book seeks to accentuate their importance for IR, both as a source of knowledge and as an ideational exchange which shapes IR. It examines the diverse ways that multidisciplinary thinkers try to understand and explain global routes, mobilities, cultures, commodifications, singularities, discourses and aestheticisations. This special issue specifically addresses three interrelated themes: How international and global studies approach the question of communication, how to conceptualise and respond to the globalisation of communication and how global problems get communicated within and across the institutional settings of the epistemic disciplines in general, and the IR discipline in particular.




Multilingual Book Production


Book Description

The universal process of globalisation brings the peoples, cultures and languages of the world closer together. But this process does not have to make them more the same. The emerging technological tools of digital text creation and manufacture make possible quite the opposite - the revival of small cultures and languages. This books sets out to argue two things. Firstly, that the technological, commercial and cultural forces of globalisation are moving into a very complex phase in which the effects on the Australian publishing industry may not be what we expect. They need not fortify and extend the technological, commercial and cultural domination of the multinational corporations and the English language, but could become agents which foster increasing cultural diversity, greater local commercial autonomy, and the revival of local and ancestral languages and culture. The second aim of this book is to discuss the technological, human skills and enterprise possibilities for Australia, a small, multicultural country in an economic region where the English language is becoming less important.