It's All in How You Tell It


Book Description

Pastors are continually looking for resources to make their preaching more powerful and culturally relevant. Old-school models based on three-point outlines do not resonate with today's churchgoers, who are accustomed to media-driven modes of expression. It's All in How You Tell It provides the tools and insights necessary to help both veteran and novice preachers move from ineffective habits into adrenaline-pumping, dramatic sermon delivery. They will learn to preach by retelling a scriptural account from the vantage point of a biblical character-combining the power of drama with God's Word. Nationally known preaching expert Haddon W. Robinson and his son, Torrey, examine issues such as exegeting a text for a first-person approach, structuring a narrative sermon, determining how to portray biblical characters, and staging and delivering the sermon itself. With this book seminary and Bible college students have the opportunity to build foundations for engaging, story-filled preaching ministries. The end result will be more preachers who "love to tell the story" and more church members who are hungry to hear it.




The Science of Storytelling


Book Description

The compelling, groundbreaking guide to creative writing that reveals how the brain responds to storytelling Stories shape who we are. They drive us to act out our dreams and ambitions and mold our beliefs. Storytelling is an essential part of what makes us human. So, how do master storytellers compel us? In The Science of Storytelling, award-winning writer and acclaimed teacher of creative writing Will Storr applies dazzling psychological research and cutting-edge neuroscience to our myths and archetypes to show how we can write better stories, revealing, among other things, how storytellers—and also our brains—create worlds by being attuned to moments of unexpected change. Will Storr’s superbly chosen examples range from Harry Potter to Jane Austen to Alice Walker, Greek drama to Russian novels to Native American folk tales, King Lear to Breaking Bad to children’s stories. With sections such as “The Dramatic Question,” “Creating a World,” and “Plot, Endings, and Meaning,” as well as a practical, step-by-step appendix dedicated to “The Sacred Flaw Approach,” The Science of Storytelling reveals just what makes stories work, placing it alongside such creative writing classics as John Yorke’s Into the Woods: A Five-Act Journey into Story and Lajos Egri’s The Art of Dramatic Writing. Enlightening and empowering, The Science of Storytelling is destined to become an invaluable resource for writers of all stripes, whether novelist, screenwriter, playwright, or writer of creative or traditional nonfiction.




The Last Lecture


Book Description

The author, a computer science professor diagnosed with terminal cancer, explores his life, the lessons that he has learned, how he has worked to achieve his childhood dreams, and the effect of his diagnosis on him and his family.




Tell the Story to Its End


Book Description

No one will tell Oli why he and his mother are staying with relatives in the country without his father, but when he finds a secret of his own, that lurking in the attic is Eren, a creature hungry for stories, Oli begins to make sense of what is happening with his family and faces the choice of learning the truth or abandoning himself to Eren's world forever.




Dear Life


Book Description

WINNER OF THE NOBEL PRIZE© IN LITERATURE 2013 A New York Times Notable Book A Washington Post Notable Work of Fiction A Best Book of the Year: The Atlantic, NPR, San Francisco Chronicle, Vogue, AV Club In story after story in this brilliant new collection, Alice Munro pinpoints the moment a person is forever altered by a chance encounter, an action not taken, or a simple twist of fate. Her characters are flawed and fully human: a soldier returning from war and avoiding his fiancée, a wealthy woman deciding whether to confront a blackmailer, an adulterous mother and her neglected children, a guilt-ridden father, a young teacher jilted by her employer. Illumined by Munro’s unflinching insight, these lives draw us in with their quiet depth and surprise us with unexpected turns. And while most are set in her signature territory around Lake Huron, some strike even closer to home: an astonishing suite of four autobiographical tales offers an unprecedented glimpse into Munro’s own childhood. Exalted by her clarity of vision and her unparalleled gift for storytelling, Dear Life shows how strange, perilous, and extraordinary ordinary life can be.




How to Write a Novel


Book Description

Author and former literary agent Nathan Bransford shares his secrets for creating killer plots, fleshing out your first ideas, crafting compelling characters, and staying sane in the process. Read the guide that New York Times bestselling author Ransom Riggs called "The best how-to-write-a-novel book I've read."




Heavy


Book Description

*Named a Best Book of the Year by the New York Times, Publishers Weekly, NPR, Broadly, Buzzfeed (Nonfiction), The Undefeated, Library Journal (Biography/Memoirs), The Washington Post (Nonfiction), Southern Living (Southern), Entertainment Weekly, and The New York Times Critics* In this powerful, provocative, and universally lauded memoir—winner of the Andrew Carnegie Medal and finalist for the Kirkus Prize—genre-bending essayist and novelist Kiese Laymon “provocatively meditates on his trauma growing up as a black man, and in turn crafts an essential polemic against American moral rot” (Entertainment Weekly). In Heavy, Laymon writes eloquently and honestly about growing up a hard-headed black son to a complicated and brilliant black mother in Jackson, Mississippi. From his early experiences of sexual violence, to his suspension from college, to time in New York as a college professor, Laymon charts his complex relationship with his mother, grandmother, anorexia, obesity, sex, writing, and ultimately gambling. Heavy is a “gorgeous, gutting…generous” (The New York Times) memoir that combines personal stories with piercing intellect to reflect both on the strife of American society and on Laymon’s experiences with abuse. By attempting to name secrets and lies he and his mother spent a lifetime avoiding, he asks us to confront the terrifying possibility that few in this nation actually know how to responsibly love, and even fewer want to live under the weight of actually becoming free. “A book for people who appreciated Roxane Gay’s memoir Hunger” (Milwaukee Journal Sentinel), Heavy is defiant yet vulnerable, an insightful, often comical exploration of weight, identity, art, friendship, and family through years of haunting implosions and long reverberations. “You won’t be able to put [this memoir] down…It is packed with reminders of how black dreams get skewed and deferred, yet are also pregnant with the possibility that a kind of redemption may lie in intimate grappling with black realities” (The Atlantic).




I Tell Ya—It’s All but Lies


Book Description

There is nothing better than a road trip—well, maybe if you are staying overnight for more than a night. Although it was our first real trip away from home for any length of time, it was going to be a road trip that would be remembered for the rest of our lives. We were going to be away for only half a fortnight. How would we cope with being away from home for that length of time? There were not going to be any wives, girlfriends, or even mummies to look after us. Would we survive, or could we even survive? I’m sure our livers would not have lasted much more than the seven days of heavy drinking that we did. This trip was going to be the start of the rest of our lives. It was going to be the ultimate road trip ... It was going to be eight guys looking to play a little golf, eight guys looking for a little love, and eight guys trying to figure out who was going to be able to drink the most. The thing is, I thought I had it all wrapped up before we had even left Canada. The eight of us who came to party were as follows: Theodore the farmer, who was supposed to be our designated driver for the week, but he became our designated drunk. We had Pudden, who was the only sensible one in the bunch. His brother-in-law Kevin also came. I think he came; well, they told me he came. My best friend, Stewart came; but all he wanted to do was fight me for all the girlies that we encountered. Johnny, my twin brother, who could do no wrong, also came. Of course, we had gullible Paulie, who acted like an eight-year-old all the time. Then, there was Buddy, who was easily tricked into doing just about anything that we wanted him to do. And then there was me; I’m pretty sure that all I did the whole trip was drink and listen to some loud rock and roll music. As you come across each little incident, you will likely figure out that it was not all about me. It’s just that I had to write it that way to protect all the guilty participants.




It's OK to Tell


Book Description

Will empower readers to address abuse issues in their own lives and move them to understand the resulting deep emotional matrix that results from abuse and the incredible power of an individual’s ability to recover and embrace life.




Tell Me How It Ends


Book Description

"Part treatise, part memoir, part call to action, Tell Me How It Ends inspires not through a stiff stance of authority, but with the curiosity and humility Luiselli has long since established." —Annalia Luna, Brazos Bookstore "Valeria Luiselli's extended essay on her volunteer work translating for child immigrants confronts with compassion and honesty the problem of the North American refugee crisis. It's a rare thing: a book everyone should read." —Stephen Sparks, Point Reyes Books "Tell Me How It Ends evokes empathy as it educates. It is a vital contribution to the body of post-Trump work being published in early 2017." —Katharine Solheim, Unabridged Books "While this essay is brilliant for exactly what it depicts, it helps open larger questions, which we're ever more on the precipice of now, of where all of this will go, how all of this might end. Is this a story, or is this beyond a story? Valeria Luiselli is one of those brave and eloquent enough to help us see." —Rick Simonson, Elliott Bay Book Company "Appealing to the language of the United States' fraught immigration policy, Luiselli exposes the cracks in this foundation. Herself an immigrant, she highlights the human cost of its brokenness, as well as the hope that it (rather than walls) might be rebuilt." —Brad Johnson, Diesel Bookstore "The bureaucratic labyrinth of immigration, the dangers of searching for a better life, all of this and more is contained in this brief and profound work. Tell Me How It Ends is not just relevant, it's essential." —Mark Haber, Brazos Bookstore "Humane yet often horrifying, Tell Me How It Ends offers a compelling, intimate look at a continuing crisis—and its ongoing cost in an age of increasing urgency." —Jeremy Garber, Powell's Books