It's Good to be Black


Book Description




So Good in Black


Book Description

Friends reminisce about the past during another friend's funeral in India and explore the possibility that one of them may have murdered the deceased in order to avoid a scandal involving the delivery of tainted milk to her shelter.




Why Are All the Black Kids Sitting Together in the Cafeteria?


Book Description

The classic, New York Times-bestselling book on the psychology of racism that shows us how to talk about race in America. Walk into any racially mixed high school and you will see Black, White, and Latino youth clustered in their own groups. Is this self-segregation a problem to address or a coping strategy? How can we get past our reluctance to discuss racial issues? Beverly Daniel Tatum, a renowned authority on the psychology of racism, argues that straight talk about our racial identities is essential if we are serious about communicating across racial and ethnic divides and pursuing antiracism. These topics have only become more urgent as the national conversation about race is increasingly acrimonious. This fully revised edition is essential reading for anyone seeking to understand dynamics of race and racial inequality in America.




How to Be Black


Book Description

The comedian chronicles his coming of age while analyzing politics & culture in this New York Times–bestselling memoir and satirical guide. If You Don't Buy This Book, You’re a Racist. Have you ever been called “too black” or “not black enough?” Have you ever befriended or worked with a black person? Have you ever heard of black people? If you answered yes to any of these questions, this book is for you. Raised by a pro-black, Pan-Afrikan single mother during the crack years of 1980s Washington, DC, and educated at Sidwell Friends School and Harvard University, Baratunde Thurston has over thirty years’ experience being black. Now, through stories of his politically inspired Nigerian name, the heroics of his hippie mother, the murder of his drug-abusing father, and other revelatory black details, he shares with readers of all colors his wisdom and expertise in how to be black. Beyond memoir, this guidebook offers practical advice on everything from “How to Be The Black Friend” to “How to Be The (Next) Black President” to “How to Celebrate Black History Month.” To provide additional perspective, Baratunde assembled an award-winning Black Panel—three black women, three black men, and one white man (Christian Lander of Stuff White People Like)—and asked them such revealing questions as “When Did You First Realize You Were Black?” and “How Black Are You?” as well as “Can You Swim?” The result is a humorous, intelligent, and audacious guide that challenges and satirizes the so-called experts, purists, and racists who purport to speak for all black people. With honest storytelling and biting wit, Baratunde plots a path not just to blackness, but one open to anyone interested in simply “how to be.” Praise for How to Be Black “Part autobiography, part stand-up routine, part contemporary political analysis, and astute all over. . . . Reading this book made me both laugh and weep with poignant recognition. . . . A hysterical, irreverent exploration of one of America’s most painful and enduring issues.” —Melissa Harris-Perry “Struggling to figure out how to be black in the 21st century? Baratunde Thurston has the perfect guide for you.” —The Root




Black Joy


Book Description

A timely collection of deeply personal, uplifting, and powerful essays that celebrate the redemptive strength of Black joy--in the vein of Black Girls Rock, You Are Your Best Thing, and I Really Needed This Today. When Tracey M. Lewis-Giggetts wrote an essay on Black joy for The Washington Post, she had no idea just how deeply it would resonate. But the outpouring of responses affirmed her own lived experience: that Black joy is not just a weapon of resistance, it is a tool for resilience. With this book, Tracey aims to gift her community with a collection of lyrical essays about the way joy has evolved, even in the midst of trauma, in her own life. Detailing these instances of joy in the context of Black culture allows us to recognize the power of Black joy as a resource to draw upon, and to challenge the one-note narratives of Black life as solely comprised of trauma and hardship. Black Joy is a collection that will recharge you. It is the kind of book that is passed between friends and offers both challenge and comfort at the end of a long day. It is an answer for anyone who needs confirmation that they are not alone and a brave place to quiet their mind and heal their soul.




Our Black Year


Book Description

Maggie and John Anderson were successful African American professionals raising two daughters in a tony suburb of Chicago. But they felt uneasy over their good fortune. Most African Americans live in economically starved neighborhoods. Black wealth is about one tenth of white wealth, and black businesses lag behind businesses of all other racial groups in every measure of success. One problem is that black consumers -- unlike consumers of other ethnicities -- choose not to support black-owned businesses. At the same time, most of the businesses in their communities are owned by outsiders. On January 1, 2009 the Andersons embarked on a year-long public pledge to "buy black." They thought that by taking a stand, the black community would be mobilized to exert its economic might. They thought that by exposing the issues, Americans of all races would see that economically empowering black neighborhoods benefits society as a whole. Instead, blacks refused to support their own, and others condemned their experiment. Drawing on economic research and social history as well as her personal story, Maggie Anderson shows why the black economy continues to suffer and issues a call to action to all of us to do our part to reverse this trend.




Paint It Black


Book Description

Josie Tyrell, art model, runaway, and denizen of LA's rock scene finds a chance at real love with Michael Faraday, a Harvard dropout and son of a renowned pianist. But when she receives a call from the coroner, asking her to identify her lover's body, her bright dreams all turn to black. As Josie struggles to understand Michael's death and to hold onto the world they shared, she is both attracted to and repelled by his pianist mother, Meredith, who blames Josie for her son's torment. Soon the two women are drawn into a twisted relationship that reflects equal parts distrust and blind need. With the luxurious prose and fever pitch intensity that are her hallmarks, Janet Fitch weaves a spellbinding tale of love, betrayal, and the possibility of transcendence. "A dark, crooked beauty that fulfills all the promise of White Oleander and confirms that Janet Fitch is an artist of the very highest order."-Los Angeles Times Book Review "Lushly written, dramatically plotted. . . Fitch's Los Angeles is so real it breathes."-Atlantic Monthly "There is nothing less than a stellar sentence in this novel. Fitch's emotional honesty recalls the work of Joyce Carol Oates, her strychnine sentences the prose of Paula Fox."-Cleveland Plain Dealer "A page-turning psychodrama. . . . Fitch's prose penetrates the inner lives of [her characters] with immediacy and bite."-Publishers Weekly "Fitch wonderfully captures the abrasive appeal of punk music, the bohemian, sometimes squalid lifestyle, the performers, the drugs, the alienation. This is crackling fresh stuff you don't read every day."-USA Today "In dysfunctional family narratives, Fitch is to fiction what Eugene O'Neill is to drama."-Chicago Sun-Times "Riveting. . . . An uncommonly accomplished page-turner."-Elle




Afro-Nostalgia


Book Description

As early as the eighteenth century, white Americans and Europeans believed that people of African descent could not experience nostalgia. As a result, black lives have been predominately narrated through historical scenes of slavery and oppression. This phenomenon created a missing archive of romantic historical memories. Badia Ahad-Legardy mines literature, visual culture, performance, and culinary arts to form an archive of black historical joy for use by the African-descended. Her analysis reveals how contemporary black artists find more than trauma and subjugation within the historical past. Drawing on contemporary African American culture and recent psychological studies, she reveals nostalgia’s capacity to produce positive emotions. Afro-nostalgia emerges as an expression of black romantic recollection that creates and inspires good feelings even within our darkest moments. Original and provocative, Afro-Nostalgia offers black historical pleasure as a remedy to contend with the disillusionment of the present and the traumas of the past.




Black Fatigue


Book Description

This is the first book to define and explore Black fatigue, the intergenerational impact of systemic racism on the physical and psychological health of Black people—and explain why and how society needs to collectively do more to combat its pernicious effects. Black people, young and old, are fatigued, says award-winning diversity and inclusion leader Mary-Frances Winters. It is physically, mentally, and emotionally draining to continue to experience inequities and even atrocities, day after day, when justice is a God-given and legislated right. And it is exhausting to have to constantly explain this to white people, even—and especially—well-meaning white people, who fall prey to white fragility and too often are unwittingly complicit in upholding the very systems they say they want dismantled. This book, designed to illuminate the myriad dire consequences of “living while Black,” came at the urging of Winters's Black friends and colleagues. Winters describes how in every aspect of life—from economics to education, work, criminal justice, and, very importantly, health outcomes—for the most part, the trajectory for Black people is not improving. It is paradoxical that, with all the attention focused over the last fifty years on social justice and diversity and inclusion, little progress has been made in actualizing the vision of an equitable society. Black people are quite literally sickand tired of being sick and tired. Winters writes that “my hope for this book is that it will provide a comprehensive summary of the consequences of Black fatigue, and awaken activism in those who care about equity and justice—those who care that intergenerational fatigue is tearing at the very core of a whole race of people who are simply asking for what they deserve.”




Piccolo Is Black


Book Description

Like most Black kids who grew up without diverse representation, Jordan Calhoun learned the skill of assigning race to fictional characters. Piccolo, Panthro, Demona, Ursula...he could recognize a Black character when he saw one. He lived in an all-Black city, went to an all-Black school, and could identify characters whose struggles informed his understanding of the Black experience in America. Piccolo Is Black: A Memoir of Race, Religion, and Pop Culture chronicles Calhoun's journey from his childhood in Detroit, Michigan as a Seventh-day Adventist to being transferred to private, predominantly white, deeply religious, Seventh-day Adventist schools. He tells his story through the lens of the pop culture he loved and the common adaptations he made while navigating his religious, non-religious, and racial identities. Calhoun reminds us that entertainment has value in forming our identities, and that we have something to gain by looking back at our childhood entertainment and pop culture experiences. Part homage to the characters he identified with and loved, part celebration of the pop culture-television, movies, music, video games-that influenced his childhood, Piccolo Is Black: A Memoir of Race, Religion, and Pop Culture is an honest, thought-provoking, and often hilarious coming-of-age memoir that celebrates Black identity in America.