It's Time for Music


Book Description

Includes new songs intended to stimulate musical awareness and to enhance sensorimotor skills and eye/hand coordination. Provides a framework for ongoing lesson development.




It's Time for Music


Book Description

Easy-to-use lesson plans are coordinated with 40 minutes of music incorporating Orff instrument accompaniments and Kodaly hand signs. Designed to spark excitement and encourage development for every child ages 3 to 7. Perfect for children's center leaders, classroom teachers, music teachers and parents.




Music for the End of Time


Book Description

Presents the story of how French composer Olivier Messiaen was able to overcome the desolation of a World War II prison camp through the power of music.




It's about Time - Jeff Porcaro


Book Description

Miscellaneous Percussion Music - Mixed Levels




IT’S TIME (PB)


Book Description

IT’S TIME Journey With Jesus from His Manger to His Mission: the Unrecorded Years By: Charlotte Kramer Magdalene looked at Jesus and knew when she was in His presence there was something different about His character. There was a loving atmosphere that seemed to actually change the physical environment that surrounded Him. The grasses became greener, the blades became stronger, the blooms more colorful and the flowers smelled sweeter. Magdalene was caught up in an ethereal realm where she felt like she was too exquisite for the world she was in… and she was absolutely sure Jesus was too perfect for this world. She gazed at Him and she realized it was He who made her feel that way. It’s Time gives the reader a greater understanding of conflicting politics on the lips of first-century Jerusalem citizens and Jewish principles in a Roman world. This book shines new light on the Magi and their interpretation of the heavenly spheres as it pertained to the birth of Jesus and their duty to Jesus while He was a youth. It offers a broader understanding of Joseph of Arimathea and the role he played in the life of Jesus. Through this new light, the reader has a greater understanding of Jesus as a youth. The scriptures are silent on these missing years, and it is time to sift out a logical, although imaginary, life surrounding Jesus as a youth that He could have lived in the first-century world.







The Oxford Handbook of Time in Music


Book Description

Music represents one of humanity's most vivid contemplations on the nature of time itself. The ways that music can modify, intensify, and even dismantle our understanding of time's passing is at the foundation of musical experience, and is common to listeners, composers, and performers alike. The Oxford Handbook of Time in Music provides a range of compelling new scholarship that examines the making of musical time, its effects and structures. Bringing together philosophical, psychological, and socio-cultural understandings of time in music, the chapters highlight the act of 'making' not just as cultural construction but also in terms of the perceptual, cognitive underpinnings that allow us to 'make' sense of time in music. Thus, the Handbook is a unique synthesis of divergent perspectives on the nature of time in music. With its focus on contemporary music (while paying attention to some of the generative temporalities of the nineteenth century), the volume establishes the richness and complexity of so much current music-making and in the process overcomes historic demarcations between art and popular musics.




It’s Time For A Rhyme


Book Description

My book of poetry titled IT'S TIME FOR A RHYME, gets right to the point. When I was a young lad still in high school the work of the classic poets captivated me. I was hooked. All of those poems, as I recall, flowed melodically, and part of the reason was because of their entrancing rhyming. In later years, I found myself becoming disturbed by poems that seemed so disjointed and seemed to roam all over the place. They didn't rhyme, and, to me at least, they were a bore. Thus, my title, IT'S TIME FOR A RHYME.




Old-Time Music Makers of New York State


Book Description

Ask an old-timer what life was like in rural upstate New York during the nineteenth and early twentieth centuries and you will hear about the dances and bees that brought villagers and farmers together. You will hear of favorite fiddlers who held center stage with dance tunes taken from early British and American sources. You will hear of old-time music and its significance to a people making the transition from a rural, agricultural life to an urban, industrial one. Old-Time Music Makers of New York State is the first book published on this rich legacy of traditional Anglo-American music and dance. It traces the development of old-time music beginning with its movement into New York State from New England in the early nineteenth century and to its combination with commercial country music in the twentieth century. Exploring the regional character of the music and its meaning co the people who enjoy it, Bronner introduces memorable figures from the major periods in the development of old-time music, and he places their stories, their lives, and their music in the context of the region's cultural and historical changes. This is much more than a regional study, however. Bronner brings to the fore issues of national scope and interest. He discusses the relationship of old-time music to the commercial country music with which it has been closely aligned, and he challenges the prevailing wisdom that the origins of country music are in the South. Musician, fan, folklorist, and historian alike will benefit from and enjoy this book. The many musical transcriptions, annotations, photographs, and appendixes provide a valuable reference to be used again and again.




Old-Time Music and Dance


Book Description

In the summer of 1972, a group of young people in Bloomington, Indiana, began a weekly gathering with the purpose of reviving traditional American old-time music and dance. In time, the group became a kind of accidental utopia, a community bound by celebration and deliberately void of structure and authority. In this joyful and engaging book, John Bealle tells the lively history of the Bloomington Old-Time Music and Dance Group -- how it was formed, how it evolved its unique culture, and how it grew to shape and influence new waves of traditional music and dance. Broader questions about the folk revival movement, social resistance, counter culture, authenticity, and identity intersect this delightful history. More than a story about the people who forged the group or an extraordinary convergence of talent and creativity, Old-Time Music and Dance follows the threads of American folk culture and the social experience generated by this living tradition of music and dance.