Italic Handwriting Series


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The Uses of Italic


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Reproduction of the original: The Uses of Italic by Frederick W. Hamilton




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Italic Letters


Book Description

The most comprehensive guide to italic calligraphy! Italic Letters: Calligraphy & Handwriting by Inga Dubay and Barbara Getty is the most comprehensive "how-to" workbook that exists on learning italic: 128 pages of step-by-step, beautifully illustrated instruction. The teaching method is "hands-on": you learn to write beautifully by writing. The book provides page after page of models to trace and letters to copy. Each letter is presented in both a monoline tool, for informal and rapid writing, and an edged tool, for an elegant, formal hand. Dubay and Getty take you through basic italic, formal italic, chancery italic then cursive italic, four classic hands that will earn you a lifetime of compliments in both your formal calligraphy and everyday handwriting. Once you have mastered the letterforms, the authors show you how to use your calligraphic skills to design and produce posters, invitations, letters, cards, booklets, and envelopes. This resilient book is for serious calligraphers and those who simply want better penmanship. Italic Letters is for professional and amateur calligraphers, art teachers, and enthusiasts of the book arts. It's also for students, business people, homemakers; virtually anyone who wants to learn calligraphy and improve handwriting legibility. In this age of computer-generated letters and forms, people admire more than ever the beauty and personal impact of handwritten communication.




The Italic Way to Beautiful Handwriting


Book Description

A Teach-Yourself Guide to Italic Handwriting The Italic Way to Beautiful Handwriting is your key to mastering the Italic hand in just minutes a day. Originally developed in the early Renaissance as a "speedwriting" technique by Papal scribes who wanted to combine beauty and legibility with speed, Italic handwriting continues to appear today on diplomas, wedding invitations, and other special announcements. Now through modern teaching methods developed by Fred Eager, this handwriting can be yours. The foundation of the Eager system is a dual approach: you learn calligraphic and cursive simultaneously--one handsome, the other functional--to synthesize a perfect balance. Eager's techniques have been widely used throughout the United States and inspired the resurgence of Italic classes and clubs from coast to coast. In this step-by-step, trace-and-copy manual, renowned Italic instructor Fred Eager shows how to develop the ideal handwriting--legible and beautiful, yet characteristically your own.







The Annals of Quintus Ennius and the Italic Tradition


Book Description

A fresh look at the multicultural influences on Quintus Ennius and his epic poem, the Annals. Quintus Ennius, often considered the father of Roman poetry, is best remembered for his epic poem, the Annals, a history of Rome from Aeneas until his own lifetime. Ennius represents an important bridge between Homer’s works in Greek and Vergil’s Aeneid. Jay Fisher argues that Ennius does not simply translate Homeric models into Latin, but blends Greek poetic models with Italic diction to produce a poetic hybrid. Fisher's investigation uncovers a poem that blends foreign and familiar cultural elements in order to generate layers of meaning for his Roman audience. Fisher combines modern linguistic methodologies with traditional philology to uncover the influence of the language of Roman ritual, kinship, and military culture on the Annals. Moreover, because these customs are themselves hybrids of earlier Roman, Etruscan, and Greek cultural practices, not to mention the customs of speakers of lesser-known languages such as Oscan and Umbrian, the echoes of cultural interactions generate layers of meaning for Ennius, his ancient audience, and the modern readers of the fragments of the Annals.




Catalogue of the Sardinian, Etruscan and Italic bronze statuettes in the Danish National Museum


Book Description

In the First Millennium BC present-day Italy was inhabited by many different ethnic groups, most of which spoke a language affiliated with Latin. Sardinia, a large island to the West of the Italian mainland, had a culture characterized by nuraghs, a kind of massive stone tower, presumably for defense purposes. Many finds of bronze statuettes of warriors show the concern of the population to protect themselves from aggressors, also with divine support secured by impressive priestesses. However, Rome’s closest neighbours to the North were the Etruscans, who spoke a language quite different from any other people in Italy. For a long period Etruscan kings ruled the Romans who, however, liberated themselves from the foreigners and, in reverse, started to conquer their territory. Gradually, from about the Sixth Century BC to about 100 BC, the Romans came to dominate the Etruscans as well as the ethnic groups we call the Italics. But, apart from the military conflict, from which the Romans emerged victorious they were in many ways influenced by the Etruscans, whose prevalence in the field of religion and art they admired. Actually, they welcomed cultural exchange. A striking example is that the Romans invited a famous Etruscan artist to decorate their most important temple, dedicated to Jupiter, on the Capitol Hill. The Etruscan excellence in bronze casting has left a rich heritage of bronze sculpture. Statues and statuettes were used as gifts for the gods in sanctuaries both in Etruria and Rome, as well as in many other parts of Italy.







An Italic Calligraphy Handbook


Book Description

An updated version of the classic Renaissance manuals, this handbook is geared toward modern practitioners. It features the best ideas from the early guides, compiled into a contemporary system that makes writing the Italic as simple as possible. With this manual as a guide, both experienced and novice calligraphers can cultivate their natural creativity.