Italy in the Era of the Great War


Book Description

In Italy in the Era of the Great War, Vanda Wilcox brings together nineteen Italian and international scholars to analyse the political, military, social and cultural history of Italy in the country’s decade of conflict from 1911 to 1922. Starting with the invasion of Libya in 1911 and concluding with the rise of post-war social and political unrest, the volume traces domestic and foreign policy, the economics of the war effort, the history of military innovation, and social changes including the war’s impact on religion and women, along with major cultural and artistic developments of the period. Each chapter provides a concise and effective overview of the field as it currently stands as well as introducing readers to the latest research. Contributors are Giulia Albanese, Claudia Baldoli, Allison Scardino Belzer, Francesco Caccamo, Filippo Cappellano, Selena Daly, Fabio Degli Esposti, Spencer Di Scala, Douglas J. Forsyth, Irene Guerrini, Oliver Janz, Irene Lottini, Stefano Marcuzzi, Valerie McGuire, Marco Pluviano, Paul O’Brien, Carlo Stiaccini, Andrea Ungari, and Bruce Vandervort. See inside the book.




Britain and Italy in the Era of the Great War


Book Description

This is an important reassessment of British and Italian grand strategies during the First World War. Stefano Marcuzzi sheds new light on a hitherto overlooked but central aspect of Britain and Italy's war experiences: the uneasy and only partial overlap between Britain's strategy for imperial defence and Italy's ambition for imperial expansion. Taking Anglo-Italian bilateral relations as a special lens through which to understand the workings of the Entente in World War I, he reveals how the ups-and-downs of that relationship influenced and shaped Allied grand strategy. Marcuzzi considers three main issues – war aims, war strategy and peace-making – and examines how, under the pressure of divergent interests and wartime events, the Anglo-Italian 'traditional friendship' turned increasingly into competition by the end of the war, casting a shadow on Anglo-Italian relations both at the Peace Conference and in the interwar period.




The Italian Empire and the Great War


Book Description

The Italian Empire and the Great War brings an imperial and colonial perspective to the Italian experience of the First World War. Italy's decision for war in 1915 built directly on Italian imperial ambitions from the late nineteenth century onwards, and its conquest of Libya in 1911DS12. The Italian empire was conceived both as a system of overseas colonies under Italian sovereignty, and as an informal global empire of emigrants; both were mobilized to support the war in 1915DS18. The war was designed to bring about 'a greater Italy' both literally and metaphorically. In pursuit of global status, Italy fought a global war, sending troops to the Balkans, Russia, and the Middle East, though with limited results. Italy's newest colony, Libya, was also a theatre of the war effort, as the anti-colonial resistance there linked up with the Ottoman Empire, Germany, and Austria to undermine Italian rule. Italian race theories underpinned this expansionism: the book examines how Italian constructions of whiteness and racial superiority informed a colonial approach to military occupation in Europe as well as the conduct of its campaigns in Africa. After the war, Italy's failures at the Peace Conference meant that the 'mutilated victory' was an imperial as well as a national sentiment. Events in Paris are analysed alongside the military occupations in the Balkans and Asia Minor as well as efforts to resolve the conflicts in Libya, to assess the rhetoric and reality of Italian imperialism.




Morale and the Italian Army during the First World War


Book Description

Italian performance in the First World War has been generally disparaged or ignored compared to that of the armies on the Western Front, and troop morale in particular has been seen as a major weakness of the Italian army. In this first book-length study of Italian morale in any language, Vanda Wilcox reassesses Italian policy and performance from the perspective both of the army as an institution and of the ordinary soldiers who found themselves fighting a brutally hard war. Wilcox analyses and contextualises Italy's notoriously hard military discipline along with leadership, training methods and logistics before considering the reactions of the troops and tracing the interactions between institutions and individuals. Restoring historical agency to soldiers often considered passive and indifferent, Wilcox illustrates how and why Italians complied, endured or resisted the army's demands through balancing their civilian and military identities.




The White War


Book Description

In May 1915, Italy declared war on the Habsburg Empire. Nearly 750,000 Italian troops were killed in savage, hopeless fighting on the stony hills north of Trieste and in the snows of the Dolomites. To maintain discipline, General Luigi Cadorna restored the Roman practice of decimation, executing random members of units that retreated or rebelled. With elegance and pathos, historian Mark Thompson relates the saga of the Italian front, the nationalist frenzy and political intrigues that preceded the conflict, and the towering personalities of the statesmen, generals, and writers drawn into the heart of the chaos. A work of epic scale, The White War does full justice to the brutal and heart-wrenching war that inspired Hemingway's A Farewell to Arms.




A Soldier on the Southern Front


Book Description

A rediscovered World War I masterpiece—one of the few memoirs about the Italian front—for fans of military history and All Quiet on the Western Front An infantryman’s “harrowing, moving, [and] occasionally comic” account of trench warfare on the alpine front seen in A Farewell to Arms (Times Literary Supplement). Taking its place alongside works by Ernst JŸnger, Robert Graves, and Erich Maria Remarque, Emilio Lussu’s memoir as an infantryman is one of the most affecting accounts to come out of the First World War. A classic in Italy but virtually unknown in the English-speaking world, it reveals in spare and detached prose the almost farcical side of the war as seen by a Sardinian officer fighting the Austrian army on the Asiago plateau in northeastern Italy—the alpine front so poignantly evoked by Ernest Hemingway in A Farewell to Arms. For Lussu, June 1916 to July 1917 was a year of continuous assaults on impregnable trenches, absurd missions concocted by commanders full of patriotic rhetoric and vanity but lacking in tactical skill, and episodes often tragic and sometimes grotesque, where the incompetence of his own side was as dangerous as the attacks waged by the enemy. A rare firsthand account of the Italian front, Lussu’s memoir succeeds in staging a fierce indictment of the futility of war in a dry, often ironic style that sets his tale wholly apart from the Western Front of Remarque and adds an astonishingly modern voice to the literature of the Great War.







Italy and the Great War


Book Description




Italy and the Cultural Politics of World War I


Book Description

Italy and the Cultural Politics of World War I dialogues with the variety of texts recently published to commemorate the Great War. It explores Italian socialist pacifism, the role of women during the conflict and a dominant cultural movement, Futurism, whose leader, Filippo Tommaso Marinetti, glorified war and enlisted in the fight. Other soldiers created documents about the war that differ from the heroic and virile endeavor that Marinetti placed at the center of his works on war. Italy and the Cultural Politics of World War I pays attention to the representations of the soldiers through an analysis of their letters, dominated by descriptions of the terrible hunger they suffered. In contrast, popular film absorbed the cultural lessons in Marinetti's writings and represented soldiers as modernist heroes in comedies and dramas. However, film did not shy away from representing cowards who could only be baffoons and fools in propaganda films. In another medium, the concern was to publish texts that would serve the fighting soldier and inform readers about ideological and historical motivations for the conflict. The publishing industry supported national propaganda efforts. Only socialism could endanger anti-war publication, but after its initial opposition to the conflict, socialists occupied a neutral position. Italian socialism still remained the only European socialist party that did not renege its pacifism in order to embrace nationalism and the war, but it was also not in favor of actions that would sabotage in the Italian war industry. ltalian socialism is only one feature of Italian culture that was dramatically changed during the war. WWI impacted every aspect of Italian and of European cultures. For instance, as an essay in Italy and the Cultural Politics of World War I explores, the war industry needed workers. The solution was to bring Chinese men France to contribute in the war effort. After the war, they moved to other countries and in Milan, Italy, they founded one of the oldest Chinatowns in Europe, dramatically changing the human landscape of Italy as they later moved to other Italian cities. Italy and the Cultural Politics of World War I supplies essential research articles to the construction of an inclusive portrayal of WWI and Italian culture by deepening our understanding of the transformative role it played in 20th century Italy and Europe.




The Great War in Italy


Book Description

The Great War in Italy. Representation and Interpretation collects interdisciplinary papers from international scholars who investigate the representation and interpretation of the First World War in Italy from the multi-faceted standpoints of literary criticism, history, cinema and cultural studies. The collected texts investigate a broad range of aspects of the Great War in the Italian context, from the ethical implications of testimony and literary rhetoric to the relationship between personal and public writing; from the role of intellectuals in the face of war to the political implications of identity, nationalism and irredentismo; from the function of propaganda and literacy among soldiers to the invention of a “spectacular” war through footage and movies.The introduction presents key-concepts such as conflict, individualism, brotherhood, responsibility, and propaganda within a framework of philosophical speculation on the idea of war as a constructive, and indeed necessary element of the relationship between individuals and of the process of identity-building, of which war represents an irrational degeneration.The volume is divided into four sections. The first focuses on language and propaganda, on the influence of the latter on the writings of soldiers, and on the role that some intellectuals such as D'Annunzio, De Roberto, Alvaro and Gadda played in representing the war and in elaborating its meaning. The second section focuses on the issue of literary representation of the war in poetry and narratives, with particular attention to the question of the “self” and to the relationship between dialect, war and poetry. Some articles also compare the British “war poets” to Italian contemporary poets, as well as to the poetics of Gadda and Ungaretti. The third section focuses on identity-related issues such as cosmopolitanism, the ideological value of irredentismo, brotherhood and the process of construction of the national identity through the experience of war. The fourth and last section concerns the legacy of the First World War in the work and function of the archival collections of letters, images and film-footage.This book offers a multidisciplinary insight into an event which was fundamental in shaping contemporary Italy and in determining the meaning of the legacy of the Italian experience in the First World War . This collection of scholarly contributions is accessible to non-specialist readers, and also represents a link between the 150th anniversary of the Unification of Italy and the 100th anniversary of the outbreak of the First World War.